Showing posts with label heart. Show all posts
Showing posts with label heart. Show all posts

Friday, March 26, 2021

Saving the Heart of a School Year With the Power of Story

 

On March 13th of last year, I said “so long for now” to my transitional kindergarteners/kindergarteners in Los Angeles.  It was supposed to be for two weeks, but doubt tugged at the edges of my mind.  I stayed late that day and collected everything that meant anything to me and packed it into my car.  I really wasn’t sure when we were coming back.





Even the thought of two weeks online without any preparation or direction was daunting.  How would I preserve the heart of my little community that we had worked so hard to nurture? 

My wide-eyed, five-year-olds had spent six months  learning to connect, communicate, and create together.  Stories kept them bound to each other. Braided together by three-quarters of a year,  they had learned that their stories were valuable and listening to each other’s stories was equally so.  We had created an artery from which those stories flowed straight to the heart of our class, keeping us alive and nourished.

The expectations for teachers on that first Monday of virtual class, March 16, 2020 were high but undefined, ambiguous, and undetermined. There was no roadmap. No guideposts. No precedence that we knew of (a year later it turns out that this is not the first time in history that schools were shuttered because of a pandemic.)  I didn’t even have the proper technology to switch to virtual teaching. 


But, when it comes to children, it’s often very simple.  As long as you speak to their hearts and can hear their hearts beat back,  you can’t go wrong.  Those last three months were painful for all of us. The  simple answer at the time was to hold onto storytelling.  It was our life raft that we rode to the other side.



I began the new school year in August with the same intent, creating a new artery with a different set of young storytellers.  Beginning with four and five-year-olds who had never been in formal school was like the clichรฉ, “building the plane while flying it.” 


I did not have the advantage of beginning with a group of students in-person and finishing up online.  This was a whole new frontier. How could I bring this group together and create cohesion amongst young children who were still at the beginning of their development in terms of social skills? Most importantly, could I save the school year with the power of story? Could we build that artery like I had the year before? I was unsure.

I am a big believer in the power of story and so my lack of direction led me to my most basic core value as both a teacher and an author.  Stories are the only thing we leave behind when our time on this earth has been completed.  The stories other people tell about us and the life we led is our only true legacy after we are long gone.  Learning to tell our stories and to recognize the stories of others is the essence of humanity.

Stories define us and dare us to dream.  They simultaneously connect us to each other and allow us to shine individually as we explore our own narratives.  Stories are perhaps the most powerful thing that humans create.  They are what set us apart from other species.  They are how we communicate to each other, to our young, and across generations and centuries.  They defy time and space.


 I believe that the art of storytelling is the most basic skill that children need.  Most academic subjects flow from story and narrative. And so, I travelled deep down to the memory of the lifeblood that flowed through that artery that  I had created the year before under much different circumstances. When faced with the dilemma of what I would teach my young students  virtually, my path led me back to keeping our humanity.  Preserving our humanity with stories that flowed through the artery would sustain us and learning lessons that reached beyond, writing, and arithmetic would save the heart of our education. 

The media says that we have lost a year of learning,  but I disagree.    

The students in my class this year have learned to tell their stories to each other. We have not lost.  We have gained. I believe we have gained  back our heart in education. I believe we have  preserved our humanity. What really makes us human? Standards and tests? Data and criteria? Or stories that create a rich tapestry of existence.

 My students paused and observed things around them that they would never have noticed in the hustle and bustle of their typical lives. Our community has been able to notice the details of their personal stories that they usually don’t have time for, as life rushes by.  More importantly, we have grown our relationships and have created rich narratives.  

We have not lost. Perhaps we have shed the things that have cluttered the “being” part of human being and travelled down to our true heart where stories keep us alive and will for generations to come . . . and then some.


Stories are the lifeblood that flow through the artery. They feed the heart of education which is our humanity. Isn’t that the true purpose of education?  I’d like to think so.

Posted by Zeena M. Pliska

For more information about my picture books and teaching experiences click www.zeenamar.com

If the videos don't play for you above.  You can click on them below.



And if the picture book trailer for Hello, Little One: A Monarch Butterfly Story from my previous post didn't play, you can click on the link below.


Hello, Little One: A Monarch Butterfly Story 

Written by Zeena M. Pliska and illustrated by Fiona Halliday

Published by Page Street Kids

Video created by  Kyle Ragsdale  kyleragsdalevfx.com

Friday, March 19, 2021

1 Day, 2 shots, 3 teachers: So Grateful!

Howdy, Campers, and Happy Poetry Friday! (The link to PF are below)

This round, we’re sharing “Matters of the Heart”๐Ÿ’•. Esther starts us off in her characteristically generous, loving manner, offering three books that keep her heart beating;: Of, By and For Our Reader’s,Writer’s and Teacher’s Hearts; as she takes time off from this blog (I miss her already), Bobbi shares a song I’ve fallen in love with, Baba Yetu, in her very short post, Song of the Week: Here’s to You!;  Mary Ann, who always writes honestly from her heart, shares old family photos as she chronicles her process of returning to writing in Welcoming Home the Prodigal Heart; and Carmela shares two original haiku inspired by a prompt on Storystorm in her post, #TwoHaikuFromTwo.

And me? As a spring breeze of hope blows across my face, three things come to mind when I hear the word "heart"...

1. Heartbreak: March 7, 2020 ~ the last time I taught in person at UCLA.๐Ÿ’”

I thought I was so clever putting up this sign to keep our classroom safe that day     :

Pl                                                Please read the exciting tale of
                                   ALCOHOL AND KLEENEX ~ A LOVE STORY 
· Pour a small amount of alcohol in your palm.
· Wash" your hands the same way you would with soap and water (the classic love story you may be more familiar with). 
· Let your hands air dry completely.  Do not rub them on your clothes to dry. 
                                          Thank you.

(We live and learn: I quickly stopped using alcohol. Anyone need a bottle? I have extra.)

There are many markers for when, exactly, the pandemic began in the US. The consensus is March 11, 2020. I was haunted recently, thinking back...it felt as if it had been at least two years. Or ten. I wrote this poem March 11, 2021:

THIS DAY

by April Halprin Wayland

This day.

This day a year ago

(or maybe more? Am I remiss?)

We stood upon a precipice

and knew not this:

this day the route was stayed, dismissed.

We thought it was the way but no—

it was the cliff.

2. ๐Ÿ’•Take Heart: Two shots!๐Ÿ’•

Now, thanks to the policies of a human, humane POSTUS, I’m double-vaccinated, as is my husband. And though we know democracy is not and has never been a spectator sport, still, my heart beats with hope for our country. Soon we may have a big, warm hug with our son and his beloved (he's an ER doc in Albuquerque, we live in Southern California)!

3. ๐Ÿ‘ชFrom Heart Burn to Open Hearted: Three Musketeers teach a three-hour class๐Ÿ‘ช

In the writing/teaching realm, my heart is filled with affection and appreciation for... 

                             
Alexis O'Neill ~ photo by Sonya Sones

and 

                                                                 

...two dear friends with whom I've been teaching intro to picture book class for absolute beginners each spring for many years. This quarter, UCLA Extension Writers' Program asked us to condense our one-day eight hour class into a one-day, three hour class.

Did you catch that? From eight hours down to three.

How were we going to teach everything a beginning picture book writer wants to know but is afraid to ask in THREE hours?

ACK! There's so much students won't be getting. 

But as every seasoned teacher knows, that's nothing new, right? Learning what to leave out is part of teaching. It's just that remote classes gobble up time like bears gobbling blueberries

Once we agreed that stuffing eight hours into three was like stuffing a dictionary into a thimble, we ripped up our syllabus and our carefully paced 8-hour schedule, created a tear in the space-time continuum,

...and crawled through.

And now it feels as if we've birthed something new. It's exciting!  So...if you know someone who doesn't know ANYTHING about picture books but is curious, please tell them about our class ~ just $30 for 3 hours. It'll be an adventure. Tell them to join us!  

Here's our flyer with Barney's fabulous illustration:

UCLA EXTENSION WRITERS' PROGRAM PRESENTS:

INTRODUCTION TO WRITING CHILDREN’S PICTURE BOOKS
A BASIC WORKSHOP FOR ABSOLUTE BEGINNERS

Saturday, April 3, 2021, 12-3pm PST
$30

You have the dream~ I've always wanted to write a children's picture book. 
But how? This inspiring class offers you practical tools to help you realize that dream. It includes writing exercises, examples of current picture books and behind-the-scenes stories and advice from award-winning authors. By the end of this class you'll have tools to guide you in this vibrant field.

Instructors:
Seasoned teachers and award-winning children's picture book creators
Alexis O'NeillBarney Saltzberg and April Halprin Wayland 

Please understand that learning to write a picture book in three hours
is like speed-dating a cheetah on roller skates. Downhill. 
Still, the chase will be quite exciting!

Enrollment is limited.
https://ucla.in/3eUCzWU
...................................................................................................

Many thanks to RhymeZone and its "find phrases with the word heart in it" option.

Now it's your turn: if you were to list 3 things that changed your heart this past year, what would they be?

Thank you to Linda for hosting Poetry Friday at TeacherDance this week!

posted by April Halprin Wayland with the help of Sheldon, our 20-year-old tortoise, who came out of hibernation today to assist with all his heart.



Wednesday, June 22, 2011

VCFA Blog Initiative: "Finding the Heart of Your Story" by Pam Watts


The TeachingAuthors are proud to be part of the Vermont College of Fine Arts (VCFA) Summer Blog Initiative. We're especially pleased to be the first blog to feature these inspiring and practical posts by students and graduates of the MFA programs because four of us (Jeanne Marie Grunwell Ford, Carmela Martino, Mary Ann Rodman and JoAnn Early Macken) hold MFAs from Vermont College. As for me, I’ve vicariously attended Vermont College since it began in the late 90’s via my writing friends, colleagues and even students whom I recommended.  One of these days my Summer teaching schedule will change and I can at least attend a Summer Intensive.  (I’m saving the Winter Intensives for my Next Lifetime.)
Our series began last Monday with Jodi Paloni's entry, "The Point of Point of View." In last Wednesday's guest post, "Decide vs. Discover," Cynthia Newberry Martin shared a technique for letting the characters tell you what happens next in your story.  Sion Dayson gave us another method for moving forward in last Friday’s post, “What Happens Next? Inch Forward in the Dark.”  On Monday, Lynn Miller-Lachmann put forth the VCFA way to critique a fellow writer’s manuscript in "Critiquing Others" The Constructive Critique."

Today’s post by Pam Watts, "Finding the Heart in Your Story," addresses the heart of your story and how it can be found. It captured my writer’s heart instantly.  Following the post, I've offered a related Writing Workout.


The next stop in the VCFA blog initiative?  Pam's very own Strong in the Broken Places blog.

Thank you, Pam, for sharing your insights with our readers and writers.

Learning from you and your fellow VCFA bloggers these past two weeks gladdened this teacher's  heart immeasurably.--Esther Hershenhorn

                                * * * * * * * * * * * * * * * *

Finding the Heart in Your Story

I decided to be a writer after some minor success with my first book when I was seven. I took a year off from college ten years ago and blithely wrote my “first novel.” Ha.

Many critique groups, writing classes, and conferences later, my novel was going nowhere. But I was serious about this writing thing, so I found myself at Vermont College of Fine Arts. They gave me a scholarship when they admitted me. I thought I was Pretty Hot Stuff. I just needed to learn to turn a prettier phrase (but I thought my phrases were already fairly pretty). Again, can I say: Ha.

I got to my first workshop--the extremely squirm-worthy process whereby 15-20 extremely articulate students and a teacher who has written so many books that he could generate an award-winning plot in his sleep tell you exactly what is and isn’t working with your novel--and discovered from the inimitable Tim Wynne-Jones that my characters lacked emotion, my plot lacked internal logic, my language was altogether too flowery. Oh, and that setting I thought was Wales?--Well, it felt more like Ireland, actually.

I cried big, fat heavy tears alone in my dorm room. Then I put my hair up in a pompadour and I got on with life.

My first semester studying with one of my literary heroes -- Martine Leavitt--did not go any better. I spent the entire semester trying to convince her that she just hadn’t understood my perfect vision.

Now fast forward through three semesters, a few World Wars, and a great deal of craptastic writing to my penultimate residency. Here you will find me crying in my closet after my good friend Clete finished his graduate reading.

Why was I crying this time?

Because the story Clete read from was so deep and heartfelt and emotionally honest that I suddenly realized how much resistance I have to my own writing. I realized that I aggressively “try” so I don’t have to do the real work of writing from my heart.

I’d like to say that I’m a new person now, that I have no ego and I always dig deep. Sigh. But over the course of my last semester my writing did change. I started to actually listen to my wonderful advisor -- Margaret Bechard. My writing became a little darker, scarier, and more fluid. And I started to ask the question: why do I need to tell this story?

Now that I’ve graduated, that question is with me each time I sit down to write. And with it I’ve occasionally found a deep openness. This space is scary and so I often avoid it. But not always.

It’s a process.

Finding the heart of your story is like finding the heart of yourself. You never really get there, but every step you take gets you a little bit closer. And if it’s worth it to you, you keep going.

Pam Watts is a graduate of the Vermont College of Fine Arts MFA in Writing for Children & Young Adults Program. She writes fiction for teens, speaks about graphic novels and literacy at conferences, and blogs about children’s books and childhood adversity at Strong in the Broken Places. If you have questions or comments about this post, or about Vermont College, she can be reached directly at PamLWatts@gmail.com


Writing Workout

Your story’s heart and yours share the same blood supply. What’s pumping in one is pumping in the other. 
No bypass is surgically needed.

I recommend writers create a Writer’s Journal to use - in tandem – with the Writer’s Notebook they keep for each writing project.

In your Writer’s Journal, answer the questions below for the story you’re currently writing:

(1)    How might your character introduce you to an audience of writers and readers?
(2)    Why does your character NEED you to tell his/her/its story….and now?
(3)    What thoughts/concerns/worries might your character have about your keepin’ on…as you travel your writer’s plotline to tell his/her/its story?  How and why is he/she/it 100% certain you'll do just that?

Friday, February 12, 2010

Two Writing Quotes, Two Children’s Poems & How to Write a Valentine’s Day Poem with Heart


Hello, howdy and Happy Almost Valentine's Day!

This week, Teaching Authors’ Mary Ann Rodman posted on rewriting.

Rewriting always makes me think of the quote by Sir Arthur Quiller-Couch  (great name!):
"Whenever you feel an impulse to perpetrate a piece of exceptionally fine writing, obey it—whole-heartedly—and delete it before sending your manuscripts to press. Murder your darlings."

And I LOVE the comment author and reader Irene Latham made when she said in part, “The biggest "aha" moment came for me as an adult when I lost a bunch of files. As I went to recreate, I realized words are disposable and MEANT TO BE MOVED AROUND. That's the beauty of the whole thing.”

One of the rewriting agonies I suffer is: how do I know when it’s finished?  There is no green button that says DONE.  No red light that says: STOP REVISING.

In writing and rewriting a Valentine’s Day poem, I came up with two versions.  Which one should I send to Cricket Magazine?  So, here they are—which do you like best?  (Which one did I send?  The answer's at the bottom of the second poem.)

WHEN YOU SAID HI
By April Halprin Wayland

My first day of school
I didn't know anyone.
I stood in the middle
of a swirling blender

of kids talking
of kids laughing
but not to me
not with me.

I stood in the middle
not knowing anyone.
Then you came up.
You came up to me and said hi.

When you said hi my whole day
                            my whole week
                            my whole year
rolled out happy.

After that
there was our rock collection
the Club House
and more.

When you said hi
that was the day
I started making this
Valentine's Day card for you.

© April Halprin Wayland


ROCK SOLID FRIENDSHIP
by April Halprin Wayland

Last summer when we were at the creek
and you and Andy and Joey
climbed up to the highest rock

thought about it
saw how deep it was
thought about how cold it would be

and finally
one by one
jumped

when you didn't tease me
or try to coax me up the rock
or call me a baby

Last summer is why
I'm giving you
this Valentine.

© April Halprin Wayland, first published in Cricket Magazine, February 2008



Writing Workout / Lesson Plan
How to Write a Valentine’s Day Poem With Heart

Valentine’s Day poems can be funny and rhyming and light.  They can be deeply felt.  Today, let’s do an exercise that will help you find rich, dig-down-deep content for your Valentine’s poem.

When someone tells me that they like me, I never say this, but I secretly, achingly want to know: what did I just do?  Why do they like me? 

Here are six steps to help you find the heart of your poem which will tell your friend why:
1)    Make a list of five people you love...or at least really like.
2)    Circle the one person for whom you want to write a poem.
3)    List at three times you were with this person which you remember fondly—was it in the living room after dinner?  Sitting next to that person at the movies?  Going shopping together?
4)    Choose one of these events.
5)    Give us the nitty gritty details.  Where were you?  What did this person do that you liked?  Were there any smells that you remember from that day?  Did you eat anything?  If so, list the foods.  Did that person hold your hand or hug you or pat your back or kiss you or pat your head?  If so, how did that feel?  Was his or her hand warm or cold?  Write down the details.  What did you see in that person’s face?  Were his or her eyes wrinkled or soft or shining?  Did he or she have a special smile for you? 
6)    Now you have the content for a poem explaining why you love (or really like) this person.  You may decide to use only one or two of the details from your list, but it’s those little details that will make your poem shine. 

Writers, start your engines!

And always, always, write with joy.


drawing by April Halprin Wayland

Sunday, January 24, 2010

Clueless in Atlanta: A Writer's Search for a Heart

     How do I begin a story?  Usually, with an idea that jumps on my shoulder and shouts "Pick me, pick me." Sometimes the idea seems so ripe and whole I think the Muses have send me a full blown picture book, characters, plot and all.
      Then I sit down to write, and discover that I have almost everything. 
      I have a series of events, an anecdote. That magic thread that weaves the events into a story, isn't there. That magic thread is theme, the heart that drives the story. 

   Such was the case with A TREE FOR EMMY.
    My daughter Lily's first real friend, Emme, lived across the street. As pre-school BFF's they shared a love of anything pink, stomping through mud puddles and flowers (especially pink ones.) Emme's mother was an easy going woman who allowed the girls to dig and plant in her yard.

   Because Emme and Lily loved wildflowers, dandelions, wild daisies and Queen Anne's lace had free reign in the yard. The neighbors were not amused.
     It was no big surprise when Emme announced she wanted a mimosa tree for her birthday. For those of you who have not had the pleasure of living near a mimosa tree, they produce lovely fluffy pink blossoms and big stringbean-like seed pods. The tree also sheds those blossoms and pods, leaving an untidy yard. This bothers some people.  
     I am not one of those people. Neither was Emme's mother. A TREE FOR EMMY sticks closely to the real-life events. Girl wants tree, girl meets resistance, girl gets tree. Real-life handed me characters, plot and conflict. What more could a writer ask for?
     A heart. I had written a story, but I didn't know what it was about
     Over time, I've discovered I have to write the story first and hope that by the next time I read it, I'll have an idea of what is flowing beneath the surface.
     I literally don't know what I am writing about.
     I wrote EMMY and put it away. I read it six months later. . .and I still didn't know what it was about. Another six months, another reading. Nothing. Six more months. Still clueless.  So much for a "complete story" bestowed on me by the Muses.
     In the interim, I wrote another picture book in which the main character was a dead Christmas tree (no kidding). A critique that story received was "A dead tree doesn't do anything. If it were a living tree, it would at least grow."
      The Big A-Ha Moment.  Trees grow!  A TREE FOR EMMY was about growth, both plant and human. At last my story had a heart.
      It only took five years to find The Missing Heart. Like Emmy and her tree, I discovered that writing requires time and patience. 

      P.S.  The "dead Christmas tree" picture book eventually became a middle grade historical fiction, JIMMY'S STARS.


                                   Mary Ann Rodman


P.S.S.  Are you a Teacher or Homeschooler?  Remember to enter our contest!  The winner can choose one of six Teaching Author books as a prize.  Read all about it here.