Friday, January 18, 2019

Beginning a Story or Populating Your Beach





    Beginning a new story is like sunrise at the beach.  Slowly, light appears over the horizon. Brighter and brighter to reveal....an empty beach.  Well, not quite empty.  The light is an idea, a glimpse, a voice, a detail, flitting though my head.

Quick! Catch it. Catch it right NOW before it flies off to join the bog of other ideas in the back of my head...the ones I forgot to write down.

I grab my jot journal--the one full of disjointed phrases and conversation bits that make no sense to anyone but me.  I scribble down whatever the light revealed to me...in a way that I will remember it the next time I read it. (My first jot journal contained all kinds of cryptic notations that made no sense when I looked at them later.)

Let entry marinate a day or so.

Go back to jot journal. Decide if what seemed brilliant a couple days ago, still shines as brightly. Assuming it does, find other journal where I Work On Things. I write down as much as I know about that tiny bright spot on the empty beach of my mind. Sometimes it's a sentence (on rare occasions, the FIRST sentence...which was the case with Yankee Girl and First Grade Stinks). Sometimes it's a character description, or a disembodied character carrying on a monologue. I write it down. I write until I run out of stuff to say. I stick a Post-It note on the page, with the date, and shorthand for the idea, sticking out like a book mark.

Then I put it away for a couple of months.

At some point I will 1) remember that idea or 2) find the idea in the IWOT journal while I'm looking for a DIFFERENT idea. I will either decide that the idea is too thin to bother with, or discover that in the intervening months, more ideas, themes, and characters have bubbled to the surface, begging to join the original thought.

Thin ideas stay where they are. I never throw anything out. Some of those turn into something more, years later (Camp K-9 and A Tree for Emmy are two of those). Sometimes not. You never know.

I look at the idea I am now married to for the next year or so, and do an inventory. How well do I know these characters who have moved into my life?  What other information do I need for this story? Then follows three or four months of basic research.(Amazing the number of facts you need to know to write even a picture book,),

I also get to know my characters. They obligingly show up at odd moments (the back seat of the car, or the foot of my bed...in the middle of the night) and want to talk to me. Or to each other.

After a couple of months of nailing down facts and talking to characters, I take another look at my beach.

Wow. It's full of people meandering around...little groups here and there, engaged in a scene. The beach is also littered with piles of props (my researched facts) I know my characters need, but they don't seem to be using them. It's up to me to show them their props, and tell them how to use them. I need to put those scattered groups acting out scenes in some sort of sequence.

My beach is full, but chaotic. This chaos is called pre-writing. Now it's time to get my ducks and characters and facts in a row. Time to write that first draft.

And that's how I start a story.

Friday, January 11, 2019

Endings and Beginnings


The Old Year
--John Clare, 1793 – 1864

The Old Year's gone away
     To nothingness and night:
We cannot find him all the day
     Nor hear him in the night:
He left no footstep, mark or place
     In either shade or sun:
The last year he'd a neighbour's face,
     In this he's known by none.



And welcome to the New Year!

I am reminded of what T.S. Elliot once said, that last year’s words belong to last year’s language. And next year’s words are yet to be written.

So now we have an opportunity to begin a new story. A blank page is in front of me, and I’m still trying to figure out my first line. It’s intimating, writing that first line. An argument can be made that the beginning of the story is the most important. First impressions and all. In fact Jacob Appel suggests in his article, 10 Ways to Start Your Story Better, that the fate of most literary endeavors is sealed within the initial paragraph, “and that the seeds of that triumph or defeat are usually sown by the end of the very first sentence.”

“In writing, as in dating and business, initial reactions matter. You don’t get a second chance, as mouthwash commercials often remind us, to make a first impression.”

Consider these iconic first lines:

Jane Austin, Pride and Prejudice (1813): It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife.

Herman Melville, Moby Dick (1851): Call me Ishmael.

George Orwell, 1984 (1949): It was a bright cold day in April, and the clocks were striking thirteen.

Charles Dickens, Tale of Two Cities (1859) : It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness, it was the epoch of belief, it was the epoch of incredulity, it was the season of Light, it was the season of Darkness, it was the spring of hope, it was the winter of despair.

Charles Dickens, David Copperfield (1850): Whether I shall turn out to be the hero of my own life, or whether that station will be held by anybody else, these pages must show.

Ray Bradbury, Fahrenheit 451(1953): It was a pleasure to burn.

Sylvia Plath, The Bell Jar (1953): It was a queer, sultry summer, the summer they electrocuted the Rosenbergs, and I didn’t know what I was doing in New York.

Zora Neale Hurston, Their Eyes Were Watching God (1937): Ships at a distance have every man’s wish on board.

So I wrote my first line, to my new story. It reads:

To see the elephant: an American expression popular in the 19th century. It means to gain experience, overcome unexpected dangers and face the miseries of life, but at an extraordinary cost.

Well, I’ll work on it.

What is the first line to your new story?

Bobbi Miller

Friday, December 28, 2018

Giveaway Winner and our Winter Break


Hi all,
Just a quick update to announce that the winner of Carla's new book Buried Lives: The Enslaved People of George Washington's Mount Vernon is Vanessa R!


Congratulations, Vanessa! And a BIG thank you to all who entered. We're planning more great giveaways in 2019, so stay tuned. I'll be posting about the next one in February.

Hope you're all enjoying the holiday season. Our regular posts will resume Friday, January 11.

Till then, remember to Write with Joy!
Carmela

Friday, December 21, 2018

The Unseen Foundation of Buried Lives AND Last Day to Enter Book Giveaway


This week’s post is a follow up from last week.  In that post, I was looking forward to the release of Buried Lives: The Enslaved People of George Washington’s Mount Vernon on December 18.  At last the book is officially available for purchase.  Yipppeee!  

TODAY, DECEMBER 21, 2018, IS THE LAST DAY TO ENTER TO WIN A COPY OF BURIED LIVES.  SCROLL DOWN TO SEE THE INSTRUCTIONS ON HOW TO ENTER AT THE END OF LAST WEEK’S POST.  

But behind every page are countless backstories that no one will ever know.  Sometimes those stories—not meant for the pages of the book—make what is written on the page even deeper and more meaningful.  

Here in this space I’m going to share a few pics and stories that are not in the book.  And some of the stories I don’t have photos for.  But every photo and every story are sub text in the book, even though not in the words I’ve carefully crafted there.  

Many different people at Mount Vernon have helped me in countless ways.  I don’t have photos of most of them.  Mary V. Thompson, the historian at Mount Vernon has always shared her vast knowledge with me with unbelievable generosity that goes beyond her “job” at Mount Vernon.  She has answered hundreds of questions for me along the way.  Another hero of mine at Mount Vernon is Dawn Bonner, Manager of Visual Resources who shared countless images with me as I chose just the right ones. In the end she helped me find many of the stunning images you see in the book.  She too answered hundreds of questions for me about images.  Thank you both from the bottom of my heart.

Here are just of few photos that make up the unseen foundation of Buried Lives.  

  
In the laboratory with Joe Downer, Archeologist and Crew Chief for Mount Vernon's dig in the cemetery of the enslaved.  Thousands of pieces of history have been found at Mount Vernon especially in the areas where the enslaved lived.  Lives of people become real when you touch pieces of dishes, pipes, and pottery they used day to day.  Joe has helped me in a million ways throughout this project.  


I had the opportunity to work with the archeologist to dig in the cemetery.  Me working the soil shaker where a 5000 year old Native American arrowhead was found.  Wow.  I was the second person to touch this in 5000 years!   



Me working a trowel to finish uncovering one of the graves of the enslaved in the cemetery.  I wrote about it on pages 126-127 of the book.  It was a deeply moving experience to uncover grave #67.  No one will ever know who lies buried in this unmarked grave.

Brenda Parker, who portrays Caroline (one of the people highlighted in my book) and Don Francisco (plays the fife at Mount Vernon) came to the cemetery memorial on the days I was working on the dig.  Brenda -who sings like an angel-sang Amazing Grace, and Don accompanied her on the fife.  I cried and cried.  A day I'll never forget.  Thank you dear ones for all you!

One of the wonderful things about this book is adding these two wonderful people in my life as friends.  Thank you Brenda Parker and Don Francisco for your sweetness.  

Having dinner with the amazing Mary V. Thompson, the historian at MV.  And my new friend Zunny Matema (a descendant of Caroline in my book).  Zunny wrote the forward for the book.  What a wonderful circle to complete as a writer.  To write about Caroline, then meet her present day descendant.  What an honor!  

I’ve done all I can to make Buried Lives the best book it can be. I’ve researched it, written it, revised it countless times, wept over it, and prayed over it.   

At last the book is available for readers. 

READY FOR THE WORLD....


Carla Killough McClafferty

Here's the link to the post where you can enter the giveaway.

Friday, December 14, 2018

Book Giveaway and Release of my book, Buried Lives: The Enslaved People of George Washington's Mount Vernon

At last it is time to do the dance of joy and celebrate.  Yippeeeeee, Hallelujah!  My new book Buried Lives: The Enslaved People of George Washington’s Mount Vernon(Holiday House Books) will be released in a few days-on December 18, 2018. 

Released December 18.  New from Holiday House.  STARRED review in Booklist.
Enter the book giveaway at the end of this post for a chance to win a copy of
Buried Lives: The Enslaved People of George Washington's Mount Vernon.

It has been five years in the making.  Now that I think about it, it has been closer to five and a half years since the first idea for this book planted itself firmly in my mind--and more importantly in my heart.  At the risk of sounding melodramatic, when I take on a topic for a book, I live with the people I write about for the rest of my life.  

The people from Buried Lives I’ll carry with me along life’s bumpy road are William Lee (Washington’s valet), Christopher Sheels (the young man who took over as valet), Caroline Branham (housemaid), Peter Hardiman (Caroline’s husband who ran Washington’s mule breeding operation), Oney Judge (Martha Washington’s lady’s maid), and Hercules (chief cook at President’s House in Philadelphia).  Along with these six people, their families join me too. For some of them, I know their mothers, their grandmothers, their aunts, their uncles, their spouse, their sons, and their daughters.

While I’m researching and writing the book, the subjects of my book are never far from my mind.  I think about them as I figure out how to bring their true-life stories to readers in a way that is accurate and entertaining.  I think through the details of their experiences.  I ponder over them.  I put myself in their shoes so to speak-at least as much as possible.  The people I write about must be real to me.  If they aren’t real to me, they will never feel real to my readers--even though they were real people.  

I want my readers to find out what happens to the six people I highlight in my book.  But that’s not all—I want them to feel the hoe in Christopher’s hand when he was a child. I want them to feel the cold as Caroline lights the fires in the house during the winter.  I want them to smell the delicious meals Hercules cooked on the hearth.  I want my readers to see them as real flesh and blood people who had every emotion we have today.  And I want my readers to remember that someone else owned these six people.  In this case, their master was the President of the United States.

Along the way of telling about the lives of these six individuals who were enslaved at Mount Vernon, I weave in Washington’s changing views of slavery through the years.  By 1799, 317 enslaved people lived at Mount Vernon. Washington owned 123 of them, he rented 41, and 153 individuals were owned by Martha’s dower estate.   Near the end of his life, Washington wrote a will that would freed the 123 people he owned.  But neither he nor Martha could free the 153 people that were part of her estate.  This sets up a devastating separation of some families after the deaths of George and Martha Washington.  Readers will find out which of the six were freed and which remained enslaved.

Also part of Buried Lives is the ongoing archaeological dig in the cemetery for the enslaved people of Mount Vernon.  The graves, which are unmarked, are slowly being located and counted—while none of the remains are disturbed. 

In a few days, Buried Lives: The Enslaved People of George Washington’s Mount Vernon will leave my protection.  It will be released into the world to stand on its own.  It is my hope that the book I’ve written will allow six, specific enslaved people from Mount Vernon to step out of the fog of history and stand in the bright light of recognition.  I want my readers to like them as much as I do.   

Carla Killough McClafferty

BOOK GIVEAWAY

Readers, to enter our drawing for a chance to win an autographed copy of Buried Lives: The Enslaved People of George Washington's Mount Vernon, written by Carla Killough use the Rafflecopter widget below. You may enter via 1, 2, or all 3 options.





If you choose option 2, you MUST leave a comment on TODAY'S blog post below or on our TeachingAuthors Facebook page. If you haven't already "liked" our Facebook page, please do so today! 
In your comment, tell us what you'd do with the book if you win our giveaway--keep it for yourself or give it to a young reader?

(If you prefer, you may submit your comment via email to: teachingauthors [at] gmail [dot] com.)

Email subscribers: if you received this post via email, you can click on the Rafflecopter link at the end of this message to access the entry form.

Note: if you submit your comments via email or Facebook, YOU MUST STILL ENTER THE DRAWING VIA THE WIDGET BELOW. The giveaway ends December 21, 2018 and is open to U.S. residents only.

P.S. If you've never entered a Rafflecopter giveaway, here's info on how to enter a Rafflecopter giveaway and the difference between signing in with Facebook vs. with an email address.



a Rafflecopter giveaway

Friday, December 7, 2018

IMAGINE!


Imagine!

In but twenty-four days, 2018 will have come and gone.
I’m amazed to report: I made it!
My Can-Do/Anything-is-Possible Spirit appears surprisingly intact, only a smidgen worse for the wear this past year.

I did indeed try my hand at undertaking many of the verbs I’d recommended in my January post. (Think: begin, write, revise, finish, push, stretch, seek and find.)
I of course remain immeasurably grateful to those who kept me keeping on: my family and friendsmy fellow bloggers, my Chicago Cubs – in particular David Bote who pinch-hit a walk-off grand slam at the bottom of the ninth to beat the Nats 4 to 3 this August, but especially my students and writers – my storied treasures who kept me focused on doing what I love and loving what I do.
I’m still in the Hope Business, writing children’s books as well as teaching and coaching children’s book creators who do the same.

To be truly honest, a September trip to the Amalfi Coast did wonders. 😊
As did binge-watching The Gilmore Girls, a much-touted series that allowed me to live daily in Stars Hollow. 😊
So did so many beautifully-written inspiring children’s books, from Khaled Hosseini’s SEA PRAYER, Lesa Cline-Ransome’s FINDING LANGSTON and Mandy Davis’ SUPERSTAR to Minh LĂŞ’s DRAWN TOGETHER, Jarrett J. Krosoczka’s HEY, KIDDO and Deborah Mills’ LA FRONTERA.

Best of all, though, when I needed it most?
Along came Juan Felipe Herrera’s IMAGINE in October, gorgeously illustrated
by Lauren Castillo (Candlewick Press), gifting me with my course of action for 2019.
Poet, performance artist and activist Herrera moved with his migrant family from Mexico to the U.S. when he was a small boy, saying goodbye to his amiguitos. In time he learned how to read and write in English, grabbing words he’d never heard and sprinkling them over a paragraph to write a magnificent story.  He served as the 21st U.S. Poet Laureate from 2015 through 2017, reading the book’s poem on the steps of the Library of Congress in Washington, D.C.
“Imagine,” he writes at the end of each verse.  “Imagine what you could do.”

Candlewick’s front flap copy says it all: “Herrera’s breathtaking poem ‘Imagine’ and Lauren Castillo’s evocative illustrations will speak to every reader and dreamer searching for their place in life.  Who might you be? Imagine...”

If you don’t believe me or the flap copy, look and listen for yourself.


IMAGINE!
I plan to steal away and do just that beneath tonight’s New Moon, once I upload this post.
What I can do. What I can be. What I can become. 
My world.  Our world.
What matters.  Just name it.
IMAGINE is my 2019 verb. I hope you’ll consider making it your verb too.

As always, thanks to our Poetry Friday connection, Elizabeth Steinglass.

Happy Imagining!

Esther Hershenhorn

Friday, November 30, 2018

The Poetry of US ~ Grateful for Poetry Anthologies and Anthologists!

.
Howdy, Campers and Happy Poetry Friday(The link to PF and my poem are below)

This month, TeachingAuthors posts have been about the things we're most grateful for in the world of words. (Except for Wednesday's post, which includes a hot picture book writing prompt called "Dialogue is Sriracha Sauce."Bobbi is grateful that each of us has a voiceMary Ann is grateful to her family of storytellers,  Carla gives thanks for primary source documents which bring her research to life, and Carmela gives thanks to readers who make a huge difference in the life of a book.

Today I am grateful for poetry anthologies and the anthologists who create them. These works are a gift both to the poets in each collection and to their readers.

I've been honored to work with many of our finest anthologists. Today I'd like to bow deeply to a "well-loved, deeply-respected, and internationally-renown author and poetry anthologist," (and, may I add, a really fun guy),  Paul B. Janeczko who just this month won NCTE's Award for Excellence in Poetry for Children.

This award, established in 1977, honors a living American poet for their aggregate work for children ages 3–13. Take a deep dive into his website and see what a remarkable writer and person Paul is.

photo of Paul B. Janezko courtesy of Candlewick Press

Thank you for all you have given us, Paul--you are deeply loved and you soooo deserve this award!
...............................................................................
And speaking of anthologies: National Geographic just published an anthology by another well-loved, deeply-respected, and internationally-renown author and poetry anthologist, former Children's Poet Laureate, J. Patrick Lewis, THE POETRY OF US: More than 200 poems that celebrate the people, places and passion of the United States (National Geographic)

In 2015, I was thrilled when Pat asked me to write a poem about San Diego Zoo for this book "(perhaps include some of its exotic species)?" So after correspondence with and phone calls to the zoo hoping to get a free behind-the-scenes tour or interview with an animal keeper (wouldn't you think?), I convinced my husband that for our wedding anniversary we needed to go on a two-hour $89/per person behind-the-scenes tour of the zoo. And so we went. (Yes, he's a keeper.)

What a fun day!

It's both exhilarating and terrifying to write for an editor. Many of my attempts are stiff, lifeless. Nonetheless, I sent Pat nine poems. One was about two pandas getting married (we saw part of a wedding at the zoo), one was from the POV of a child lost in the zoo (I was six years old), two were about an elephant getting a manicure (we saw this on the tour--it's an actual thing!), a poem titled GOD DISCOVERS THE SAN DIEGO ZOO (about the S.D. Zoo Corps program for teens), one about a surprise date at the zoo (art reflecting life), a take-off of Robert Frost's The Pasture set in the zoo ("you come, too"), a quick and quirky poem about the first female zoo director, and a more serious poem about the same director.

Pat picked the last poem. Anthologists are editors, parent figures, therapists, task masters, mentors and more. Pat is one of the most patient editors I've worked with, watering and weeding poems I didn't even know were growing inside me...and then showing me how to clean up their meter and meaning.

Over a period of months, we changed phlangers into wombats, we took zebras out of their stalls (they've never lived in stalls in the San Diego Zoo, according to the zoo's historians) and more. Here is my poem as it now appears in this marvelous (and visually delicious) collection:


Belle Benchley
by April Halprin Wayland

I was the bookkeeper, that's all.
At noon I'd watch the zebras loll
I'd study wombats eating lunch
I really did not know that much
about the zoo.

I saw the llama wasn't well—
how did I know? It's hard to tell.
I pointed out a listless gnu
(for I read volumes about zoos.)

Some people swore our chief was rude—
depends upon your point of view.
(Recall he built this cageless place
which opened 1922).

It may be Dr. Wegeforth’s rage
that drove three zoo leaders away.
He marched to my desk, bent down and said:
"You try and run it—go ahead."

And so I did. 
poem (c) 2018 April Halprin Wayland. All rights reserved.


Thank you for hosting PF at Carol's Corner today, Carol!

posted with gratitude by April Halprin Wayland with help from Eli, Monkey and Snot.

Wednesday, November 28, 2018

Picturebook Prompt ~ Dialogue is Sriracha Sauce

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Howdy, Campers, and welcome to another of our occasional Wednesday Writing Workouts!

 

Next Monday is the last class of this quarter for my Picture Book course...and on Saturday, January 26th, I begin my 20th year of teaching in UCLA Extension's Writers' Program. (HOW CAN THAT BE when I'm only 26 years old?)

We're trying something new next quarter: 10 Saturday classes beginning January 26th from 10am-1pm. (I'm already dreaming of less traffic on Saturdays! Please spread the word to your friends in the LA area: here's the link)

In last Monday's class, we talked about the use of dialogue in picture books and how much fun it is to read these books aloud. I learned early on that including dialogue is like pouring Sriracha sauce on oatmeal

image from Pixabay

My first book, To Rabbittown, written in free verse, contains no dialogue. But my second (The Night Horse), third (It's Not My Turn to Look for Grandma!), fourth, (Girl Coming in for a Landing ~ a novel in poems), and fifth books (New Year at the Pier) do.  

I needed a writing exercise to reinforce my lecture. Creating it was like putting together a two-piece puzzle.
image from Pixabay

Here's what inspired this exercise:
1) I heard an excellent presentation at SCBWI's conference in L.A. this August by the always wonderful Candace Fleming about how she wrote the multi-award winning book, The Giant Squid.  One of the things that struck me was that she chooses a word or phrase as her guiding light before she begins researching or writing any book. She calls it the Vital Idea. This isn't a new concept, but the way she presented it helped me understand how crucial this is. The Vital Idea she chose for The Giant Squid was Mystery. Every page, every verb reflects this idea.

2) My friend Ellen recently took an improv class. She reminded me that every idea in improv is answered with "Yes, and..." (For example, if someone is pantomiming and says, "I'm carrying my mother's alligator." the response must be, "Yes, and..."  It's never "No, but...").

So here's my DIALOGUE IS SRIRACHA SAUCE exercise:
1) come up with a Vital Idea (the guiding principle of the story).  
and
2) write a story completely in dialogue
A further suggestion, which you can take or leave, is to have one character always start by saying "Yes, and" or "No, but."

As my students settled down to write, I wrote, too. The Vital Idea I chose was: This world is not safe. (That was the first thought that came to my mind...which is just sad). Here's my very raw draft:

NEVER GO TO Z STREET
by April Halprin Wayland
.
A: Never go to Z Street: there are tigers.
B: Yes, there are tigers and lobsters with ginormous claws on Z Street.
A: Lobsters with ginormous claws?
B: Yes and poisonous carrots!
A: Poisonous carrots?
B: Yes and they kill you after six bites!
A: Couldn't you just not eat the poisonous carrots?
B: No—poisonous carrots sing to you and you can't help but sit down and lean against them and then they encircle you and all is lost.
A: All is lost because they make you eat them?
B: Yes.
A: They want you to eat them?
B: Yes.
A: Okay. Never go to Z Street: there are tigers and lobsters and poisonous carrots.
B: Yes and also there is a little kid with dangerous and sticky fingers who takes your hand and is forever glued to you.
A: Forever?
B: Yes, except when you're eating a poisonous carrot.
A: Okay, so: never go to Z Street, for there are
B: tigers
A: and lobsters
B: and poisonous carrots
B and a little kid with sticky fingers
B: like mine
A: forever glued to mine.

poem (or whatever this is) © 2018 April Halprin Wayland. All rights reserved

so...
DIALOGUE IS SRIRACHA SAUCE
.
if you
just use a
teeny bit

or if you use
too much
of it
poem © 2018 April Halprin Wayland. All rights reserved


Try this exercise, and if you have any suggestions on how to make it better, please let me know! 
April Halprin Wayland

Friday, November 23, 2018

Giving Thanks for Readers!


Even though Thanksgiving Day was yesterday (here in the United States), we TeachingAuthors like to share our gratitude all month long.


This year, we're discussing some of the writing-related things we're grateful for. Today, I'd like to send out a HUGE THANK YOU to those who buy and read our books! And I want to express my special thanks for readers who make time to post reviews on Amazon, Goodreads, Barnes and Noble, etc. Thanks to all of you, Playing by Heart recently passed the 50-review milestone on Amazon! I shared an image celebrating that event on Instagram earlier this week:


I've read that having 50 Amazon reviews is an important milestone because it's a trigger for Amazon's algorithm to suggest a book to other readers. It's also a requirement for certain types of advertising. Of course, the reviews are also helpful for readers considering whether to purchase a book.

I have to confess that I haven't been the best about posting reviews myself. But now that I know they can really make a difference to a book's "discoverability," I'm trying to be more conscientious about reviewing books I enjoy. I encourage all of you to do the same: a review needn't be long to be effective. A sentence or two is enough.

Thanks again to all of you who read our books and blog. May you all have plenty to be grateful for in this Time of Thanks-Giving!

Don't forget to check out something else I'm grateful for: the weekly Poetry Friday roundup hosted today by Irene Latham at Live Your Poem. While you're there, be sure to enter to win a wonderful new book of haiku from former TeachingAuthor Laura Purdie Salas!

And remember to always Write with Joy!
Carmela