April Pulley Sayre: Her Work Lives On

I am still reeling from the news of the recent death of April Pulley Sayre. April was a brilliant author and photo-illustrator, and an incredibly generous friend. She published over 70 books for young readers and adults, many of them nonfiction, nature-themed books. I wouldn't know where to begin to write a tribute that would do April justice. Instead, I'm writing this post to let everyone know that April's work in support of nature lives on, not only through her books, but also through the Fund for Nature she created with her husband, Jeff Sayre. You can learn more about their conservation foundation's goals on their GoFundMe page.  

April epitomized what it means to be a TeachingAuthor, which is evident in the Guest TeachingAuthor interview JoAnn Early Macken posted here in 2010. That post includes a writing exercise from April's book Unfold Your Brain: Deepen Your Creativity, Expand into New Arts, and Prosper as a Writer, Musician, or Visual Artist. I just discovered that the book was recently re-released on Amazon in both ebook and paperback.

I know April had other books in the pipeline, including Happy Sloth Day!, due out in 2022. You can get a sneak peak at the book's amazing photos and lyrical text on the Simon & Schuster website. There are also links to similar previews for some of April's other books at the bottom of that page.

This morning, I learned that we can still hear April's voice, too. In the video below, she reads Thank You, Earth: A Love Letter to Our Planet. Listening to it is both consoling and heartbreaking for me. 

(If the video doesn't work for you, you can watch it online here.)

At the beginning of this post, I described April as an incredibly generous friend. I mentioned in this blog post that we graduated together from Vermont College back in 2000. That post also includes a photo of our graduating class, known as the Hive. In many ways, April was our Queen Bee. She often provided insightful feedback on our works-in-progress. But even more, she encouraged and inspired us to be bold and brave in our writing and in our lives. 

We will miss her terribly. 

Carmela

WWW: Around the Block Travel Writing

Today’s Writing Workout comes courtesy of Rochelle Melander whose 

debut children’s book Mightier Than the Sword: Rebels, Reformers, 

and Revolutionaries Who Changed the World through Writing 

(Beaming Books, 2021) released just yesterday!

Congratulations, Rochelle, and thank you for sharing your book and 

Writing Smarts with our TeachingAuthors readers!

An artist educator, author and writing coach, Rochelle founded 

Dream Keepers, a writing workshop for young people.  

Mightier Than the Sword, though, is bound to help middle grade 

writers – as well as writers of all ages - keep their writing dreams 

alive. Rochelle shares stories of people throughout history – 

historical and contemporary writers, activists, scientists, and 

leaders - who used their writing to change lives and their 

communities. Think: Frederick Douglass, Ida B. Wells, Murasaki 

Shikibu, William Shakespeare, Gene Luen Yang and Jan Morris, just to 

name a few. Each and every story inspires and encourages young 

readers – and writers – “to pay attention to their world, to honor 

their own ideas and dreams, to use their words, art, and action to 

transform their lives communities, and beyond.”  Writing and creative 

exercises accompany each story; sidebars explore types of writing, 

fun facts, and further resources. Rochelle reminds readers: “Your 

words have the power to transform you and your world.”

Mexican artist Melina Ontiveros’ beautiful illustrations bring the 

story subjects to life on the page.

Thanks, Rochelle, for sharing ways to explore the world around us – 

and without even leaving our neighborhood – especially now that 

we’re in a POST-Pandemic World.

Happy Traveling!

Esther Hershenhorn

. . . . . . .

Thankfully, being a writer has 

equipped me with some tools for 

finding novelty in everyday 

life. Here are three ways you can 

use writing to explore the world 

around you (without leaving 

your neighborhood).

(1) Capture a personality!

When she was a young journalist, Jan Morris (1926-2020) covered 

Edmund Hillary and Tenzing Norgay as they summited Mount 

Everest, the world’s highest mountain. She went on to become an 

accomplished travel writer, composing literary portraits of Venice, 

Trieste, Wales, Manhattan, Hong Kong, and more. Morris was 

known for writing about places as if they were people, capturing 

their personality. When age and the pandemic limited her travel, 

Morris walked a thousand steps a day—down her lane and back 

again—often writing about her journey. 

Try this: Write a profile of a place you know well—your backyard, 

your neighborhood, or your town. Capture your impression of your 

favorite place. As Morris said, “I resist the idea that travel writing 

has got to be factual.”

(2) Capture danger!

Have you ever wanted to explore a volcano? Rosaly Lopes is a 

Brazilian geologist and volcanologist who studies the surface of 

planets and specializes in examining volcanoes. Her book, The 

Volcano Adventure Guide, introduces readers to volcanoes across 

the planet and offers them tips and tools on how to safely explore 

and photograph active volcanoes. 

Try this: If you had the change to visit an active volcano, what would 

you write on a postcard to your friends and family? Imagine visiting an 

erupting volcano or consider some of the dangerous things you see 

every day (reckless drivers, violent thunderstorms, people texting while 

walking). Write a postcard poem that captures a dangerous event. 

(3) Capture a journey!

When the United States made the Louisiana Purchase, much of the

 newly acquired territory had never been explored. President Thomas 

Jefferson asked Meriwether Lewis and William Clark to find a route 

west. Beginning near St. Louis, Missouri, the two men and their team 

traveled to the West Coast and home again. They chronicled their trip 

in journals. As a result of their travels, they identified and documented 

new plants, animals, and Western geography and created some of the 

first maps of the area. Their journey, maps, and journals opened a new 

frontier for agriculture, trade, and settlements. But their journals also 

captured the spirit of their journey across America and the culture of 

the West of that time.

Try this: Create a travel journal for yourself—but instead of 

documenting a trip, write about your daily life. Journal about your 

morning walk, your trip to a neighborhood park, a local museum, or a 

zoo. Or go internal: and write about a journey through your heart, 

your conscience, or your digestive track! You might even make a map 

of your journey!

Your turn!

How will you capture your world in a new way?

# # #

A WWW to Celebrate Lady Liberty’s Birthday!

What better way to celebrate today’s 134th Birthday of the Statute of 

Liberty than to learn first-hand from Claudia Friddell her proven recipe 

for crafting kid-friendly true stories, especially since she authored the 

recently published SAVING LADY LIBERTY (Calkins Creek, March, 

2020).

Gorgeously-illustrated by Stacy Innerst in watercolor and acrylic paint 

and ink drawings, the picture book shares how the immigrant Joseph 

Pulitzer, publisher of the New York World who rose from rags to riches, 

used his newspaper in the first crowd-sourcing effort ever, to raise the 

monies to build the pedestal on which the Statue of Liberty stands.  

Imagine that!

You might remember Claudia from my June, 2010 Student Success 

Story celebrating and honoring the debut of her first children’s book –

GOLIATH, HERO OF THE GREAT BALTIMORE FIRE (Sleeping 

Bear Press). She’s been using her many talents ever since, crafting and 

publishing a bounty of children’s narrative nonfiction.

“A soaring account!” Booklist boasted in a starred review of 

SAVING LADY LIBERTY.

Both School Library Journal and the Bulletin for the Center of 

Children’s Books lauded the biography’s backmatter –“fun facts 

about the Statue of Liberty and Pulitzer, a bibliography, an afterword, 

a time line, and photos of the statue during its construction and 

inauguration.”

Kirkus wrote that “Pulitzer's permanent legacy now beams a 

beckoning welcome to all American newcomers—a timely 

reminder."

SAVING LADY LIBERTY offers delicious primary material, too: 

quotes, excerpts from editorials, replicas of but a few of the hundreds of 

handwritten letters children sent along with their donated pennies.

How generous of Claudia to share her Writing Recipe in today’s 

Wednesday Writing Workout.

It’s a most proven recipe, by the way.

Calkins Creek publishes Claudia’s GRACE BANKER AND THE 

HELLO GIRLS (The Heroic Story of WWI Telephone Operators) 

in February of 2021, ROAD TRIP! (Camping with the Four Vagabonds: 

Thomas Edison, Henry Ford, Harvey Firestone and John Burroughs) 

in September the same year and THE FRONT (Clara Barton and the 

Battle of Antietam) in Spring of 2022. 

Thank you, Claudia, for sharing your recipe with our TeachingAuthors 

readers, and for feeding all of us with your one-of-a-kind stories about 

one-of-a-kind inspiring, real and true people.

Happy Story Crafting! Happy Pizza-making!

And Happy Birthday, Lady Liberty!

Esther Hershenhorn

 . . . . .

How to Craft True Stories Into Kid-Friendly Books: 

Eat the Crust First!

It’s a mouthful to share that I’m a narrative nonfiction children’s author when asked what I do, but it’s a title I share with pride. After twenty inspiring years of teaching elementary students, I now spend my days pursuing my lifelong passion—finding, writing, and sharing true stories from long ago. During this new reality of living in partial isolation, I have indulged another passion—pizza making. Inspired by treasured memories of cooking with my father in our quest to create the perfect sauce and crust, I now take writing breaks to continue that pizza perfecting quest with my brother. Separated by half a country and an epidemic, our cooking adventures are virtual, but they never feel remote.

It may be a cheesy stretch, but during one of our pizza zooms, it occurred to me that crafting a truly delicious homemade pizza has similarities with crafting true stories into kid-friendly books.

                                 Making the Dough

 As I wrestle with making a dough that is airy but not too light—chewy, but not too dense—I’m reminded of my challenges as a researcher. Without thorough and precise research, there is no foundation for a nonfiction book, just as dough that doesn’t rise or isn’t kneaded correctly can end up in the trash. This first step in both ventures can be the most tedious and frustrating, but it can also be the most rewarding. This is where you find the foundation for your story and all its treasures. 

In my most recent book with Calkins Creek, Saving Lady Liberty, (an early quarantine release, March 2020), my research of Joseph Pulitzer’s innovative idea of the world’s first crowdfunding campaign to fund the Statue of Liberty’s pedestal was the foundation, the crust, for just the type of book I like to write—a little known, kid-friendly story within an historically important event.

                                Cooking Up the Sauce

Once the foundation of research is set, it’s time to combine the ingredients that give a narrative nonfiction story its flavor—the sauce. True stories about people and events don’t always translate into a good book, just as a pot full of tomatoes and herbs don’t necessarily make a great pizza sauce. Crafting the right combination and balance of the ingredients—the plot, characters, setting, conflict, and resolution—is the challenge and the joy of turning interesting facts, people, and events into kid friendly and curriculum enhancing books. As a narrative nonfiction writer, I can never stray too far from the main ingredients. I can’t make up my own details, and I can’t create my own events. But I can add flavor and spice.

In Saving Lady Liberty, I loved blending together the precarious journey of Lady Liberty, our personified beloved national monument to freedom, with the story of an iconic rags-to-riches Jewish immigrant whose big idea rallied thousands of Americans to feel their patriotism and raise the funds to build the foundation on which Lady Liberty stands.

                          Toppings, Anyone?

 Which takes me back to the pizza. What about all those fabulous toppings—the ones that help make your pizza interesting and unique? For me, this is the best part, and I’m not just referring to the sausage, mushrooms, and black olives. In Saving Lady Liberty, I loved sprinkling bits of kid-friendly historical details throughout the book. Did you know that Lady Liberty first stood in Paris, where she was built, before she lifted her torch in America? Did you know that after Lady Liberty crossed the Atlantic like millions of other immigrants, her disassembled parts sat in crates for nearly a year, waiting for a place to stand? Did you know that young children contributed their own pennies to join immigrants, Civil War veterans, and everyday Americans to raise over $100,000 to fund Lady Liberty’s pedestal? What a special treat to find and share some of the children’s donation letters hidden in century old newspapers.

                            And Finally, the Crust!

 And now we get to the end—or is it the bottom? I’m referring to the crust, the baked dough that was once raw research. The crust of the book is the fully baked back matter. This is where the reader finds the research nuggets, the relatable back stories, the resources. True confession—while I do think a great crust is crucial for a great pizza, I’m not here to seriously advocate for eating the pizza crust first. I am, however, here to strongly urge teachers and parents to read the back matter of a narrative nonfiction picture book first before reading the story with young readers. Here’s why… Well-developed back matter offers information that enriches and expands the reader’s knowledge of the book’s main ingredients that can be used for pre-reading activities and guided reading instruction. 

Young children often need historical points of reference before reading a story to give them firm footing in understanding the time and place in which these real people lived. This allows young readers to better connect and relate to historical events and people who, without context, may seem unrelatable. A well kneaded back matter offers finger-tip treasures for all. 

Here are a few of my favorite back matter tidbits that were too small to make it into Saving Lady Liberty’s main story, but too good to leave out—over a million people who walked through New York City’s streets to celebrate Lady Liberty’s unveiling on October 28, 1886, were showered by the very first ticker tape parade; and, baseball’s World Series is named for Joseph Pulitzer’s newspaper, THE WORLD—the original sponsor of the baseball tournament. There’s more trivia treats where these came from—just check out the back matter!

                                    Buon Appetito!

So, here’s to following your own passions and creating your own recipes. I hope you enjoy a new slice of life every time you read a narrative nonfiction book, with or without the pizza. And don’t forget to eat the crust first!

Take My Picture Book Class From Your Front Porch!

Howdy Campers!  

My fabulous 2019 class with some of their favorite picture books
helps me celebrate my 20th year teaching in UCLA Extension Writers' Program

My 10-week Beginning Picture Book class begins Wednesday, 9/30/20 to 12/9/20 from 3-6pm PST. I'd love to see you in one of those friendly squares. If you're interested, sign up SOON, enrollment's limited. More info at the very bottom of this post.

Welcome to another...

I've been feeling breathless about teaching virtually (see Margaret's wonderful One Word poem on this topic) and yesterday my generous UCLA Extension Writers' Program colleague, Adam McOmber, who also teaches in the Vermont College of Fine Arts, administered virtual oxygen to me. As so many of you know, the amount of stuff to learn can be freaking overwhelming. But with Adam's help (and the help of my wonderful Program Rep, Ashley Griggs) I'm finally getting it.

Deep breath.

Today's WWW comes from an exercise Adam uses in his novel writing class, which is also a great prompt for picture writers and for poets, with a little tweaking.

photo of Adam McOmber by Ryan Bakerink

He gives each student one chapter of a book. After they've read it, he asks: what are three inspirations you got from this book?

===================================

For picture writers:

1) Read a picture book.

2) Write down three things in this book that might inspire a new picture book or inspire you to rewrite an existing manuscript in a completely different way.

====================================

For poets:

1) Read a poem.

2) Write down three things the poet does that might inspire a new poem or inspire you to rewrite an existing poem.

Try this!  And please let me know how it goes. I really want to know. 

~ UCLA EXTENSION WRITERS' PROGRAM PRESENTS~
Writing the Children's Picture Book

photo of April Halprin Wayland (and Steve, the guy who took her on her first date) by Sonya Sones

when? 10 Wednesdays, 3pm to 6pm PST, 9/30 to 12/9 (no meeting 11/11)

where? Anywhere!

Designed for beginning picture book writers, this fun, fast-paced course surveys the genre's breathtaking possibilities, exploring its art, craft, and publishing practices (what are editors looking for?). You'll compare a wide variety of picture book structures, characters, and themes, and learn how to use voice, poetic and muscular language, point-of-view, repetition, and more. Through a balance of lecture, writing assignments, feedback, and the 10 books you read each week, you'll gain a clear sense of your own writing strengths, the ability to give and receive valuable critiques, and knowledge of the submission process--all in a nurturing community of writers.
Instructor:
April Halprin Wayland is the author of seven picture books, including More Than Enough: A Passover Story (Dial), It’s Not My Turn to Look for Grandma! (Knopf), and New Year at the Pier: A Rosh Hashanah Story(Dial), named Best Jewish Picture Book and winner of the Sydney Taylor Gold Book Award. Ms. Wayland won the Myra Cohn Livingston Award for Girl Coming In for a Landing: A Novel in Poems and has won seven poetry awards from the SCBWI. She is a recipient of the UCLA Extension Outstanding Instructor Award in Creative Writing.
Our Students Say it Best!
“Not only is April some kind of genius of rhyme and language, but she is a fabulous instructor—clear, endlessly inventive, and no-nonsense. I have learned more than I thought possible and had a great time doing it."

"Every class the three hours flew by.”

"She presented a great combination of whimsy, encouragement and discipline that I thought was the perfect tone for beginners like me."

37609: Picture Book I WRITING-X 441.1; 3 Credits; Writers' Program: (310) 825-941writers@uclaextension.edu
                                           https://tinyurl.com/y5esk2xk  Enrollment limited.

posted by April Halprin Wayland, with the help of Eli and Monkey ~

Wednesday Writing Workout: The Little We Need for Happiness

I’m happy to report that yet one more unexpected Kodak Moment came my way this month, thanks to COVID-19: that of two long-ago high school friends who’d unintentionally socially distanced before it was in vogue, reconnecting gloriously via ZOOM’s technology.
And you, our Readers, get to reap the rewards.
My BFF from the 60’s – Jane Anne Staw, who will always be “Janie” to me - is a TeachingAuthor, too.

Jane has taught at the Iowa Writers’ Workshop, Stanford University and for over 20 years at The
University of California at Berkeley Extension, where she was named an Honored Instructor. Most recently, she’s taught for 12 years in the MFA Program in Writing at the University of San Francisco. She’s been a Bay Area Writing Coach for the past 15 years.

Did she and I know, all those years ago, when we worked on Lower Merion High School’s newspaper, the Merionite, or maybe even the school year book, The Enchiridion, that writing, teaching and writers would fill our days and hearts one day?
I cannot say.
But I do so love that we’re both Teaching Authors.

For sure, there were those few photo album moments as the years tumbled by, many captured photographically by Jane.  Shared First Mom experiences when we amazingly discovered each other in neighboring Chicago ‘burbs. Catch-up phone chats once thousands of miles separated us.  Treasured conversations at milestone years-apart high school reunions. Celebrations of each other’s publishing successes.

But no matter. Once Jane clicked on my Zoom invitation and she appeared on my laptop’s screen, we picked up right where we’d left off the last time we’d spoken… and we didn’t miss a beat.
Jane’s latest book is SMALL: The Little We Need for Happiness (Shanti Arts, 2017).
Once I hit “leave meeting,” I visited her blog based on SMALL, immediately subscribed and knew that her current posts were the stuff of a TeachingAuthors Wednesday Writing Workout.

For so many of us, again thanks to COVID-19, engaging our children and/or grandchildren in the learning process has become a part of our days, nights, and often, weekends.
Jane’s July 1 post on her Writing Workshop interactions with her two precious granddaughters both inform and inspire.

Thank you, Janie, for granting me permission to reprint your post as today's Wednesday Writing Workout!

Readers, Enjoy!

And let's keep looking for those – small - Unexpected Kodak Moments.

Esther Hershenhorn
p.s.
I highly recommend Jane’s UNSTUCK (St. Martin’s Griffin) in case any of you are facing Writer’s Block.

. . . . . . . . . . . .

ANOTHER OPPORTUNITY FOR SMALL

I began holding “Writing Workshops” with my granddaughters as soon as the Shelter-In-Place orders hit, and have continued this summer, though modified and less frequently. Last Wednesday, for example, we collaborated on writing a “graphic story” on the sidewalk in front of their house, each one of us successively adding a sentence to the plot, as well as drawing a chalk illustration for our sentences. The plot, as far as we got, went something like this: Two sisters were stuck inside the house. They didn’t like being stuck inside. But it was raining so they couldn’t go outside. They were bored. They had nothing they wanted to do inside the house. They were tired of all their puzzles and games.

In addition to the illustrations under each sentence, we created a border for every sidewalk square, framing each segment of the story and its illustration in colorful configurations of lines and curves. We had a lot of fun sitting on the warm concrete, thick pieces of pastel chalk in our hands, collaborating on the plot and the illustrations, the sun shining down on us, neighbors walking their dog, clearing a swath around us and smiling as they passed.

After about 45 minutes, the girls had had enough of sitting mostly still and concentrating, so I decided to shift activities and teach them something about small. I selected one of the flowering plants in their garden for us to admire. Once we had all discussed what made that particular plant beautiful, each of us picked a flower from that plant. “Look at that flower for a minute and notice one small detail you find lovely,” I told them.

“It looks like lace around the edges,” seven-year-old Poppy announced.
“I see a slightly darker blue line down the middle of each petal,” eight-and-a-half-year-old Amelie offered.
“Look at the tiny bulge where the stem begins,” Poppy offered.
“The back side of the petal is lighter than the front,” Amelie observed.
“You know,” Poppy exclaimed, “I thought the plant was beautiful, but each tiny flower is even more beautiful than the whole plant.”
“Yes, and there’s lots to discover about each tiny flower!” Amelie added.

Not only was this a lovely lesson in small, it was also an opportunity to bone up on my botany. I googled “Anatomy of a Flower” on my phone, and the three of us were soon comparing the pistils, antlers, sepals and filaments on the rose, fuschia, dogwood and salvia blossoms in the garden.

As we stood several feet apart, masks covering our mouths and noses, outstretched hands cradling petals and whole blooms, I realized that this moment of discovering nature’s infinite beauty had been brought to me—to the three of us–by Covid 19.
                                       
                                            # #  #

Trying Something New: Syllable-Square IN ONE WORD Poem

Happy Poetry Friday! I share a link to this week's round-up at the end of this post, below the poem I wrote using a new form invented by my brilliant co-blogger, April Halprin Wayland! But first, I want to share another in our series of GRAB 'N GO WRITING EXERCISES.

When I first became interested in writing for young readers (many years ago!), I took a continuing education class on the topic at our local community college. I'd fallen in love with the picture books I was reading my young son and wanted to write some myself. I spent the first five weeks of the class working only on picture books. Then, as one of our last assignments, the instructor asked us to write in a different form or genre. I ended up writing the first chapter of a young adult novel. I was surprised by how much I enjoyed that assignment. I went on to finish a complete draft of the novel and applied to Vermont College MFA program with the intention of revising the novel for publication. That particular novel ended up in a drawer, but writing it helped me discover my novelist's voice and eventually led to the publication of my two novels.

So I want to give you the same exercise today: Try Something New! Write in a different form or genre than you're used to. If you're a picture book writer, perhaps try a short story or a chapter of a novel. If you're a novelist, you could try a picture book. But if that doesn't sound fun, then perhaps try a short story, or a different genre of novel. For example, if you typically write realistic, contemporary stories, you could try fantasy or historical. Whatever you decide, I'd love if you'd report back here on how the experience was for you.

My poem today is also the result of trying something new. April kicked off this series of GRAB 'N GO WRITING EXERCISES by introducing the IN ONE WORD poetry form she invented. Well, my poem today is in that form. As it happens, my current work-in-progress is a collection of poems in a variety of forms with connections to math. For example, I've written several Syllable- Square poems, where the number of syllables per line equals the number of lines. I first learned of this form from JoAnne Growney's Intersections–Poetry with Mathematics website. One of my favorite Syllable-Square poems is Growney's 5x5 "Counting the Women."

For today's poem, I decided to use April's IN ONE WORD form to write a Syllable-Square. For this form, you choose a core word, and then each line of the poem must end with words made from the letters in the core word. I chose the word MATHEMATICS as my core word. According to the Wordmaker website, you can make 420 different words from the letters in MATHEMATICS! That was rather overwhelming. So I started to choose words from the list that most appealed to me. The word mismatch ended up being the key that unlocked the poem for me. I've included a bit more of the poem's backstory (as April calls it) below. I also share a great poetry writing app I recently discovered.

The poem's backstory: After writing the first line, poetry and math, I new my poem would be a 5x5 Syllable-Square. I played around until I had a decent first draft I liked, then shared it with my dear April, who gave me some helpful suggestions. As I revised, I realized I wanted to make the poem more "mathy" by including words with math connotations. That's when it occurred to me to incorporate perfect (as in perfect numbers) and powerful (as in raising to a power). I initially hyphenated power-ful to make the connection clearer, but decided the line looked cleaner without the hyphen. In case any of you aren't familiar with the term, the last word, STEAM, is an acronym for Science, Technology, Engineering, Arts, and Mathematics. Finally, I wanted a title that also consisted of 5 syllables, to match the lines of the poem. I couldn't think of anything clever so I initially used the first line "Poetry and Math." But then I realized that the poem was the result of "Trying Something New," which happens to have five syllables! 😊 I'd love to know what you all think of the end result. In particular, would you hyphenate powerful?

Now for the poetry-writing resource I mentioned: Not long ago, I discovered a phone app with tools that help with poetry and songwriting: Lyric Notepad. It's available for both Android and iPhone. One of its great features is the line syllable counter--it's caught my counting errors numerous times. The app also highlights words that rhyme, though the "near rhyme" function doesn't work that well, in my opinion. If you use it, just be careful to save your work elsewhere, too. I've lost revisions to poems even after I've "saved" them in the app.

For more poetry, be sure to check out today's Poetry Friday round-up by Tricia at The Miss Rumphius Effect. And if you'd like to see videos of STEAM poetry, be sure to visit the STEAM Powered Poetry site.

Posted by Carmela

A New Poetry Form ~ IN ONE WORD

Howdy, Campers ~ Happy Poetry Friday! (my poems and the link to today's host are below)

But first: May 29th is the last day to enter to win an author-and-illustrator-autographed copy of Amy Alznauer's book, THE BOY WHO DREAMED OF INFINITY, which has gotten starred reviews from Booklist, Kirkus and Publishers Weekly! Go to Esther's post and scroll to the end for directions on how to enter.

We TeachingAuthors generally post Writing Workouts on Wednesdays, but we figure you're blurry-eyed and zoomhausted. Some of you may be desperately looking for a ready-to-go writing exercise for yourself, your kids or your classroom.

Or, you've had two cups of strong coffee, read the whole newspaper including the real estate ads, weeded your entire yard, vacuumed, run 10 miles, made two loaves of sourdough, finished the 1000-piece puzzle and are now looking for something fun to do.

Either way, this round we're offering you GRAB 'N GO WRITING EXERCISES

And today, we're going to learn a new poetry form.

drawing (c) 2020 April Halprin Wayland all rights reserved

Or maybe it's a form I hadn't heard of before...so if you're familiar with it, I'm all ears!

First I'll show you my poem, using this form, then I'll tell you its backstory.

The poem:

IN ONE WORD

by April Halprin Wayland
."I feel we've been duped,"

he began, "our world's been upended,

you crept

into our lives so deep

we must prune

you, denude

you. And though we've been reduced,

we have also endured.

But I can no longer pretend.

This is unprecedented."

poem © 2020 April Halprin Wayland. All rights reserved

==========================

The backstory:

The word UNPRECEDENTED is in almost every sentence of every answer, every op-ed, every comment, every excuse right now. And frankly, I'm freaking tired of it.

And in the poem above, every word at the end of each line can be found in the word unprecedented.

The site Wordmaker finds all the words hidden within a longer word. It found 321 words in Unprecedented. 321! Of those, I choose 31 one to play with. And of the 31, I used 10 in the final poem.

How to write an IN ONE WORD poem:

1) Think of a word. Any word--one you've always loved, one that enrages you, that peaks your interest, or speaks to you.

2) Look it up in Wordmaker (to make it more challenging, don't look it up...find the words yourself)

3) Choose some words on that list...then use or toss them, one by one.

4) Write the poem as prose--in one paragraph.

5) Break the paragraph up into a poem so that each line ends with one of the words from your list.
6) NOTE: in 2021 I began to break rule #5 in one of two ways:

a) These days, the lines of my IN ONE WORD poems do NOT end with the words from my list. I bury the words within the poem so it makes more sense and reads better.

b) OR: I simply scoop up a bucket of words from those within my word. Not more than 20, usually less. I let myself play with those words any way I want to, in any order. SO MUCH FUN!

========================================

Okay, here's one more...it's today's very rough draft:
.

POEM-MAKING (title is from the book of the same name by Myra Cohn Livingston)

by April Halprin Wayland
.

It's a kind of art—

lit by air

and light. Kept in a vault,

it can only chase it's own tail.

So blow on it, gently—this is vital.

It's yours; invent your own ritual.

poem © 2020 April Halprin Wayland. All rights reserved==========================

The backstory:

For this poem, I choose another word that's used so often it's driving me bonkers: VIRTUAL.

Below are the 18 words I decided to play with from the 65 words offered by Wordmaker.
I used the six that I've crossed out: 

it, lit, air, art, rut, rail, tail, liar, vial, vail, rival, trial, vault, viral, vital, trail, ultra, ritual

One of the wonders of this form is that I can take a word that makes me sick and come up with a poem that's kind or glowing. 

I think I've invented a new poetry form! An IN ONE WORD poem.  What do you think?

update: Mary Lee, from the A Year of Reading blog, wrote a wonderful IN ONE WORD poem to "do the internal work of anti-racism"...and here it is...WOW! 

drawing (c) 2020 April Halprin Wayland all rights reserved

It sure is fun to play with. Try it!  And if you're feeling brave, share it with us!

Thank you, Carol, for hosting Poetry Friday today at Beyond Literary!

posted by April Halprin Wayland with a hug she wishes weren't virtual or unprecedented

drawing (c) 2020 April Halprin Wayland all rights reserved

Wednesday Writing Workout: WORD BOWL POEMS!

What could be better during National Poetry Month than a Wednesday Writing Workout that teaches us how to create our very own Word Bowl Poems?
So, thank you award-winning children’s poet and language arts teacher Michelle Schaub, my SCBWI-Illinois kin, for creating today’s original and fun WWW!

Michelle’s newest book, DREAM BIG, LITTLE SCIENTISTS, published by Charlesbridge, is a bedtime book in verse…

Dream big, little scientists,
close your sleepy eyes.
The sun has tucked itself in bed,
the moon is on the rise.

…with a scientific twist! 
The twelve kiddos pictured within the story ready for bed in rooms that show their love for eleven different branches of science!  All dream BIG, from astronomy to physics to chemistry to geology. Posters of representative scientists and all sorts of scientific tools add to the illustrations.

I love the book’s tag line: “Twelve kids. A dozen bedtimes. Endless sweet ways to say goodnight with science!”
Kirkus was right to declare Michelle’s latest “a clever and inclusive bedtime book about science and possibility.” London-based Alice Potter’s illustrations are perfect.

Today’s WWW is one Michelle shares while presenting to students her 2019 Charlesbridge offering FINDING TREASURE: A COLLECTION OF COLLECTIONS, a story told in poems.

     My teacher gave us homework
     that has me quite perplexed.
     He asked us all to bring to class
     something we collect.

Michelle is also the author of FRESH-PICKED POETRY: A DAY AT THE FARMER’S MARKET (Charlesbridge) and several of her original poems appear in THE POETRY ANTHOLOGY FOR CELEBRATIONS (Pomelo Books). She also shares standards-aligned lessons and mentor texts to help educators weave poetry into their classroom on her blog POETRY BOOST.

Thank you, Michelle, for sharing your poetic talents and smarts with our TeachingAuthors readers.

Happy Word Bowl Poem Creating!

And, Happy National Poetry Month!

Esther Hershenhorn

. . . . . . . . . . . .

WORD BOWL POEMS

My poetry collection, FINDING TREASURE: A COLLECTION OF COLLECTIONS, is a story told through poems. In it, a little girl goes on a quest to discover her own unique collection of items to bring to school for show and tell. When I share this book with students, the most common question I’m asked is, “What do you collect?”  The answer: WORDS!

As a poet, I’m obsessed with words. To me, words have a sound, texture, color, and even flavor. Some words are smooth and supple. Meander. Others jagged and sour. Persnickety. When I come across a word that sparks my senses, I write it down and put it in my Word Bowl. I borrowed the idea for a word bowl from poemcrazy by Susan Goldsmith Woolridge who says “the great thing about collecting words is they’re free…Words are lightweight, unbreakable, portable, and they’re everywhere.” True, words are everywhere. And once you start collecting them, you begin to notice and savor them more and more.

As a teacher, I want my students to savor words as much as I do. I bring my Word Bowl with me to class and invite students to add their own imagination-tickling words. I encourage students to collect tangible nouns, verbs, and adjectives and avoid proper nouns. Midnight. Plink. Ruckus. These are some of the words my third graders have added to the bowl.  For fun, we also added a couple of plastic goldfish to the bowl and named them Syno and Nym. They enjoy swimming around in the pool of words.

What do I do with all of these words? Use them as a splash of inspiration to combat writer's block! One of my favorite writing exercises is to have students write Word Bowl Poems. Each student pulls five words from the bowl and tries using at least three of them in a poem. (Bonus points for using all five words!) I tell students not to worry about rhyme or logic, but just let the words take control and lead them to new places on the page.

Here is a Word Bowl Poem from one of my students. (The bolded words are the ones he pulled from the bowl.)

I saw fungus
disgusting and horrible
frosted like a snowball
or a cloud
caps like parachutes
a surge of disgust
white like a phantom

-Eli
3rd Grade 

Another way to use Word Bowl Poems as a writing exercise is to have five different students pull one word each. Then challenge everyone in the class to write their own poems that include those five words. It’s fun to compare results and see how the same words can float writers down such different creative streams.

Word Bowl Poems free up your imagination and give you permission to play. The more words you collect, the more of a reservoir you have for those dry days when the words just don’t seem to flow on their own.
 

Wednesday Writing Workout: Six Brilliant Words

Today I'm happy to share a guest Wednesday Writing Workout from Illinois author Melanie Weiss that's perfect for National Poetry Month, which begins today.

Melanie and I connected last fall after attending an SCBWI-IL Food for Thought meeting. Melanie is a graduate of the Medill School of Journalism at Northwestern University and worked as a journalist for newspapers and magazines for 20 years. She began writing her debut novel, Spoken, shortly after she became an “empty nester.”

Spoken received the Bronze Medal for Young Adult-Social Issues in the 2019 Readers' Favorite International Book Award Contest. Here's a one-sentence summary of the novel:

When high school freshman Roman Santi discovers the Spoken Word Club, it leads him on a journey of new friendships and finding the dad he never knew.

You can read more about Melanie at her website and follow her on Facebook.

Today, Melanie shares a Wednesday Writing Workout on using six-word stories/poems in the classroom, but the exercise is appropriate for writers of all ages.

Wednesday Writing Workout:
Six Brilliant Words
By Melanie Weiss

Flash fiction is a genre of fiction that involves telling a story using between 5 and 1,500 words. Today, we are going to focus on the smaller side of that scale, the six-word story:

Flat tire.
New job.
No job?

This example is just six short words but it says everything you need to know. Writing a six-word story can be fun for every age and makes an excellent creative writing assignment that encourages students to use precise, concise language. It's wonderful, isn't it, how six little words can be strung together to say something so much BIGGER?

Six-word stories are a great way to help students (and adult writers) get more comfortable with writing short stories and poems. Since April is National Poetry Month, this is the perfect time to work on six-word stories. They can be a starting point before moving into haikus and other forms of free verse poetry, such as spoken word poetry. Prompts for six-word stories are endless. You can find countless sources online, including these at Page Flutter and these art-themed prompts.

In the classroom, adding the six-word story to your curriculum offers students an interactive exercise in thinking creatively as they share these stories with their classmates. The stories are often goofy, usually fun, sometimes serious or head-scratching, but always entertaining.

I knew I had to work the six-word story into my young-adult novel, Spoken, because the novel takes place partly at a fictionalized version of Oak Park and River Forest High School in Illinois. Not only does the school have a robust Spoken Word Club, it's the high school Ernest Hemingway attended and graduated from in 1917. Hemingway has been credited with writing the first six-word story, though this is one of those myths that continues to live despite being debunked.

The weight of connecting six well-thought-out words cannot be denied. We ALL have it within us to unleash that power and create our own six-word masterpieces.

I thought it may be easiest to borrow from Spoken and allow the novel's Spoken Word Club Teacher Patrick Collins to explain:

     Mr. Collins walks in the room and strides up to the white board at the front of the classroom. He turns to us and bows slightly. “Today we will be writing flash fiction. Does anybody know what that means?”
     Mr. Collins points to a student in one of the front rows who has her hand straight up in the air.
     “It’s telling a story but with not a lot of words.”
     “Yes, that’s pretty much it, Gina,” says Mr. Collins.
     He turns to the whiteboard and writes:

     For Sale: Baby Shoes, Never Worn.

     “This has been attributed to Ernest Hemingway. One of the greatest writers of the 20th century. It’s an extreme example of a story packed into just six words.
     “Your mission today is to write just six brilliant words that tell a story. Think about the message you want to convey and what imagery you want to represent.”
. . .

     “Now let’s spend about ten minutes and I want each of you to write your own six-word story,” he says. “Make each of your six words shimmer, like a brilliant piece of art.”
     “No pressure, right Mr. Collins?” jokes Jordan.
     We bend over our desks, pens in hand, diving down into our thoughts. The room is pure silence except for the scribbling, the scratching out of phrases, a few toes taping.
     After the ten minutes, students start sharing their stories with Mr. Collins as he captures the musings on the whiteboard.

There are ways to stretch this assignment further. Students could illustrate their short stories. A student could pass the story to another classmate and that classmate could draw what the story is telling them. Take a look back on Carmela Martino's popular TeachingAuthors' post Getting to Know Me--Six-Word Memoirs, which offers students the opportunity to find a concise way to share who they are with their teacher and classmates.

The beauty of the six-word story is simple: One classroom, countless stories, students soar.

_____
 

Thank you, Melanie, for today's Wednesday Writing Workout. Readers, I hope you'll try this exercise on your own or with your students. If you do, please let us know how it works for you.

Posted by Carmela

Wednesday Writing Workout: Voice is YOU!

Good News!
In celebration of her newest picture book THE BOY IN THE BIG BLUE GLASSES (EK Books, 2019) award-winning Australian children’s book author Susanne Gervay has again gifted TeachingAuthors readers, this time with a Wednesday Writing Workout.

Those of us lucky enough to know Susanne know she is not just a children’s author. She was awarded the Order of Australia for Children’s Literature and the International Literacy Association’s Lifetime Literature Award for her body of works on social justice for children and nominated for the Astrid Lindgren Memorial Award. Somehow she also finds time to serve as the Regional Advisor for SCBWI’s Australia East Chapter and New Zealand, which is how Susanne and I first connected. Children around the world know her for her I AM JACK series which prompted her first bully-related TeachingAuthors WWW in October of 2013 – “Read a Book. Stop a Bully.”

In her latest book, Sam doesn’t like his new glasses, no matter the benefits his family, friends and teacher bring to his attention. He does everything he can to lose those big blue glasses, except…they keep being found. In time, of course, Sam discovers wearing glasses isn’t all that bad and people like him just the way he is.

Susanne is the perfect person to be sharing a WWW about VOICE. Her Aussie accent is awesomely unforgettable, but so is she and the voice she’s brought to children’s literature and social justice world-wide.

Thank you, Susanne, for speaking out and up and to the world on behalf of those who can’t and for of course sharing your writing smarts today with our TeachingAuthors readers.

Here’s to making our voices heard – and – in honor of Sam, 20/20 vision!

Esther Hershenhorn

. . . . . . . . . . . . .

Voice is YOU!

Voice is your perspective of the world and life. It’s your humour and sadness and emotions. It’s how you view characters. It’s your writing tone.  It’s what gives your writing individuality, captures readers and makes the story unique.

Your voice is in every character, description, dialogue, every line and scene. It is the heart, within the story. But how do you achieve this?

Here are the opening lines of my chapter book I AM JACK:

“Mum, will you listen?” 
Mom’s talking to Nanna. She said she’d only be a minute. That’s such a lie. A minute means an hour in Mom time. 

How old is this character approximately? A girl or boy? What’s the nature of the character? What is his issue? What is the tone?
(Answer:  Jack is an 11-year old boy who is insightful about adults, impatient and has something he has to solve. He needs to speak to his mother about it, but there’s a block.)

So, how can YOU achieve VOICE?

• Read the start of successful books and ask questions.
• Can you hear and see the character?
• Do you feel the tone?
• Are you engaged?
• If you are, then the voice is effective.

For example, here’s the opening scene in the middle grade novel CHARLOTTE’S WEB by E.B. White:

 “Where's Papa going with that ax?" said Fern to her mother as they were setting the table for breakfast. 
"Out to the hog house," replied Mrs. Arable. "Some pigs were born last night." 
"I don't see why he needs an ax," continued Fern, who was only eight. 
"Well," said her mother, "one of the pigs is a runt. It's very small and weak, and it will never amount to anything. So your father has decided to do away with it." 
"Do away with it?" shrieked Fern. "You mean kill it? Just because it's smaller than the others?" 
Mrs. Arable put a pitcher of cream on the table. "Don't yell, Fern!" she said. "Your father is right. The pig would probably die anyway." 
Fern pushed a chair out of the way and ran outdoors. The grass was wet and the earth smelled of springtime. Fern's sneakers were sopping by the time she caught up with her father. 
"Please don't kill it!" she sobbed. "It's unfair."

Ask yourself:

• Who is Fern? What is her character?
• What is her reaction to her father’s ax?
• What is the issue?
• What is the tone?
• Do you like Fern?

Here’s the opening of my latest picture book THE BOY IN THE BIG BLUE GLASSES:

I don’t want glasses.
My parents say that I look very handsome in them.
I don’t want to look very handsome in them.
They make the backs of my ears hurt.
Grandma is surprised when she sees me.
“Who’s the handsome boy in the big blue glasses?’
“It’s me, Sammy.”
“It can’t be. You’re so handsome.”
Grandpa is very surprised too.
He asks who the Superhero with the glasses is.
“It’s me, Sammy.”
Grandpa smiles.
“Well, there’s a new Superhero in town.”

Ask yourself:

• Who is Sammy and what is his character?
• How old do you think he is?
• What is the issue?
• What is the tone?
• Do you like Sammy?

Here are a few Tips for Writing VOICE:

Read and be informed, but do not mimic another author’s voice. You need to find your own voice. This means risk uncovering your unique perception of character and story.

• Have a rant – write notes down – what you want to say. This can unlock the ‘you’ in voice, giving you a place to start, where you can play around with the tone, character, emotional engagement, until you feel your voice.

• The voice must be appropriate to your purpose, audience and context.
For example, in TO KILL A MOCKINGBIRD by Harper Lee, the purpose is to reveal the impact of racism on justice. This is achieved through the voice of a little girl, Scout. The naivete of a child provides a unique and authentic voice that navigates the adult world, creating humour, satire, darkness and hope.

• When you write from 1st person, then it is the character’s voice with your unique view and presentation of that character.

• When you write from 3rd person, it is the author’s voice. The decision needs to be made as to what sort of perspective and tone you will bring to the voice.

• Voice is unique. When you read Steinbeck, Kate DiCamillo, Judy Blume, Roald Dahl, you recognise the work because it contains their voice and the essence of who they are.

“A writer's voice is not character alone, it is not style alone; it is far more. A writer's voice is like the stroke of an artist's brush; it is the thumbprint of her whole person - her idea, wit, humor, passions, rhythms.”  Patricia Lee Gauch
 

WWW: Seven Ways to Beat Writer’s Block!

In my last post, I shared ways to achieve 20/20 vision in 2020. So I’m especially grateful today’s Wednesday Writing Workout allows me to look back – to the 90’s, when SCBWI-Illinois connected me to terrific writer and friend Mary Sandford, next consider the present – the celebration of Mary’s debut middle grade novel UNWANTED (Ambassador International, 2019), and finally, eye the future - a world with lots of Mary Sandford books on my shelf.

Both Mary and UNWANTED deserve the best and biggest of celebrations.  Mary truly kept her eye on the prize as she did everything she could to ready this particular story for readers.  Everything, as in: participate in long-standing Writers Groups; attend classes and conferences; learn from critiques; enter and win contests; connect with fellow SCBWI children’s book creators across the Chicago area, Illinois, the Midwest, Tennessee and now Hickory Creek, Texas (though I still consider her my Illinois kin.); and of course, read, write and revisereviserevise. Her writer’s antennae were and remain always on alert for learning opportunities. She’s published more than 50 articles and stories along the way.

Mary’s historical middle grade novel UNWANTED takes place in Chicago in 1958 and is inspired by true events – the unfortunate December 1 fire at Our Lady of the Angels parochial school that took the lives of 100 students. UNWANTED tells the story of Debbie Spencer who is like most twelve-year-old girls.  She loves her friends, loves to laugh, and she’s not afraid to pray.  Debbie is an average seventh grader…except she lives at an orphanage…even though she’s not an orphan.  Convinced her family is damaged beyond repair, Debbie longs for a new one.  And she’s going to find one.  When the Our Lady of the Angels fire tragically takes the lives of her roommate Noreen’s friends, Debbie puts aside her own desires to help her friend.  Things, it turns out, aren’t always what they seem and forgiveness is always the best choice.

Thank you, Mary, for sharing your novel, your writing smarts, insights and terrific self with our TeachingAuthors readers. Just about all of us are familiar with Writer’s Block.  I especially like #6 in your tips.

Good Luck Beating Writer’s Block!

Esther Hershenhorn

. . . . . . . . . . . . . . . .

SEVEN WAYS TO BEAT WRITER’S BLOCK

I know it’s strange, but I’ve never struggled with writer’s block. So, it may seem like I’m the last person to write about how to avoid it. You may be thinking, “Write what you know.” How many times have we heard that? Or you may wonder, "How can I  have any idea about  something I can't possibly understand?" But I do understand. It’s just that my writing struggles were different. When I stared writing, my seven children were still young. So, I spent several years longing for time to write. I found myself creating paragraphs in my head about the things that filled up all my time. Paragraphs like this:

     Mary pulled the last shirt out of the dryer, folded it in the air and laid it on top of the stack for Terianne. Picking up four stacks of shirts, she checked on the kids who were making yet another tent  in the family room and headed upstairs. On her way through the kitchen she spotted Michael standing in front of the open refrigerator staring inside. “Aren’t you going to be late for work?” she asked.

And then, as usual, a real conversation kept me from finishing my mental paragraphs without any time at all to revise. And I really wanted to change that character’s name to Olivia or Cynthia or something more creative.

When my youngest, Jeff, started sleeping through the night and not waking up before six am, I started getting up at about five in the morning, so I could tiptoe downstairs and write for maybe an hour and a half before the craziness started. I even managed to write a few devotionals, children’s programs, and puppet performance scripts. But my children were always my priority. I loved playing with them and reading to them and just hanging out.

When Jeff started school, I had more time to spend on writing. That’s when I joined the Society of Children’s Book Writers and Illustrators and started to attend conferences and writing workshops. In the summer when my tribe grew older, I was the “good mom” who took her kids to the community pool every day because I discovered it was a great place to write and still respond to “Watch this, Mom!”

Now, the nest is empty, but all those years I spent focusing on my children filled my head with stories and taught me how to avoid writer’s block. So, here are my Seven Ways to Beat Writers Block.

1. Think. 
I imagine every writer does a lot of thinking before writing a new story. But I intentionally think about what I want to write and then I keep on thinking about what should happen next before I ever sit down at my computer. I think about what I want to write while I’m making breakfast or waiting in a check-out line at a store or walking on my treadmill or in my neighborhood. Even driving or commuting anywhere that takes more than five minutes is a great time to spend thinking and planning what to write next. My favorite time is when I can’t sleep. It might be when I first get in bed or maybe in the middle of the night when I wake up and can’t get back to sleep. I have learned, the hard way, to write a few notes on my phone so I won’t forget.

2. Reread what you wrote yesterday.
I confess I’ve never written the Lousy First Draft suggested by most successful writers and now that my first book is out I feel at least a little justified to admit it here. Every writer has a different process, right? Mine includes rereading and revising whatever I wrote the last time I sat down to write. Now that my life is my own most of the time, I’ve realized I am a very organized person. (I confess I like that my spices are in order alphabetically. Come on, it doesn’t take much time to keep them that way and it makes cooking much faster.) For me revision is just organizing what I’ve written. And I like to do it. Plus, it gets me completely back into my story making it easy to continue creating it.

3. Stop with a cliff hanger.

Here’s an excerpt from Unwanted:

     Noreen buried her face in her brother's chest, a fresh wave of sobs engulfing them both.
     “Shhh . . . ” I tried to quiet her. It was a small miracle that we’d made it all the way to the infirmary without anyone seeing us.
     Silently, I thanked God for the miracle and begged to know what to do next.
     That's when the door swung open. 

That’s a perfect place to stop writing. I know exactly what to write next – Patricia Olsen stepped into the infirmary – and what she says and what she does. Sometimes I stop in the middle of a scene. That’s usually because my phone reminds me I have an appointment I’ve forgotten. While I’m driving to my appointment I’m using technique number one.

4. Stop writing mid-sentence or mid-paragraph.
Like technique #3, this is easy to do when my writing time is interrupted, but sometimes I just make myself stop so I won’t struggle to start again. I know what’s coming next and just stop writing before I put it on paper; if I think I might forget I put down a few words as a reminder. This isn’t something I do often, but sometimes I know I need to stop. I know I haven’t done enough thinking to get much farther.

5. Read books in your genre.
This technique works great when I’ve used #4 or before I sit down to write when I’ll have several hours of uninterrupted time. Good writers are great readers, right? I usually read at least two or three middle grade books every week. Reading good books in your genre is a great way to improve your craft. I love reading middle grade, so it works for me. I always say I’m working when I’m reading and it makes me laugh. I have a wonderful “job.”

6. Work on something related to your Work-in-Progress.
When I know I am not ready to work on my manuscript, working on my synopsis or a query letter helps me see my story in different way. The concise format can trigger ideas of where to go with the story next. I might realize the need for a scene earlier in the story to make my reader keep reading or begin to wonder about something I plan to add later.

7. Keep your (saved) document on your desktop.
I’ll admit: sometimes my computer desktop is so full of documents and photos or whatever, I might not even notice my Work-in-Progress. But I know it’s there. When I’m reminded about my WIP, I remember technique #1 and I’m thinking about what I want to write next and so it goes.

I personally don’t struggle with Writer’s Block, but maybe using some of these techniques will help those of you who do to stop struggling and BIC -get your butt in your chair and write.