Showing posts with label teaching materials. Show all posts
Showing posts with label teaching materials. Show all posts

Friday, August 7, 2026

Who Writes History?

Who writes history?  Who creates the narrative?  Who and what are valued? How does the story get passed down? Does anyone check for context or accuracy?

When I began teaching, it was many moons ago before we depended on the internet for information…before we carried a tiny computer in our hand…before we had access and an expectation to seek out other points of reference.  It was a time when teachers were the gatekeepers of information.  I am ashamed to admit that history was passed down through me to young minds by rote.  I was young and simply repeated what had been repeated to me by veteran teachers who passed the narrative down.  History they say is written by the victors.  Many moons ago, I participated in this passing of information without context or critical analytical thinking.

As I moved through my adulthood, other influences found their way into my practice.  I began to understand that it is necessary to actively seek out alternative resources outside of the mainstream and expand one’s understanding of the world.  I found a group of educators interested in Critical Pedagogy and discovered resources like Rethinking Schools.

https://rethinkingschools.org/

https://rethinkingschools.org/articles/rethinking-the-american-revolution/

Eventually, I met Bill Bigelow at a Progressive Educators Network conference.  I was honored to find myself running in the same circles. And as circumstance would have it, apparently Bill had been a teacher at my high school in Portland, long after I had graduated.

From the Rethinking Schools website:

"Bill Bigelow

CURRICULUM EDITOR

Bill Bigelow taught high school social studies for many years. He is curriculum editor

of Rethinking Schools magazine and author or co-editor of several Rethinking Schools books: A

People’s History for the Classroom, The Line Between Us: Teaching About the Border and

Mexican Immigration, Rethinking Columbus, Rethinking Globalization: Teaching for Justice in an

Unjust World, Rethinking Our Classrooms – Volumes 1 and 2, and A People’s Curriculum for the

Earth: Teaching Climate Change and the Environmental Crisis. Most recently, he co-edited the

Rethinking Schools book, Teaching Palestine: Lessons, Stories, Voices. He co-directs the Zinn

Education Project on behalf of Rethinking Schools. Bigelow lives in Portland, Oregon, with his

wife, Linda Christensen."



                                                   Photo taken at the Barnes and Noble in Manhattan Beach, CA

Way led on to way, and I found myself introduced to A People's History of the United States by Howard Zinn.  A must read for every teacher and kidlit author, for that matter. As a follow-up to Howard Zinn’s writing, please check out The Zinn Education Project.

https://www.zinnedproject.org/

https://www.zinnedproject.org/why/


Another amazing organization that has been around for decades is Teaching for Change. 

https://www.teachingforchange.org/

https://www.teachingforchange.org/talking-to-young-children-about-america-


From the Teaching For Change website

"Deborah Menkart, Executive Director

Raised in D.C., Deborah’s activism began in junior high school when she protested D.C.’s “taxation without representation” and the “dresses-only” dress code for girls. The dress code changed, but D.C.’s colonial status continues. Her perspective on the world was shaped by being the first born in the U.S. of European immigrants on both sides of her family and being raised by a single mother who worked as a dressmaker. During the 1970s Deborah lived in San Diego, California, where she worked as a shipyard electrician and was active in the antiwar, women’s, international solidarity, and labor movements. Through all of these experiences she decided that for any social justice movement in the U.S. to succeed, a change in pre-K—12 education is essential. Since 1989 she has been pursuing that goal in her work at Teaching for Change."


Once activated, I became aware of this organization in the earlier days of teaching and my practice was forever changed. Years later, found myself sitting next to Deborah Menkart at my table at the CABA book awards when my book, Egyptian Lullaby received the award in 2024 from Howard University.  I was thrilled to meet her in person and couldn’t believe she had chosen to sit at my table.  Make sure you take advantage of their booklist! (where you'll also find my book, Egyptian Lullaby.)

https://www.socialjusticebooks.org/

These people and resources were instrumental in broadening my horizons and expanding my understanding of history and its many points of entry.

In addition to finding resources and developing a much more expansive knowledge base as a teacher (and eventually as a children’s book author), I began to discover the United States history in context with the other countries in our world through traveling. 

One memory that sticks out is of a bookstore owner in Chiapas Mexico.  I believe he was an expat.  For no apparent reason, he randomly gave me the last book, Century of the Wind from the trilogy Memory of Fire by Uruguayan author Eduardo Galeano.  What a treasure. These three books are of course written originally in Spanish.  The English translation is gorgeous so I can only imagine the original text.  Galeano tells the story of the Americas through short lyrical prose.  He creates short vignettes to take the reader through a history that acknowledges the imperialism of the US and the effect it has on the surrounding countries. Galeano provides windows into what was occurring in the different countries simultaneously throughout a timeline.  It is like drinking a fine wine.  The writing is exquisite.  It is an amazing history lesson as well as a beautifully crafted journey.

https://en.wikipedia.org/wiki/Eduardo_Galeano







On a different trip, a young person in Cuba ran up to me and put a miniature book in the palm of my hand.  It was Fidel Castro’s History Will Absolve Me. No matter your politics or beliefs, I believe it is crucial to read to expand your understanding...to extend the possibilities...to see your world with fewer limitations and in a broader context.

It’s never too late.

Just recently, I was traveling in South America.  Someone asked me where I was from.  I know better, but for some reason I said, “America.”  The minute the word came out of my mouth, I knew it felt wrong.  And it was.  The Columbian intellectual in front of me was quick to correct my error.  “You are part of America but you are not America.  We are all American.”  Duly noted.  

It’s never too late to examine the narrative we’ve been handed and adjust it, instead of just passing it to our youth thoughtlessly, both as teachers and authors. History after all, is a living entity, growing, transforming, and everchanging. It belongs to all of us, not just the victors.


By Zeena M. Pliska

Author of 

Hello, Little One: A Monarch Butterfly Story (Page Street Kids)

Egyptian Lullaby (Roaring Brook Press - Macmillan)

Chicken Soup for the Soul for Babies Say Thank You? (But Why?)  (Charlesbridge)

Chicken Soup for the Soul for Babies A Gift For Me? (I Want It!)   (Charlesbridge)

Wednesday, September 9, 2020

Take My Picture Book Class From Your Front Porch!

Howdy Campers!  

My fabulous 2019 class with some of their favorite picture books
helps me celebrate my 20th year teaching in UCLA Extension Writers' Program

My 10-week Beginning Picture Book class begins Wednesday, 9/30/20 to 12/9/20 from 3-6pm PST. I'd love to see you in one of those friendly squares. If you're interested, sign up SOON, enrollment's limited. More info at the very bottom of this post.

Welcome to another...

I've been feeling breathless about teaching virtually (see Margaret's wonderful One Word poem on this topic) and yesterday my generous UCLA Extension Writers' Program colleague, Adam McOmber, who also teaches in the Vermont College of Fine Arts, administered virtual oxygen to me. As so many of you know, the amount of stuff to learn can be freaking overwhelming. But with Adam's help (and the help of my wonderful Program Rep, Ashley Griggs) I'm finally getting it.

Deep breath.

Today's WWW comes from an exercise Adam uses in his novel writing class, which is also a great prompt for picture writers and for poets, with a little tweaking.
photo of Adam McOmber by Ryan Bakerink

He gives each student one chapter of a book. After they've read it, he asks: what are three inspirations you got from this book?

===================================
For picture writers:

1) Read a picture book.

2) Write down three things in this book that might inspire a new picture book or inspire you to rewrite an existing manuscript in a completely different way.

====================================

For poets:

1) Read a poem.

2) Write down three things the poet does that might inspire a new poem or inspire you to rewrite an existing poem.

Try this!  And please let me know how it goes. I really want to know. 

~ UCLA EXTENSION WRITERS' PROGRAM PRESENTS~
Writing the Children's Picture Book


photo of April Halprin Wayland (and Steve, the guy who took her on her first date) by Sonya Sones

when? 10 Wednesdays, 3pm to 6pm PST, 9/30 to 12/9 (no meeting 11/11)

where? Anywhere!

Designed for beginning picture book writers, this fun, fast-paced course surveys the genre's breathtaking possibilities, exploring its art, craft, and publishing practices (what are editors looking for?). You'll compare a wide variety of picture book structures, characters, and themes, and learn how to use voice, poetic and muscular language, point-of-view, repetition, and more. Through a balance of lecture, writing assignments, feedback, and the 10 books you read each week, you'll gain a clear sense of your own writing strengths, the ability to give and receive valuable critiques, and knowledge of the submission process--all in a nurturing community of writers.
Instructor:
April Halprin Wayland is the author of seven picture books, including More Than Enough: A Passover Story (Dial), It’s Not My Turn to Look for Grandma! (Knopf), and New Year at the Pier: A Rosh Hashanah Story(Dial), named Best Jewish Picture Book and winner of the Sydney Taylor Gold Book Award. Ms. Wayland won the Myra Cohn Livingston Award for Girl Coming In for a Landing: A Novel in Poems and has won seven poetry awards from the SCBWI. She is a recipient of the UCLA Extension Outstanding Instructor Award in Creative Writing.
Our Students Say it Best!
“Not only is April some kind of genius of rhyme and language, but she is a fabulous instructor—clear, endlessly inventive, and no-nonsense. I have learned more than I thought possible and had a great time doing it."

"Every class the three hours flew by.”

"She presented a great combination of whimsy, encouragement and discipline that I thought was the perfect tone for beginners like me."

37609: Picture Book I WRITING-X 441.1; 3 Credits; Writers' Program: (310) 825-941writers@uclaextension.edu
                                           https://tinyurl.com/y5esk2xk  Enrollment limited.

posted by April Halprin Wayland, with the help of Eli and Monkey ~


Friday, September 15, 2017

2 Poems, 2 Lessons Learned From Teaching

.
Howdy, Campers and Happy Poetry Friday!  The link to PF is below.

Our topic, this orbit around Planet TeachingAuthors, is: Something I learned from teaching or from my students. 

Carmela started us off with Two Things My Students Have Taught Me; Esther followed with My Storied Treasures Treasured Stories! Now it's my turn; what I'm about to share echoes my first post on this blog in 2009. (For info on my up-coming UCLA Extension Writers' Program Picture Book Class, see below)

Two Lessons I've Learned From Teaching:

1) I am a snowflake.


pixabay.com creative commons

I've been teaching in the UCLA Extension Writers' Program since 1999. When I was planning my first class, I was petrified. My mantra was: I am a snowflake. When they are in my class, they will learn my snowflakeness. When they take another class, they will learn that teacher's snowflakeness.

It helped.

FIRST DAY TEACHING
by April Halprin Wayland

You take your seats
looking up
with puppy eyes

wanting me to be
the exact snowflake
you hoped for.

I explain how I drift,
I explain my six sides,
I explain my melting point.

If I am not what you wanted,
not what you expected,
not what you'd hoped for,

there's different snowflake
down the hall
named Bruce.

poem © 2017 April Halprin Wayland. All rights reserved

 * * *
2) Wheels are good.


https://morguefile.com/creative/DuBoix

ON STARTING MY ELEVENTH YEAR OF TEACHING
by April Halprin Wayland

 Years ago I learned to pack
 everything I need for the first day of class
 into a suitcase
 rather than that big plastic box I used to schlep.

 Wheels are so much easier.

 So last night I packed
 the roster,
 my updated syllabus,
 red, blue, green and black dry erase markers,
 clear mailing tape to stick quotations on the walls,
 the book I’ve read aloud in the first class for eleven years,
 and 25 copies of the “tell me about yourself” handout on lavender paper.

 My body is buzzing.
 I am slightly nauseous.
 This happens every year.
 There are no vaccination shots for it
 as I roll this suitcase into a new country
...
 again.

poem © 2017 April Halprin Wayland. All rights reserved

My next class, Writing The Children's Picture Book begins October 3rd. (and if you can't take my on-site class, consider taking UCLA Extension Writers' Program online Picture Book class from author Terry Pierce.)
Thank you, Michelle, for your own poetry and for hosting Poetry Friday at
Today's Little Ditty,
and for promoting the U.N.'s International Day of Peace Day (September 21st)


posted by April Halprin Wayland (with help from Eli, who is also a snowflake)



Wednesday, December 1, 2010

Looking for Lesson Plans? Online Resources for Teaching Young Authors

As Mary Ann mentioned on Monday, today we're sharing part 2 of our answer to an Ask the TeachingAuthors question posted by Sandra Stiles regarding resources for teaching young writers. But first, I'd like to congratulate all the writers who tackled NaNoWriMo in November. Whether or not you managed to produce 50,000 words, I commend you for attempting the Herculean feat. I'm still in the midst of the pseudo-NaNoWriMo project that I blogged about last month. So far, I've added about 23,000 words to my work-in-progress. That's 3,000 words short of where I'd hoped to be by now, but I still have a couple of weeks until my December 15 deadline. Wish me luck!

Now, back to answering Sandra Stiles's Ask the TeachingAuthors question. She asked for help in planning her after-school writing class. On Monday, Mary Ann mentioned some books with activities to inspire young writers. Today I'd like to share websites with lesson plans and other resources. Here are six, in no particular order:
Many children's book publishers also provide teacher resources and lesson plans on their sites, including:
Candlewick Press, Scholastic, and Sleeping Bear Press.

In particular, I'd like to recommend Sleeping Bear Press's 25-page Teacher's Guide to our own Esther Hershenhorn's S is for Story: A Writer's Alphabet. Esther's book is a wonderful teaching resource for writers of all ages, and you don't have to take my word for it: Among its other accolades, S is for Story was recently named a 2011 Annual Teachers' Choice Awards Children's Book Winner.
Congratulations, Esther!

Finally, if you're working with young writers who are looking for places to publish their work, see the "For Writers" page of my website.

And if you know of other sites featuring lesson plans to use with young writers, please share them in the comments.

Happy writing!
Carmela

Monday, November 29, 2010

Teaching Books for Teaching Authors

     This is part one to a question posed awhile back by reader Sandra Stiles. Sandra's question was so thorough it will take more than post to answer.
  
     Sandra has a one hour after school writing class, and basically wanted to know how to keep the mojo going, for both herself and her students. Sandra didn't mention how old her students are, but the answer is the same whether they are eight or eighteen. Those of you have been reading this blog awhile already know what I'm going to say; read, read, read!


    There is an endless selection of books on writing and teaching writing, some better than others. Here is my "go to" list (in no particular order).

Bird by Bird by Anne Lamotte.  This book is for me and definitely not the students. This is what gets my mojo going. Anne reminds me (in no uncertain, and sometimes very blunt language) that writing is a process, that it's OK to write lousy drafts and that some days (lots of days) the magic just doesn't happen.

What's Your Story?:  A Young Person's Guide to Writing Fiction  by Marion Dane Bauer
The title pretty much tells you want this book is--how to write both long and short fiction--from the ground up. Although written for middle school age students, this was my bible when writing Yankee Girl.  That this book has been in print for nearly 20 years makes it a classic in my opinion.

Paper Lightening:  Prewriting Activities that Spark Creativity and Help Students Write Effectively by Darcy Pattison
Aimed at teachers of writing for elementary and middle school teachers, this book makes a terrific companion for Bauer's book. Where Bauer lays our the blueprint for writing, Pattison's backs up that blueprint with dozens of writing activities to jump start the writer's brain and to write in more colorful and creative ways. This book was published in 2008, and I forsee it still in print in 2008.

Anything written by Ralph Fletcher. Fletcher has a series of short (under 125 pages) of how-to-books written for students, each on a different aspect of writing. These include How to Write Your Life Story, A Writer's Notebook: Unlocking the Writer Within You, Live Writing:  Breathing Life Into Your Words, How Writer's Work:  Finding a Process that Works for You, Poetry Matters:  Writing a Poem from the Inside Out.  Craft Lessons is a virtual encyclopedia of specialized exercises for every age group for kindergarden and up.
 
As I was re-checking these titles on Amazon, I found that Fletcher has a new book our this past spring,
Pyrotechnics on the Page. I'm ordering my copy as soon as i finish writing this blog!

Although I am not a poet, I am working on a verse novel, which means I am reading a lot of poetry how-to's. Poemcrazy by Pam Woolridge is written for adults, but easily understood by the middle grade poet.
I'm also reading books by Ted Kooser and Mary Oliver, however the techniques here are best distilled through the teacher.

OK, fellow writers, back to the verse novel. I had a big breakthrough over the holidays and I don't want to lose my big 'mo.

Part two to Sandra's question next time.

Posted by Mary Ann Rodman

Wednesday, November 4, 2009

Thumbs Up for Writing It Right!


All of my writing personas – the Author, Teacher and Writing Coach in me - offer an enthusiastic Thumbs Up! for Sandy Asher’s Writing It Right! (Writer’s Institute Publications, 2009).
The book’s subtitle says it all: “How Successful Children’s Authors Revise and Sell Their Stories.”

Asher could have simply told us how, as do many writers, teachers and editors.
Instead, this teacher, editor, playwright, and author wisely chose to show us how, via the generously-shared manuscript drafts of published books and stories, so we could literally and figuratively see for ourselves how the requisite process of revision works.

“Come join writers at work,” Asher writes in her book’s Introduction, “professional, published authors in the process of making choices, taking wrong turns, pursuing false starts, backtracking, regrouping, rethinking, re-envisioning, and revising. Again and again. And again.”
And, she reminds us, “Please leave behind all notions that writing fiction is quick and easy, and that writing for young readers is the cushiest job of all.”

Asher thoughtfully organizes her book by formats and audience:
(1) picture books;
(2) short stories;
(3) books for young readers – i.e. easy-to-reads and early chapter books; and
(4) books for older readers – i.e. middle grade and young adult fiction.

Respective representative titles include Kate McMullan's I Stink!, Judy Cox's Highlights story "Becca, the Nutcracker Mouse," Johanna Hurwitz’s A Llama in the Family and Brenda Ferber’s Julia’s Kitchen.
Asher grounds each title with a relevant overview, livens the presentation with author comments and concludes each section with a relevant editor and/or agent interview.
Her Nine Essential Story Questions that guide each manuscript’s crafting beg to be borrowed, applied and re-used.
Elements of Narrative. Language use. Reader considerations. Final line-edits.
Re-visioning a manuscript is all-encompassing.

“Revision,” Asher writes. “Love it or hate it, if you want to write for publication, it’s going to be a fact of your life.”
Reading and studying all twenty-one manuscripts not only guarantees an instant “I-get-it-now!” response; it’s certain to return us to our own work, buoyed and smarter.

Esther Hershenhorn
P.S.
I learned of Writing it Right! while Sandy Asher was gathering writers' manuscripts for her text; the Teaching Author in me requested a review copy, then counted down the days 'til its publication.

Monday, September 28, 2009

Guest Teaching Author/Illustrator Interview and Another Book Giveaway!

We have another first today--our first Guest Teaching Author interview with a Teaching Author who is also an Illustrator: Elizabeth O. Dulemba!
 
We are pleased to be part of Elizabeth's blog tour for her first picture book as both author and illustrator, Soap, Soap, Soap ~ Jabón, Jabón, Jabón (available in bilingual and all-English versions) published by Raven Tree Press. See the end of this post for information on how to enter for a chance to win your own autographed copy!

Elizabeth is the award-winning illustrator of seven trade picture books. She speaks regularly at conferences, schools, and events, and once a year, she teaches "Creating Picture Books" at the John C. Campbell Folk School in North Carolina. She is the Illustrators' Coordinator for the Southern region of the Society of Children's book Writers and Illustrators (SCBWI) and is on the Board for the Georgia Center for the Book, where she is a strong advocate for the children's writing community.

Elizabeth, can you tell us how you became a Teaching Author/Illustrator?

I've always said if I wasn't a children's book author/illustrator, I'd be a teacher. One of my regrets in life is that I didn't stick around for an MFA in college--a degree which would have opened doors to teach in colleges and private schools. I still hope to achieve the degree someday. In the mean time, I have taught every chance I could through alternate means. I was a substitute teacher straight out of college; taught Beginning Drawing through the Chattanooga Arts Center in Tennessee; speak regularly at schools (grade school through adult), conferences and events; and teach 'Creating Picture Books' once a year at the John C. Campbell Folk School. I love to teach--it's a constant puzzle. Every student absorbs information differently and it's up to me to figure out how to relay that information in a way it will be best understood by each particular brain. It's a challenge that I adore.

What's a common problem/question that your students have and how do you address/answer it?

In line with what I mentioned above, if a student doesn't understand what I'm trying to relay, I have to approach the information differently--until I find the way that person learns best. Low attention spans can also be a challenge (even in adults!). I try to keep things dynamic to keep everybody engaged. (Full-time teachers must have amazing energy--I wish they could bottle it.) If I see I'm losing a student, I'll direct a question to him or her to pull them back in.

Would you share a favorite writing exercise for our readers?

Since I am an illustrator first, my exercise has a craft/visual element. I have students create a mini-book with a strip of paper--creating four panels with three folds. They divide the story they're working on into four categories, one for each of the four panels:
1) Introduce a problem, want, or desire
2) Present obstacles
3) Climax
4) Resolution
Even for adults, I pull out a box of markers and have them decorate their "mini-dummies." It's something fun to show, but it also helps them define the key components of their stories.


What a great exercise for picture book writers! Can you share how you were drawn to the writing side of picture book creation?

My journey into writing is an ironic one. I was identified as an artist at a very early age. So when the writing showed up a little later, it wasn't given much credence. After all, you only get 'One Thing,' right? However, my drawings were always illustrations of the stories filling my head, and I wrote in my drawing pads too--poems, stories, you name it. I kept a diary for years (volumes and volumes), but I never really knew I was a writer until I finally dove into my dream of creating picture books full time. My first attempts were pretty awful, but then I started getting comments like, "She can obviously write," or "She's a beautiful writer." Those meant so much to me. And even though my first picture book as both illustrator AND author is now out, I'm not sure I feel like a 'real' writer yet. I'm not sure what will do it.

It's kind of like with my illustrations. I was an in-house illustrator, making my living from my art for fifteen years. But I didn't feel like a 'real' illustrator until I traveled to New York for the SCBWI Portfolio Show at the Society of Illustrators. I joke that I circled the building seven times and pounded that New York pavement. After that trip, I finally felt like a bona fide illustrator.


Soap, Soap, Soap is a variation on a classic Appalachian Jack Tale. Can you tell us how you came to write this story?

I have long been a fan of the Jack Tales. Something about the Appalachians and the culture there has pulled at me my entire life. So when Raven Tree Press approached me to illustrate Paco and the Giant Chile Plant, a bilingual adaptation of "Jack and the Beanstalk," I jumped at it. Not only was it a Jack Tale, but it was my excuse to finally learn Spanish. (Raven Tree specializes in bilingual picture books.) Happily, Paco did very well for Raven Tree and they wanted another.

I presented
Soap to my publishers when they were in town for IRA and they flipped over it. However, the new tale fit better in a modern day setting. So Paco became Hugo, and the old Chihuahuan desert became a small town in South Georgia. The rest will, I hope, be a very happy and successful journey. 

Do you have any suggestions for teachers on how they might use Soap, Soap, Soap in the classroom?

Yes! I've created an entire activity page on my Web site. It includes coloring sheets, puzzles, recipes, and other activities that can be used at home or in the classroom. 

I'm also thrilled to share that the Alliance Theatre's Teaching Artists program has picked up Soap as one of their main books this season. They focus on the basic concepts of getting muddy and getting clean. For instance, where can you get mud on you? Your elbows, your knees, etc. What does mud feel like and smell like? Once you've gotten muddy, how do you get clean? Do you take a bath and scrub? 

Teachers are using
Soap to introduce hygiene in their classrooms. Anastasia Suen has also posted a mini-lesson tying the book to a related topic of hand-washing and learning to stay clean--an important topic in this Swine Flu season.

Along with these basic ideas, Soap can be used with my previous (illustrated) picture book, Paco and the Giant Chile Plant (written by Keith Polette) to discuss how folktales evolve over time. Both books are adaptations of classic Appalachian Jack Tales that were passed down by word of mouth from generation to generation, from Cornwall, England to the Chihuahua desert in Mexico. Playing "telephone" is a great way to discuss how stories change and evolve as they travel from teller to teller and how stories can become uniquely our own when we tell them our own way.

Elizabeth, thanks so much for taking time to talk with us today. And special thanks for providing an autographed copy of your book for our giveaway.  Readers who'd like to learn more about Elizabeth and her books can visit her Web site.

Instructions for entering our giveaway drawing are provided below. But first, you may want to watch the trailer for Soap, Soap, Soap ~ Jabón, Jabón, Jabón:


-----
Now, for the contest requirements:

To enter for a chance to win an autographed copy of Soap, Soap, Soap in your choice of a bilingual or all-English edition, you must post a comment giving us the title of one of your favorite folktales, and the reason behind your choice. To qualify, your entry must be posted by midnight, Wednesday, Sept. 30, 2009 (CST). The winner will be announced on Thursday, Oct. 1, 2009. Be sure to provide an email address where we can reach you! See this post for our complete giveaway guidelines.

We look forward to reading your comments. Good luck, everyone! And don't forget to watch for another book giveaway coming VERY soon.

Carmela

Friday, September 11, 2009

9-11 Lesson Plan: Stand on Your Head

9-11-01. Man-o-man.

Write a poem for Poetry Friday about it? I tried. But it was sooooooo big, I didn’t know how to get my arms around it.

So I tried looking at it a differently:

IF YOU RUN THE FILM BACKWARDS ON 9-11

two towers

grow out of the ground
and bloom


© April Halprin Wayland


It’s hard for me to write about the big stuff.

Here's a quote from a book by Tim Page called Parallel Play–Growing Up With Undiagnosed Asperger’s:

“Not only did I not see the forest for the trees; I was s
o intensely distracted that I missed the trees for the species of lichen on their bark.”

Yeah—me, too!It’s easier for me to write about the intimate, the personal, the small stuff. I have to start by writing about my backyard before I can write about war.

So, for example, if I wanted to write about a big hard-to-get-my-arms-around-it topic like LOVE, I might write about the day we brought our dog Rosie home from the shelter.

But what if I stand on my head to look at this topic? Maybe I can write about love by describing what it feels like to lose it.

ANIMAL SHELTER

The lady who opened the cage cried

and the guy behind the counter
reached out to touch your bristly hair one last time,
and the vet came out in her white coat,

held your face in her hands,

looked into your Cleopatra-lined eyes,

and solemnly kissed your nose good-bye.

Then she handed me

your leash

and the thing that

the lady who opened the cage
and the guy behind the counter
and the vet
were about to miss


jumped into the backseat with me

drove home with me

raced around the grass with me
and the thing they are missing

is here with me now
licking my face,
licking my lucky face.


(c) April Halprin Wayland


Here’s another example of writing about something by thinking about what's missing when it's not there:

ON THE DEATH OF A SMALL DOG

Opening the front door,

there is no small sound of clicking nails
on the wooden floor
no bright eyes
no jumping, dancing dog.

I have opened a pomegranate

and found no ruby seeds —

only this

hollow
shell.

published in Cricket Magazine—November, 1999
© April Halprin Wayland


So if you are stuck trying to write something about 9-11 or any other subject, try standing on your head!



Writing Workout / Lesson Plan—
Standing A Topic on its Head
For ages 7 through adult (or younger, with individual help.)


Objective:
This lesson teaches writers how to stand on their heads and look at something in a new way.

Instructions:

1) Brainstorm on paper a memory of an event that rocked your personal world. Jot down whatever comes to mind, writing quickly. Don't worry about neatness or spelling or complete sentences--you're making notes for yourself, not anyone else.

You might think about:

when you did something that made you feel grown-up—

maybe you helped paint the kitchen.
Or you did something that helped someone solve a problem.

Or
when something scary happened—
maybe your dog ran away.
Or your parents separated.

Or
when something joyous happened—
maybe your family moved into a nice home.
Or you learned how to skateboard or read.

2) Take a deep breath.

3) Circle one event you want to write about.

4) Now, stand on your head. Think about this event backwards or sideways or if it had happened differently---and how you would be changed as a result.

5) Write honestly. Write with joy!

Maybe that's the best way to address 9-11...write honestly and write with joy.
Out and About
It's nearly Rosh Hashanah!

On Saturday, September 12th New Year at the Pier--A Rosh Hashanah Story will be read on the radio program HALFWAY DOWN THE STAIRS by the one and only Uncle Ruthie on KPFK in Los Angeles & Santa Barbara.

Also on Saturday, September 12th from 3-5 pm: my bricks-and-mortar book launch for New Year at the Pier--a Rosh Hashanah Story, including a playlet featuring elementary school kids(the play will be around 3:30-ish)at Hillside Pharmacy in Manhattan Beach, CA (our local independent bookstore cleverly disguised as a pharmacy)

For more events, check out my calendar!

Wild Rose Reader is hosting the Poetry Friday Roundup.
all drawings by April Halprin Wayland

Friday, July 17, 2009

“Heck! I can write a picture book on my coffee break!”


Happy Poetry Friday!


Today’s poem and a lesson plan on writing an envelope poem are at the bottom of this post.
Don’t you hate it when somebody says that?

I wrote thirty-six drafts of my newest picture book, NEW YEAR AT THE PIER—A Rosh Hashanah Story, before my editor said, “Yes! That’s it!”

Thirty-six drafts. Oy. I’ll tell you about it sometime…

So why do I keep writing picture books if I can't pop out one after the other, easy as pie?

Because I'm addicted.

I’m home now from the Association of Jewish Libraries (AJL) Convention and the American Library Association (ALA) Conference—both in Chicago.

On the three hour flight back, I had intended to work on the manuscripts I’m critiquing for the upcoming Society of Children’s Book Writers and Illustrators annual conference. I was looking forward to three uninterrupted hours to work.

But on the last day of ALA, someone said something that triggered a story idea. And that idea kept bopping around inside my brain, begging to be written.

So, I let the story kidnap me. I put my pen to the paper and said, “Take me wherever you want to go.” It was like playing in a sandbox again. Like the old days, before writing became work.

I’ve been playing with it today, too, instead of sorting through conference papers and business cards, instead of putting away laundry, instead of writing this blog.

When I look at this newborn story objectively, it probably won’t sell. I mean, it doesn’t have a particular hook—it’s not a holiday book nor does it address a specific issue or problem.

But I'm taking it to my critique group because I'm hooked on this story. Addicted. I feel as if I’ve had ten cups of coffee today. (And for someone who gets high on ½ cup of decaf, that’s saying something…)

Research suggests addictive chemicals are released in the brains of artists and writers when they are practicing their art. But chances are, if you’re reading this, you already know that.

When I write, it feels... ...sooooooooooooo good.

So, if you know someone who thinks he can write a picture book during his coffee break, give him a kind smile and wish him good luck.

Then come meet me at the coffee shop and write the story that’s bopping around in your brain, begging to be written.

WRITING WORKOUT: Writing An Envelope Poem

I WRITE
by April Halprin Wayland

I write.

Some folks sing songs, some right the wrongs,
some work crosswords, some raise rare birds
some get in fights or march for peace,
(I do that too, may all wars cease.)
What keeps you jazzed ‘til late at night?

I write.

© April Halprin Wayland

The poem above is an envelope poem.

One of my favorite envelope poems is by Langston Hughes:

POEM

I loved my friend
He went away from me
There's nothing more to say
The poem ends,
Soft as it began-
I loved my friend.

Now that you’ve read this, what do you think an envelope poem is?

You’re right—an envelope poem is one that begins and ends with the same line.

How to write your own envelope poem.

1) Brainstorm what you’d like to write about.
2) Now start writing—mediocre ideas or good ideas, it doesn’t matter—just keep your pen moving.
3) Play with lines until you find one that is strong enough to begin and end your poem.
4) Polish your poem. Read it aloud to your cat.
5) Let it rest for a few days. Read it again. Polish it some more.
6) Do you love it? Then let your poem out of its envelope! Share it with a friend.
All images by April Halprin Wayland

Monday, July 13, 2009

Adventures in Techland



I am writing this from beautiful Ocean Isle, North Carolina, but I don't think that was what we had in mind when we set up the "out-and-about" category of blogs. But since I haven't been to any writing-related events lately, I will tell you about two "techie" related projects I am currently working on. Or maybe struggling with would be a better way of describing it. Anything that involves the Cyberworld takes me a long time to master.

The first of these is the "virtual school visit." Two of my publishers have offered their writers this option, which involves the writer using Skype to come into a distant classroom, via webcam. In fact, one of my publishers asked us to make a three to five minute "auditioncast" to take to ALA as an example of our work. It took me a week to discover that the webcam on my computer required a program that was not on my computer. Go figure. But having solved that little glitch, I am really excited about the idea of using Skype to do school visits. (Mary Ann Rodman, coming to you via Skype...just like on the Oprah Show!). With school and library budgets shrinking by the day, an author visit that does not require paying for the author's transportation, housing, etc, would make a cybervisit much more affordable, providing the school has the technology. It is also a great deal for those of us who love doing school visits, but don't always have the time in their schedule to fly three time zones away for a week at a time.

My second venture in Techland has to do with the UK release of my middle grade historical fiction, JIMMY'S STARS. (That's the UK cover at the top of the post; the American Farrar Straux Giroux cover under it. Interesting change in cover art, no?) This book was based on my mother's family and their experiences during World War II. My UK publisher, Usborne, asked for any pictures, letters, documents that I have of Mom's family that would reflect the events in the book. They were especially interested in the shipboard diary my Uncle Jim (the inspiration for the fictional Jimmy) kept as a seventeen-year-old Merchant Marine. Usborne is posting all this, along with my explanations as to how these things fit into my story, on a special section on the Usborne site as a resource for teachers. I am so excited to be sharing some of my material with a delightful woman named Sally, who is as interested in the intersection of history and fiction as I am!

My only problem has been in discovering that 1)somehow the power cord to my scanner has disappeared into the black hole that is my office 2) discovering that my Local Chain of Office Service Provider has horrible scanners 3) my Local Chain of Office Supplies no longer sells flat bed scanners. When I asked where the scanners were, the adolescent sales "associate" looked at me as if I had asked for a rotary dial phone or typewriter. Instead, he waved his hand at a display of "multipurpose" machines, each the size of VW Bug. When I told him I didn't need a fax-printer-scanner-copier-photomaker-that-plays-The Star Spangled Banner (OK, I made up that last part), he just shrugged and said, "I think you can get those old-fashioned ones online."

So I ordered one online, and had it in my hot little hands two days later. I am now gleefully scanning away, and firing off my family treasures to Usborne. When they have the site set up, I will let you all know.

But for now, the beach and a book are calling my name. And speaking of books, I have read been reading like crazy these past two weeks. Here's the list: Barnyard Slam, by Dian Curtis Regan, Up North at the Cabin by Marcia Chall, Prairie Train by Marcia Chall (Picture books)
The Locked Garden
by Gloria Whelan, The Evolution of Calpurnia Tate by Jacqueline Kelly, When the Whistle Blows (MG Historical Fiction)
Love, Aubreyby Suzanne LaFleur (MG fiction)
Also Known as Harper by Ann Heywood Leal, The Morgue and Meby John C. Ford (YA Fiction)
Brooklyn: A Novel by Colm Toibin, Bury Me Deep by Megan Abbott (Adult fiction!!!)
Finding Freedom: Writings from Death Row by Jarvis Jay Masters (Adult Non-fiction)