Showing posts with label E.B. White. Show all posts
Showing posts with label E.B. White. Show all posts

Thursday, November 17, 2016

Thank You, Mr. E.B. White :3 Weeks of Thankfulness

      I was a frustrated three-year-old who wanted to read. The world was full of words and I had to know what they meant. I taught myself to by asking the closest adult (usually my mother)t o read me the words on the TV screen, the OTC remedy bottles on the toilet tank, the signs on the Pennsylvania Turnpike. Equipped with a vocabulary that included restaurant, constipation, and the most beautiful word in the English language, chocolate...I became a compulsive reader.

 
A little breakfast literature with Quick Draw McGraw.
I read everything. Cereal boxes. The contents of the mailbox; National Geographic, Look, LifeThe Sears & Roebuck Catalog. Little Golden Books at the supermarket check out. (I could get through at least one by the time the groceries were bagged.)
   An indiscriminate reader, you might say.

   I read for information. In kindergarten, my favorite book was Facts about the Presidents and Their Wives.  I can still recall endless, useless facts from this book.  Example:  Martin Van Buren's wife was named Hannah, and died before he took office.  James Buchanan's niece, Harriet Lane, served as the official White House hostess for our only bachelor president.  Calvin Coolidge's youngest son, Calvin Jr died at 16, from blood poisoning after playing tennis without socks, and developed an infected heel blister. (That scared me away from sockless tennis shoes for years.)

    I loved reading more than anything, but I hadn't yet found magic in words.  I read books the way I ate Fritos...one after another until someone told me to stop. Lots of Bobbsey Twins and Nancy Drews, an occasional Hardy Boys, but beyond them, I cannot recall a single title that made an impression on me.

    Until Christmas, third grade.

   Each Christmas, my dad scoured his favorite second-hand bookstore for a good, hardcover book for me. (Hardcover books! More precious than gold!) The year I was eight, Dad gave me The Book. The one that showed me words could be woven not only into stories, but could send you to an alternate universe. Words burnished into characters who made you laugh, cry or ponder months after you'd read the last chapter.

   The book was E.B. White's Charlotte's Web. 
E.B. White (photo by Jill Krementz)


   It was not love at first sight. Garth Williams' cover art made it clear this was a book about animals. After reading Old Yeller, I figured out that whatever the book, if there was an animal character, it would die. I couldn't stand dying dogs and deer caught in forest fires. My dad's childhood favorite, Toby Tyler, left me with a lifelong dislike of both chimpanzees and circuses. Don't even get me started on Black Beauty.



    I opened the book and read, "'Where is Papa going with that ax?' said Fern to her mother as they were setting the table for breakfast."

   Who could put down a book with a first sentence like that? Before I knew it, Fern had saved a runt pig, named him Wilbur and eventually took him to his new home at her Uncle Homer Zuckerman's farm.  Poor Wilbur was lonely without Fern.  I knew how that felt. I was always the new kid at school. Would Wilbur make new friends? I was well into the story before I realized Wilbur talked, and so did his barn mates--sheep, geese, and a rat named Templeton. By the time I met Charlotte the spider, I was totally hooked.

    That sneaky Mr. E.B. White made me like a book with talking animals. Animals as human as my own classmates. (In some cases, more human.)
Third grade me

     I loved snarky Templeton, the rat. He was sneaky, underhanded, manipulative and utterly hilarious. The line "'What do you think I am, anyway, a rat-of-all-work?'" still makes me giggle. There was the wise and gentle Charlotte, who was a spider, for crying out loud. I loathed spiders but Charlotte was my first lesson in "things are not always what they appear to be." I adored the innocent and gullible Wilbur. Plus a whole Greek chorus of lambs, horses and geese.

   For the first time, I noticed the way the author used language to create scenes as vivid as a movie. He lovingly listed just what pig slops are:"Middlings, warm water, apple parings, meat gravy, carrot scrapings, meat scraps, stale hominy and the wrapper off a package of cheese."  To show the enormity of the crowds that came to see Charlotte's web, White catalogued every kind of vehicle you might find in rural 1950's New England. "...Fords and Chevvies and Buick roadsters and GMC pickups and Plymouths and Studebakers and Packards and DeSotos with gyromatic transmissions and Oldsmobiles with rocket engines and Jeep station wagons and Pontiacs."

     Up until now, description, those long, long paragraphs, unbroken by dialog, were something I skipped. Not now. I might miss the details of Templeton's night of culinary debauchery at the State Fair.

   But Mr. E.B. White was not finished with me.  One grisly January day, I sat in an overheated, overcrowded allergist's office, waiting for my weekly allergy shots, Charlotte's Web in hand. Unlike my usual habit of tearing through books in a couple of hours, I had taken my time with Charlotte, savoring every character, description and turn of plot. I was at the most exciting part, where Wilbur, Charlotte and Templeton go to the State Fair. The sniveling, sneezing kids, stuffed into smelly nylon parkas, receded. I smelled the gamey sawdust of the Fair barns, heard the screams from the Midway rides, and best of all, Wilbur winning the blue ribbon. Could this get any better?

   No. Because in the next pages, Charlotte tells Wilbur and Templeton the plans for her death.

   What? I re-read the previous chapter to see if I had skipped a page, a paragraph, a sentence that would explain that Charlotte was kidding, or that her death was far in the future.

    I had forgotten the lessons of Old Yeller and Toby Tyler.  

    "Next day, as the Ferris wheel was being taken apart and the race horses were being loaded into vans...Charlotte died. The sheds and buildings were empty and forlorn. The infields was littered with bottles and trash. Nobody, of the hundreds of people that had visited the Fair, knew that a grey spider had played the most important part of all. No one was with her when she died.

     Mr. E.B. White had committed the ultimate sin.  He made me do something no other book had done before.  Not Old Yeller, not Toby Tyler.

     He made me love a character who died. He made me cry. In public, in front of strangers. In an allergist's office, for crying out loud! (which I was.)

     I had discovered that the best of writers, plump, prune and position each word just so. The result?, An imaginary world, more immediate and alive than "real life." That's the kind of writer I wanted to be.

     I'm still trying.

     Update: Jane H is the winner of our latest Book Giveaway, Toby by Hazel Mitchell.

     Don't forget to enter our latest giveaway, our latest book giveaway, for Bjorn's Gift by Sandy Brehl. Deadline is Nov 30, so get that entry in before you are distracted by Turkey Day.

Posted by Mary Ann Rodman
   
 



Friday, September 26, 2014

4 Ways I Boost My Creativity


Happy Poetry Friday! See the link at the end of this post to this week's round-up.

I'm not sharing a poem today. Instead, I'm continuing our current discussion on creativity. As Jill said in Monday's post: "Creativity is tough to define and tougher still to write about." I agree!

I did find a satisfactory basic definition at OxfordDictionaries:
"Creativity: The use of the imagination or original ideas, especially in the production of an artistic work."
But there are so many facets to creativity that it's hard to encapsulate the concept in one sentence. That's why I loved how Jill shared so many great quotations on the topic in her post. I'd like to add another quote to the list:
“Creation is in part merely the business of forgoing the great and small distractions.”
--E.B. White
I came across this E. B. White quote in a book I read recently: Manage Your Day-to-Day: Build Your Routine, Find Your Focus & Sharpen Your Creative Mind, (Amazon Publishing) edited by Jocelyn K. Glei of 99u. The book is a compilation of quotes, interviews, and essays from experts in productivity and creativity. Interestingly, the tips often overlap with those in the article Jill linked to: "The Psychology of Writing and the Cognitive Science of the Perfect Daily Routine" by Maria Popova.

I don't believe there really is such a thing as a "perfect daily routine." We are each unique, and what works to activate one person's creativity might stifle someone else's. Also, I often have to adapt my routine to fit what's currently going on in my life. However, I've found 4 specific suggestions in Manage Your Day-to-Day that are really helping me resist "the great and small distractions":

1. Great Work Before Everything Else: 
"Do your most meaningful creative work at the beginning of your day, and leave 'reactive work'—like responding to e-mail or other messages—for later."
I recently made a rule for myself: No email before 10 a.m. It's been amazing to me how much this one simple rule has helped. Now instead of getting lost in email for an hour or more at the start of my day, I get lost in my current work-in-progress. Yay! I also have a second, related rule: check email no more than three times per day. This has really helped me be more focused and efficient when I do check email.

2. Jump-Start Your Creativity: 
"Establish 'associative triggers'—such as listening to the same music or arranging your desk in a certain way—that tell your mind it’s time to get down to work."
I call my "associative triggers" my "writing rituals" and I shared them last March when we did a series of posts about our writing routines.

3. Feel the Frequency:
"Commit to working on your project at consistent intervals—ideally every day—to build creative muscle and momentum over time."

In the post on my writing rituals, I talked about how I was in the middle of a "100-day, one hundred words a day (OHWAD) writing challenge." That worked at the time because I was writing a first draft. Now that I'm revising, I've modified it to a "100-day, fifteen minutes a day (FMAD)" challenge. I've committed to work at least 15 minutes/day, six days a week for 100 days. (I don't count my days off in the total.) I deliberately chose a very doable goal--15 minutes--that I could accomplish even when I have a day filled with other commitments. The challenge is working well for me so far: I began revising Chapter One on Day 1. Today is Day 27, and I'm now up to working on Chapter Eight.

4. Make Progress Visible:
"Make your daily achievements visible by saving iterations, posting milestones, or keeping a daily journal."

On Day 1 of my FMAD challenge I created a table in a Word document called Revision Log. In that document, I note such statistics as my start time, time spent, starting page and chapter, ending page and chapter, starting word count, and ending word count. Looking at my log now, I can see that my writing sessions have ranged from 20 minutes to over 2 hours. Without doing the math, I'd guess that I average about an hour a day. (If I wanted to get really fancy, I could put the stats into a spreadsheet and let it calculate my productivity rate.) For me, this log is a great psychological boost because I often fall into the trap of thinking my writing isn't going anywhere when in fact I am making slow, but steady, progress.

These are just four of the suggestions in Manage Your Day-to-Day that have helped me. Even if none of these ideas appeal to you, I hope that my sharing them here will nudge you into thinking about how to support your own creativity. Are you already happy with your routine/process? If so, we'd love to know what works for you. Please tell us via the comments.

I'll leave you with one last quote, from Jonah Lehrer's Wall Street Journal article "How To Be Creative:" 
"But creativity is not magic, and there's no such thing as a creative type. Creativity is not a trait that we inherit in our genes or a blessing bestowed by the angels. It's a skill. Anyone can learn to be creative and to get better at it."
Lehrer's article ends with "10 Quick Creativity Hacks" you may be interested in checking out. And for ten tips on how to write more regularly, see "How to Create the Habit of Writing" by Leo Babauta at Write to Done.

Reminder: Today's the last day to enter for a chance to win an autographed copy of Barbara Krasner’s picture book biography Goldie Takes a Stand  (Kar-Ben Publishing)!


Now you can head over to be inspired by all the Poetry Friday poems. This week's round-up is at former TeachingAuthor Laura Salas's blog. One of the links there is to a post at  Today's Little Ditty in which Michelle Heidenrich Barnes shares a fun little poem by our own April Halprin Wayland!

Happy writing!
Carmela