Showing posts with label Book Giveaway Winner. Show all posts
Showing posts with label Book Giveaway Winner. Show all posts

Thursday, July 20, 2023

HOW TO END A...

Howdy, Campers and Happy Poetry Friday! (The link to PF is below)

Our topic this round is HOW DO YOU APPROACH ENDINGS?

How do we know the last chapter, last paragraph, last word is the right last piece of a puzzle?  

In ending my first picture book, TO RABBITTOWN, I took the advice of poet Maxine Kumin without realizing it.
Image of a large red speech bubble with the following quote in white lettering: "One way to end the poem is to turn it back on itself, like a serpent with its tail in its mouth." ~ Maxine Kumin

Here are the first two pages of TO RABBITTOWN by me, with beautiful watercolor illustrations by Robin Spowart (Scholastic):
 

I opened her rabbit-y cage
and while she nibbled celery
I asked her:
Where do the rolling hills go?
She said:
Beyond the wheat
to a pine forest
to the edge of it all
to Rabbittown

I snuggled her close
She told me:
Hop there
Ride the green waves
Find the cliffs
past the smell of the sea
There you’ll find
those brown rabbit eyes
And so I went

The child leaves home and joins a world of rabbits, slowly turning into one.  The last three pages read:

I said:
I miss them
I want to run back through the hills
to the tops of the cliffs
toward the smell of mown lawns
where I’ll find
those curious human eyes

And off I hopped
through the pine forest
over the rolling wheat hills
past the smell of the sea
back to mown lawns
and my family

To grow legs again
to grow arms again
to hold my pet bunny again
who holds memories
of Rabbittown.

That book was published in 1989. At the time, I knew nothing about serpentine endings or writing. Nothing. I just liked tinkering with words. And that's how I still feel. Every. Single. Day. (Except some days...keep reading.)

How DOES one write (and end) a poem about endings?  I began by brainstorming:

ENDINGS

the last cookie
the last episode
the last stop for four hours so you’d better pee now
the last words before the lights go down and the curtain comes up

the end of summer
the end of the year
the end of the meeting

the end of wearing diapers
the end of wearing braces

the end of the song
the end of Uncle Rob

the end of...
the end

============
A week or so after writing that, I threw everything into the pot (including the fact that my son's an ER doc) and messed around with end rhymes, without any organization or story:

HOW TO END...


A fire, a falsehood, a romance? (Swipe right.)

A concert, a friendship, a novel, a flight?

A sentence (that’s spoken), a sentence (for life)?


A shell game, a head trip, a story, a hike?

A hoax at a rally, a ruling, a right?

A swing shift, a bleeding, a day and a night?

 

A habit, an anthem, a bias, a fight?

A birthday, a luncheon, an obit, a rite?

A card: “may this new year be filled with bright lights”?


Wild rhyme, unhinged rhyme in this labyrinth?

Good night!
========

Clearly it needed some kind of organizing principle. Maybe the words in each line could be related? Or the lines could all march to a satisfying ending? I sent it to my best friend Bruce Balan, asking:

Dear Poem Repair Person, Please take my out-of-tune poem and make it sing in four-part harmony. 
===================== 
The suggestions he sent were supposed to go here: _________________________________. But I'm not going to tell you his suggestions because he's right and I'm tired and it'll take too much work and I don't wanna.

Well, okay, I will share one question he sent:  "My real question is, what are you trying to say?" I had no idea.  

Sometimes internal logic, metaphors and a perfect visual shape will emerge from the muck of the marsh. And since none of that happened, I was hoping he would just tell me what I was trying to say. Or just rewrite the whole thing for me. Isn't that what friends are for?
Image of the last piece fitting into a completely white puzzle with these words on the puzzle: "I was hoping that as I moved the puzzle pieces around, they would come together in a satisfying, cohesive click." ~ AHW

Though the poem above didn't have heart or logic or answer the title's question, it was a SO MUCH FUN to write!  

Breaking News:
 sometimes it's not fun.

Sometimes I have to let things "cook" for awhile and the answers appear. But I didn't have time for that--this post was due! 

I decided to admit to you, dear campers, that "I'm tired of trying to figure things out" (phrase from a song by Tom Hunter). I can't seem to write a poem about endings. So, I took Dory's advice. I just kept swimming. I thought about my favorite hike and how last week it was mysteriously much harder than usual. (I didn't know I was coming down with a cold.)

JUST KEEP SWIMMING

This gentle path along the bluff

becomes a trail up a hill

and now a trek up to the ridge...

that peak is far.

That peak is steep.

This hike is hard.

I hear it growl...

and then it steepens loud

at me.

============ 
all poems--or rough drafts of future Pulitzer Prize-winning poems (c)2023 April Halprin Wayland. All rights reserved.

Thank you for sticking with me to the bloody end! I'll leave you with one last thought and, of course, the link to Poetry Friday:

“Poems are short stories
with punctuation disorders”

Tom Cassidy 

Thank you, Margaret at Reflections on the Teche
for hosting Poetry Friday this week!

Image of the end papers from The Witchling's Wish
by Lu Fraser, illustrated by Sarah Massini
posted by Picturebook_particulars on Instagram 

posted with love by April Halprin Wayland with help from Bruce Balan and the infinite knowledge of poets everywhere.
_____________

PS from Carmela: Congratulations to the winner of our 2 for 1 Giveaway: A Set of Metaphor Dice and a copy of the Poetry by Chance Anthology 
Marcie F.

Friday, January 27, 2023

Congratulations To Our Latest Giveaway Winner!

This is just a quick post to congratulate the winner of our latest book giveaway: The Stories Behind the Stories: The Remarkable True Tales Behind Your Favorite Kid's Books, by Danielle Higley (Bushel & Peck Books).


 And the winner is:  

                                        Margaret S.

Thank you to all who took time to enter our giveaway. And special thanks to Bushel & Peck Books for providing the book for our winner!

Carmela

Friday, September 3, 2021

Writing Spaces: Getting Back to Basics

 

In my blog post, Connections Deja Vu!, I highlighted several online classes, webinars and websites that I’ve enjoyed as a means of staying connected through the long months of the pandemics, exploring various elements of the craft and business of writing.

As you may remember, I teach for the MFA Program at SNHU, working primarily with students who are finishing their creative thesis projects. Over the years, I have gathered quite a collection of articles and handouts that target some basic writing concepts that are often overlooked in workshops. This past year, I’ve enjoyed getting back to  these basics, finetuning my “writing space.”

You might be interested in a few of these handouts I've used in my classes:

Narrative Structure

Backstory and Exposition: 4 Key Tactics. Susan DeFreitas, contributing writer at Jane Friedman’s blog, explores effective strategies in inserting backstory into your narrative, explaining, “Landing your novel opening can be tricky. On the one hand, you need to get the reader sucked into the present moment of the story as it’s unfolding; on the other hand, there’s a lot you need to explain about the past, which is precisely the sort of thing that puts readers to sleep…This info is generally known as backstory (essential information about the characters’ past) and exposition (essential information about the context of the story). Getting it right is one of the biggest challenges you’ll face with your novel.”

Narrate vs. Dramatize. Alex Donne’s excellent video explains the difference between narrating and dramatizing (show vs. tell), and how you can fix these issues during the revision. Revision is when the magic happens!

Filter Words and Phrases to Avoid in Writing Fiction. Anne R. Allen created an excellent handout that  provides a list of writing filters, with practical examples of how to replace them. As she states,  “All words exist for a reason. Use them wisely to create engaging narrative.”

Purple Prose and the Word Surgeon’s Scalpel. Tom Bentley at Writer UnBoxed elaborates on how these filter words rob your narrative of its vigor. Bentley offers excellent examples and explanations, reminding writers to “Keep in mind that when you clean up your writing, you’re not scrubbing it of the voice that makes it distinct and delightful. You’re clearing your throat so that voice sings out strong and true.”

(Related to Narrative Structure) Dialogue

How to Format Dialogue Dax MacGregor offers nice illustrations on how to format dialogue, stating “Whether you are writing a short story, full novel or anything in between, the way you format dialogue is the same.”

The MasterClass in How to Format Dialogue in Your Short Story and Novel. The MasterClass staff put together this excellent handout, stating, “Whether you’re working on a novel or short story, writing dialogue can be a challenge. If you’re concerned about how to punctuate dialogue or how to format your quotation marks, fear not; the rules of dialogue in fiction and nonfiction can be mastered by following a few simple rules.

Active vs Passive Characters

How Can We Make Our Characters More Proactive?  Jami Gold’s excellent handout details how a character needs agency in their story, stating “In other words, passive and reactive characters—those without agency—go with the flow, make no decisions, and don’t affect the story because they’re always one step behind. In contrast, proactive/active characters make the story what it is.”

On Passive Characters. Mary Cole of Good Story Company explains, “It's hard for readers to engage with a passive character, especially in the protagonist role.”

Five Ways to Tell If You Have A Passive Protagonist (And If You Do, How To Fix Them). Jimena I. Novaro’s excellent discussion offers a study into passive characters, comparing two beloved novels to illustrate her points, stating “ To illustrate these five places where you can identify a passive protagonist, I’m going to use two books that I love. They’re both good books, but one has the unfortunate flaw of having a passive protagonist, while the other has an awesome, active protagonist. The examples for a passive protagonist are from Harry Potter and the Goblet of Fire by J. K. Rowling; the examples for an active protagonist are from Sabriel by Garth Nix.”

Finding the Emotional Core.Related to creating active characters is taking advantage of a character’s emotional core. Jo Eberhardt on Writer UnBoxed explores strategies on how to create authentic characters that readers care about, stating, “Create a character who feels deep emotions, and invite the reader to join them on their journey. It creates a bond that can never be broken between your character and your reader — one that will still exist decades into the future.”

Mentor Texts

In which I look at Doctor Who to study how to create complex characters, using backstory to reveal the emotive arc. Adventures in Time and Space and Writing.  As I explained, “ {T}here is much to learn from the Doctor about writing the epic adventure. As the Doctor tells his companion, and in so doing reminding everyone, through those Tardis doors, stepping into story,  “… we might see anything. We could find new worlds, terrifying monsters, impossible things. And if you come with me... nothing will ever be the same again!

The Do’s and Don’ts of Storytelling According to Marvel.  K.M. Weiland offers this fascinating exploration into Marvel Movies as mentor texts, in which she “gleaned all kinds of interesting writing insights—which I highlight, movie by movie, in this series of blog posts.”

Plot Structures

On Pacing: Faster than the Speed of Thought. Donald Maass at Writers UnBoxed explains, “Plot pace is generally what people mean.  Keep things moving.  Get to the next event.  Don’t meander around, cut to the chase.  Get to the meat and quickly move on.  It’s as if story is a double-speed march, or ought to be…As we know, however, story is not always about moving events along rapidly.” 

Good Transitions: A Guide to Cementing Stories Together.  Amanda Mascarelle illustrates the process of creating strong transitions that move the story forward, stating, “Most writers learned in elementary school that a good story requires a compelling beginning, middle, and end. But how does one make the pieces fit neatly together? From my tattered memory of grade school, my teachers skipped that part. Or maybe I was home with the chicken pox the day we learned about transitions—the words and phrases, often subtly deployed, that give stories shape and tug readers from idea to idea.”

Mastering Scene Transitions. Beth Hill of The Editor’s Blog discusses how to create effective scene transitions, explaining, “A scene transition takes characters and readers to a new location, a new time, or a new point of view. Transitions can also be used to show a character’s change in heart or frame of mind.”

(Related to Plot) Causal Chains

Why Your Story Needs a Causal Chain. Matthew Retino at The Writing Cooperative demonstrates how – and why – causal chains support the plot, stating, “…chains are fundamental to most forms of fiction…This is especially true if your story has a tragic structure. The sense of inevitability, of one event leading inexorably to another, increases the sense of drama and impending doom.”

What a Coincidence: 7 Clever Strategies for Harnessing Coincidences in Fiction. Steven James at Writers Digest University, offers advice on causality, offering strategies to avoid the dreaded coincidence, stating, “Well-timed coincidences can catapult a story forward, but a poorly planned one can bring your readers to a dead stop. Use these 7 strategies to harness the power of this storytelling tool while steering clear of common missteps.”

(Related to Plot) Chapter Building

How To Organize A Chapter. Nathan Bransford explores strategies to create chapters that move the plot forward, explaining “Too many writers treat their chapters like tanks of gas. They take off without really knowing where they’re going, drive around aimlessly until they run out of fuel, sputter to a stop, and then they start the next chapter after someone takes pity on them and tows them somewhere new.” Of particular interest, he offers a very nice discussion on creating cliffhangers that engage readers, stating , “The key to crafting a great cliffhanger is to construct the climax of a chapter so that its resolution opens up even bigger questions. Think about the fate of Dumbledore in the Harry Potter novels, Han Solo being frozen in carbonite in Star Wars, or “Who shot J.R.” on Dallas.”

How to Structure Chapters of Your Novel: 8 Tips for Writing Chapters. In this very interesting discussion, MasterClass explains eight strategies that help writers create reader-friendly chapters, explaining,   “Chapters are the vessels of story structure, organizing the  plot points of the larger work and allowing the reader to take a break and absorb what they’ve learned. A short story can be read in one sitting, but a novel is usually broken up into accessible parts, forming a book that can be easily revisited whenever the moment arises. Structuring chapters in a way that keeps readers immersed in the story is essential to novel-writing.”

And finally, congratulations to Merysa R for winning our giveaway!

-- Bobbi Miller


Monday, October 7, 2019

Congrats to our Giveaway Winners and Another Book Giveaway


Congratulations to the winners of our Student Success Story giveaway of the middle-grade novel  Essie Rose’s Revelation Summer:

Linda M. and Kathleen D!

And a BIG thank you to all of you who participated in the giveaway. A reminder: be sure to watch your inboxes after you enter one of our giveaways! One of the winners first chosen by Rafflecopter never replied to our email notice, so we had to pick an alternate winner.

If you didn't win, stay tuned. We'll be offering another giveaway here soon.

Meanwhile, I'm currently running a book giveaway to celebrate the second anniversary of my young-adult novel Playing by Heart. I invite you to head over to my website to enter to win one of TWO autographed copies.


Remember to always Write with Joy!
Carmela

Friday, August 2, 2019

Summer Windows and Winners!

Congratulations to Irene L, the winner of our giveaway of HOW I LEARNED TO FALL OUT OF TREES by Vincent X. Kirsch!

We are on the last days of a busy summer. We at Teaching Authors thought you might enjoy seeing what our working space looks like!

This is my workdesk. I'm working on revisions as I take Harold Underdown and Eileen Robinson's Kid Book Revisions Summer School 2019. It's a lot of reading and writing and more reading and writing!




But, I have help! This is Apollo.




We are best companions.




But sometimes, all this reading and writing can be exhausting! Apollo knows what to do.





When you notice a cat in profound meditation,
The reason, I tell you, is always the same:
His mind is engaged in a rapt contemplation
Of the thought, of the thought, of the thought of his name:
His ineffable effable
Effanineffable
Deep and inscrutable singular Name. 
(The Naming of Cats, by TS Eliot) 

I hope you are enjoying your summer days!

--Bobbi Miller

Monday, November 12, 2018

Looking for our Giveaway Winner: Lynne L


The good news first: we had a record-breaking number of entries in response to our giveaway of Ann Whitford Paul's revision edition of Writing Picture Books! And the Rafflecopter widget has picked our two lucky winners.

The not-so-good news: we haven't heard back from one of those winners: Lynne L.

We've sent Lynne multiple emails without a response. If we don't hear from her by 11:59 p.m., (Central time) Tuesday, November  13, we'll have to chose another winner to take her place.

So, Lynne L, if you're out there, please check your inbox and Spam folders and reply to the email we sent you. If you can't find the email, or you're not sure you're the right Lynne L, email us at TeachingAuthors [at] gmail [dot] com for more information.

Happy Monday, all.
Carmela

Friday, May 12, 2017

Will Rogers: Actor, Trick Roper WRITER!

.
Howdy, Campers and Happy Poetry Friday! (My poem and the link to PF is below)

This time around, we TeachingAuthors are rhapsodizing about our favorite American writer's museum or home. Bobbi began with a post on Emily Dickinson's Museum, Mary Ann wrote about William Faulkner's Rowan Oak, And Carla, in her post titled "Listen My Children," wrote about Henry Wadsworth Longfellow's home.

Today I'm going to introduce you to a beloved place in my Southern California childhood, Will Rogers State Park and ranch house, just a 15-minute drive from UCLA.

But first, a bit about Will, gleaned from the Will Rogers Memorial Museum and Birthplace Ranch in Claremore,  Oklahoma:


My ancestors didn’t come over on the Mayflower, but they met the boat.” (Will was "born to a Cherokee Nation family.")

He wanted more than anything in the world to become a trick roper, and did, touring the US and Europe in Wild West and vaudeville shows. If his rope tricks failed on stage, he made jokes, and those "jokes became better than ropes." He signed with Ziegfeld's Follies and become a Broadway star.

But Will was also a writer. He was, to put it mildly, prolific. "He put approximately two million words in print—six books, more than 3,600 [daily!] newspaper columns..." and wrote frequently for The Saturday Evening Post. His "syndicated weekly and daily columns were prized by 600 newspapers ...including at least one in every major city...and reached a potential audience of 40 million readers." In addition, he wrote"scores of magazine articles—in a span of only sixteen years, stretching from the publication of his first newspaper article in 1916 until his last one in August 1935."

"I don't make jokes. I just watch the government
and report the facts."

Are you out of breath yet? There's more:

He appeared regularly on radio through the 1920's and 30's, and went on to produce, direct, write and star in the 20-minute silent picture, "Ropin' Fool," in which he pioneered slow-motion cinema to better demonstrate his roping tricks. (Watch him do 3 minutes of rope tricks from that film.)

He went on to star in 50 silent films, and when "talkies" replaced them, appeared in 21 pictures in five years and becoming Hollwood's highest paid actor. (In fact, here's his IMDB)

He was a force of nature. My mom and dad loved that he spoke truth to power--so naturally, I did, too. What I knew of Will reminded me of Molly Ivins, who I wrote about right after the November election. But as I've read more, I was surprised to find that I disagree with some of his political views. Still, it seems he kept politicians on their toes--an important job of a columnist/political satirist.

For example (from Wikipedia):

Rogers thought all campaigning was bunk. To prove the point he mounted a mock campaign in 1928 for the presidency. His only campaign promise was "If elected, I will resign." Every week Rogers caricatured the farcical humors of grave campaign politics.  During this campaign he answered questions: What does the farmer need? Obvious: "He needs a punch in the jaw if he believes that either of the parties cares a damn about him after the election."  On election day he declared victory and resigned.

"Ten men in our country could buy the whole world and ten million can't buy enough to eat."

But my memories are of Will Rogers State Park, and more specifically, Will's 31-room Western Ranch House not far from the Pacific Ocean, with its long porch, and an expansive lawn (i.e. park) which stretched from the family's stable to their polo field.


Oh, that lawn. Oh, that polo field. And oh, the trails leading from the ranch to forever, which my hiking group returns to often.

And what's the first thing I always wanted to see as a five-year-old, as a ten-year-old, and today, when touring his home?  The roping calf. In his living room. His living room! 
Cool.

Here's a poem I wrote in 1995 about one of my all-time favorite birthday parties under the trees which surround the lawn of the Will's ranch house:

PARTY AT THE PARK
by April Halprin Wayland

Surrounded by shedding eucalyptus trees,
been here forever, they’ll be here forever, too.

All of my cousins, aunts and uncles
spreading table cloths, taking out potato salad,

handing me hugs and presents and long kisses,
talking to everyone as they talk to me,

big arms and bodies and laughing, laughing
Cousin Bruce, Cousin Robbie, my sister, and Cousin Franklin

running after pigeons, running after frisbees, running into me
more presents and pass the plates and did you have enough?

taste Aunt Sylvia’s kugel, yes, says Uncle Raphael, taste
Fran’s chopped liver, is it time for birthday cake? asks Uncle Moish

and we all gather ‘round for two cakes for Dad and me--mine is pink
Dad says I can have a corner flower and

Mom and Aunt Cissie are putting candles in the plastic flower
holders and sticking them in the cake and then Mom lights them with a little

match, lights the last one holding the very teeny part of the match, burning close to her fingers, but she’s fast and they burst into song and I feel full and

like bursting
full of cousins and aunts and uncles and potato salad

surrounded by shedding eucalyptus trees,
been here forever, they’ll be here forever, too.

poem © 2017 April Halprin Wayland. All rights reserved. 


Here's a 2-minute video about Will Rogers:

"The man with the best job in the country is the Vice President. All he has to do is get up every morning and say, 'How's the President?'"

Thank you for reading this post. As some of you may remember, I am terribly afraid of making factual errors when writing non-fiction. It scares the dickens out of me. Do you ever feel this way?

And congratulations to Gail P, who won an autographed copy of Lisa Cron's STORY GENIUS (which Esther reviewed here) in our latest book giveaway celebrating TeachingAuthors' 8th blogiversary!

Thank you, Tara, for hosting Poetry Friday at A Teaching Life!

posted by April Halprin Wayland with the help of Will, who said: "Live in such a way that you would not be ashamed to sell your parrot to the town gossip."

Monday, December 19, 2016

Not for the Fun of It



I have the honor of writing the last TeachingAuthors.com blog post for 2016.  We will return with new posts on January 16, 2017.

To wrap up our blog posts for the year, my colleagues have posted excellent lists of wonderful books they’ve read this year.

Now it is my turn.  But to be honest, I’ve read nothing purely for the fun of it this year.   I’ve been writing a nonfiction book about George Washington’s enslaved people.  So this entire year, I’ve read mountains of research material on the subject.  I’ve studied books, articles, and unpublished manuscripts on George Washington, on slavery at Mount Vernon, and on slavery in general. 

As you can imagine this topic has been a heavy one-and an important one.  Within all that research, I’ve read many things I’ve enjoyed-but they aren’t all books.  Mount Vernon is one of my favorite places and their web site is amazing.  Even though I’ve been there many times, while writing my book, I’ve used the virtual tour and look at certain rooms again.  I’ll look and read through their online collections for hundreds of artifacts.  I’ve also read through many papers both published and unpublished written by Mount Vernon’s historian Mary V. Thompson.  And I’ve poured over print outs from the Mount Vernon slavery database overseen by Molly Kerr.  I’ve read countless first person accounts of visitors to Mount Vernon who mention specific enslaved people there.   

I confess there are times when I wonder if the books I write are worth the thousands of hours I invest in them.   Would fiction be more fun to write?  Would fiction be less restrictive to write?  Would fiction be more lucrative to write?  Maybe.  But I still hang on to the belief that the sort of research and books I do are important.   

Carla Killough McClafferty



CONGRATULATIONS 

to our giveaway winner:  

Carl S.  


Monday, December 5, 2016

My Heart-full, Hope-full, True and Honest Favorite Books of 2016

Today’s post begins our annual TeachingAuthors series in which my fellow bloggers and I share our favorite book(s) of the year – children’s and otherwise.

My Shelf of Favorites boasts books of varying formats, genres and audience appeal.
Each, in some way, re-sounded in my reader’s and/or writer’s heart, filled me with hope and spoke to my humanity in true and honest ways.  Some brought tears; some brought laughter; one or two left me fist-pumping! All modeled superb craft in storytelling.
As this crazy-crazy year began winding down, and I kept wondering “what condition my condition was in,” I became enormously thankful for these noteworthy books and the authors who created them.
The Reader in me, the Writer, the Teacher, the Human Being – we all want you to know and love these books too.
Read the flap copy I’ve shared and you’ll understand why.


THE  JOURNEY by Francesca Sanna, Flying Eye Books               “What is it like to have to leave everything behind and travel many miles to somewhere unfamiliar and strange? A mother and her two children set out on such a journey, one filled with fear of the unknown, but also great hope.  Based on her own interactions with people forced to seek a new home, and told from the perspective of a young child, Francesca Sanna has created a beautiful and sensitive book that is full of significance for our time.”


WE ARE GROWING! By Laurie Keller, Hyperion, An Elephant & Piggie Like Reading! Book
“Walt and his friends are growing up fast!  Everyone is the something-est.  But…what about Walt?  He is not the tallest, or the curliest, or the silliest.  He is not the anything-est.”


THE POET’S DOG, Patricia MacLachlan, Katherine Tegen Books/Harper Collins
“Alone
In a fierce winter storm
Nickel and Flora are brave
But afraid
A dog finds them
Teddy
Speaks words
And brings them to shelter
The Poet’s cabin
Has light and food
And love
But where is the Poet?
Teddy will tell the story
Of how words make poems
And connect those who hear
Each other”


RAYMIE NIGHTINGALE, Kate DiCamillo, Candlewick
“Have you ever in your life come to
realize that everything, absolutely
everything, depends on you?
Raymie Clarke has a plan.
Two days ago, her father left home with a dental hygienist.  If Raymie can win the Little Miss Central Florida Tire competition, then her father will see Raymie’s picture in the paper and (maybe) come home.
a rich story of three girls, one summer and a friendship that changed their lives.”





THE  BEST MAN, Richard Peck, Dial
“Archer Magill has spent a lively five years of grade school with one
eye out in search of grown-up role models.  Three of the best are his
grandpa, the great architect; his dad, the great vintage car customizer;
and his uncle Paul, who is just plain great.  These are the three he wants to be. Then along comes a fourth – Mr. McLeod, a teacher, in fact, the first male teacher in the history of the school.  Then one of them wants to marry another one. In pages that ripple with laughter, there’s a teardrop here and there. and more than a few insights about the bewildering world of adults, made by a boy on his way to being the best man he can be.”


THE SUN IS ALSO A STAR, Nicola Yoon, Delacorte,  
The story of a girl, a boy, and the universe.
Natasha: I’m a girl who believes in science and facts.  Not fate. Not destiny.  Or dreams that will never come true. I’m definitely not the kind of girl who meets a cute boy on a crowded New York City street and falls in love with him.
Daniel:  I’ve always been the good son, the good student, living up to my parents’ expectations. Never the poet.  Or the dreamer. But when I see her, I forget about all that.
The Universe: Every moment in our lives has brought us to this single moment.  A million futures lie before us.  Which one will come true?


SOMEWRITER!, Melissa Sweet, HMH                                                 
“I feel that a writer has an obligation to transmit, as best he can, his love of life, his appreciation for the world.” – E.B. White
“Like my grandfather, Melissa Sweet has somehow kept that child-like sense of wonder at the world and (thankfully) found an avenue to share it with the rest of us...Here, in these pages, you will find the grandfather I remember so well…Now, thanks to Melissa Sweet, you can know him too.” – Martha White


HUNGRY HEART, Jennifer Weiner, Atria Books
“Jennifer Weiner is many things: a bestselling author, a Twitter
phenomenon, and an ‘unlikely feminist enforcer.’ She’s also a mom,
a daughter and a sister, a former rower and current clumsy yogini, a
wife, a friend, a realityTV devotee.  In her first essay collection,
she takes the raw stuff of her life and spins it into a collection of tales
of modern-day womanhood as uproariously funny and moving as the
best of Nora Epheron and Tina Fey.”



And, last, but not least, THE OFFICIAL MLB OFFICIAL COLLECTOR'S EDITION OF THE 2016 WORLD SERIES CHAMPIONS!   (Picture my VERY SMILING face here.)



Here’s to a heart-full, hope-full 2017!

With true and honest thanks to our Readers for their support.

Esther Hershenhorn

P.S.
Congratulations, Danielle H., winner of the Sandy Brehl 2-book giveaway!

P.P.S.
Don’t forget to enter our Book Giveaway of Jeannine Atkins’ FINDING WONDERS – THREE GIRLS WHO CHANGED SCIENCE!










Thursday, November 17, 2016

Thank You, Mr. E.B. White :3 Weeks of Thankfulness

      I was a frustrated three-year-old who wanted to read. The world was full of words and I had to know what they meant. I taught myself to by asking the closest adult (usually my mother)t o read me the words on the TV screen, the OTC remedy bottles on the toilet tank, the signs on the Pennsylvania Turnpike. Equipped with a vocabulary that included restaurant, constipation, and the most beautiful word in the English language, chocolate...I became a compulsive reader.

 
A little breakfast literature with Quick Draw McGraw.
I read everything. Cereal boxes. The contents of the mailbox; National Geographic, Look, LifeThe Sears & Roebuck Catalog. Little Golden Books at the supermarket check out. (I could get through at least one by the time the groceries were bagged.)
   An indiscriminate reader, you might say.

   I read for information. In kindergarten, my favorite book was Facts about the Presidents and Their Wives.  I can still recall endless, useless facts from this book.  Example:  Martin Van Buren's wife was named Hannah, and died before he took office.  James Buchanan's niece, Harriet Lane, served as the official White House hostess for our only bachelor president.  Calvin Coolidge's youngest son, Calvin Jr died at 16, from blood poisoning after playing tennis without socks, and developed an infected heel blister. (That scared me away from sockless tennis shoes for years.)

    I loved reading more than anything, but I hadn't yet found magic in words.  I read books the way I ate Fritos...one after another until someone told me to stop. Lots of Bobbsey Twins and Nancy Drews, an occasional Hardy Boys, but beyond them, I cannot recall a single title that made an impression on me.

    Until Christmas, third grade.

   Each Christmas, my dad scoured his favorite second-hand bookstore for a good, hardcover book for me. (Hardcover books! More precious than gold!) The year I was eight, Dad gave me The Book. The one that showed me words could be woven not only into stories, but could send you to an alternate universe. Words burnished into characters who made you laugh, cry or ponder months after you'd read the last chapter.

   The book was E.B. White's Charlotte's Web. 
E.B. White (photo by Jill Krementz)


   It was not love at first sight. Garth Williams' cover art made it clear this was a book about animals. After reading Old Yeller, I figured out that whatever the book, if there was an animal character, it would die. I couldn't stand dying dogs and deer caught in forest fires. My dad's childhood favorite, Toby Tyler, left me with a lifelong dislike of both chimpanzees and circuses. Don't even get me started on Black Beauty.



    I opened the book and read, "'Where is Papa going with that ax?' said Fern to her mother as they were setting the table for breakfast."

   Who could put down a book with a first sentence like that? Before I knew it, Fern had saved a runt pig, named him Wilbur and eventually took him to his new home at her Uncle Homer Zuckerman's farm.  Poor Wilbur was lonely without Fern.  I knew how that felt. I was always the new kid at school. Would Wilbur make new friends? I was well into the story before I realized Wilbur talked, and so did his barn mates--sheep, geese, and a rat named Templeton. By the time I met Charlotte the spider, I was totally hooked.

    That sneaky Mr. E.B. White made me like a book with talking animals. Animals as human as my own classmates. (In some cases, more human.)
Third grade me

     I loved snarky Templeton, the rat. He was sneaky, underhanded, manipulative and utterly hilarious. The line "'What do you think I am, anyway, a rat-of-all-work?'" still makes me giggle. There was the wise and gentle Charlotte, who was a spider, for crying out loud. I loathed spiders but Charlotte was my first lesson in "things are not always what they appear to be." I adored the innocent and gullible Wilbur. Plus a whole Greek chorus of lambs, horses and geese.

   For the first time, I noticed the way the author used language to create scenes as vivid as a movie. He lovingly listed just what pig slops are:"Middlings, warm water, apple parings, meat gravy, carrot scrapings, meat scraps, stale hominy and the wrapper off a package of cheese."  To show the enormity of the crowds that came to see Charlotte's web, White catalogued every kind of vehicle you might find in rural 1950's New England. "...Fords and Chevvies and Buick roadsters and GMC pickups and Plymouths and Studebakers and Packards and DeSotos with gyromatic transmissions and Oldsmobiles with rocket engines and Jeep station wagons and Pontiacs."

     Up until now, description, those long, long paragraphs, unbroken by dialog, were something I skipped. Not now. I might miss the details of Templeton's night of culinary debauchery at the State Fair.

   But Mr. E.B. White was not finished with me.  One grisly January day, I sat in an overheated, overcrowded allergist's office, waiting for my weekly allergy shots, Charlotte's Web in hand. Unlike my usual habit of tearing through books in a couple of hours, I had taken my time with Charlotte, savoring every character, description and turn of plot. I was at the most exciting part, where Wilbur, Charlotte and Templeton go to the State Fair. The sniveling, sneezing kids, stuffed into smelly nylon parkas, receded. I smelled the gamey sawdust of the Fair barns, heard the screams from the Midway rides, and best of all, Wilbur winning the blue ribbon. Could this get any better?

   No. Because in the next pages, Charlotte tells Wilbur and Templeton the plans for her death.

   What? I re-read the previous chapter to see if I had skipped a page, a paragraph, a sentence that would explain that Charlotte was kidding, or that her death was far in the future.

    I had forgotten the lessons of Old Yeller and Toby Tyler.  

    "Next day, as the Ferris wheel was being taken apart and the race horses were being loaded into vans...Charlotte died. The sheds and buildings were empty and forlorn. The infields was littered with bottles and trash. Nobody, of the hundreds of people that had visited the Fair, knew that a grey spider had played the most important part of all. No one was with her when she died.

     Mr. E.B. White had committed the ultimate sin.  He made me do something no other book had done before.  Not Old Yeller, not Toby Tyler.

     He made me love a character who died. He made me cry. In public, in front of strangers. In an allergist's office, for crying out loud! (which I was.)

     I had discovered that the best of writers, plump, prune and position each word just so. The result?, An imaginary world, more immediate and alive than "real life." That's the kind of writer I wanted to be.

     I'm still trying.

     Update: Jane H is the winner of our latest Book Giveaway, Toby by Hazel Mitchell.

     Don't forget to enter our latest giveaway, our latest book giveaway, for Bjorn's Gift by Sandy Brehl. Deadline is Nov 30, so get that entry in before you are distracted by Turkey Day.

Posted by Mary Ann Rodman