CAROL COVEN GRANNICK’S TURN: A STUDENT SUCCESS STORY + Book Giveaway!

 As I wrote in my very first TeachingAuthors Thanku, I consider my students and writers “my storied treasures.”

Lucky me!

And now lucky you, because today I’m sharing one of those treasures - the author/poet/chronicler Carol Coven Grannick – and – gifting you with the chance to win a copy of her novel in verse REENI’S TURN (Fitzroy Books) which officially debuts this Sunday! In fact, you can attend her Sunday, 1 pm CST Book Launch at the Book Stall in Winnetka, Illinois simply by clicking here.

Full disclosure: Carol and I are a Mutual Admiration Society. We share a bevy of descriptive labels: Chicagoans, SCBWI-Illinois kin, children’s book creators, VERY long-time Writer’s Journey travelers, learning partners, and best of all, friends.
So you can imagine just how far my Teacher/Writing Coach buttons are poppin’ ….now that young readers will have the chance to hold REENI’S TURN in their hands and hearts.
Finally, it’s Carol’s turn! Some of you may already know Carol from her well-read chronicles of the writer’s life – published in SCBWI-Illinois’ newsletter The Prairie Wind and posted on popular blogs such as Cynsations and the Nerdy Book Club.

By underscoring the importance of resilience and learned optimism, Carol has kept scores of children’s book writers keepin’ on.

Carol’s eleven-year-old Reeni will do the same.

She’s a young dancer.  But she’s struggling with lifelong shyness, anxiety and a newly-developing and expanding body that doesn’t match the ballerina posters on her bedroom wall.  Ultimately Reeni must choose between coming to terms with her natural limitations or taking a chance on becoming the girl of her dreams. The story addresses universal themes of emotional resilience, body acceptance, and the search for courage.

Early readers lauded the “deeply-moving verse” and the connection readers will make with Reeni’s struggle.

Carol’s poetry and fiction for young readers has appeared and/or is forthcoming in Hello, Babybug, Highlights, Ladybug, Cricket, and Hunger Mountain. Her work for adults has appeared in Otherwise Engaged, A Moment of Your Time, Red Coyote, The Write City Magazine, West Texas Literary Review, 2018 Mizmor Anthology, The Lake, Broad! and other venues.

Thank you, Carol, for sharing REENI’S TURN, your Journey, your Spirit and this long-awaited singular Moment with our TeachingAuthors readers.

            My teacher’s heart kvells*
            like any Jewish mother’s
            Such storied treasures.

            *rejoices

 As always, I’m cheering you on!

Oh, and thanks to Kiesha Shepard at Whispers From the Ridge for hosting today’s Poetry Friday.

Happy Reading!

Esther Hershenhorn

P.S

Remember, Readers: you can win a copy of Carol’s REENI’S TURN just by entering our Book Giveaway at the end of Carol’s interview.

. . . . . . .

Here you are, finally, after years on task, readying for your official launch this Sunday of your first published children’s book, the middle grade novel in verse REENI’S TURN. Just how gratifying is this long-awaited moment? How much better is it than those you likely creatively visualized to keep you moving forward on your Writer’s Journey?

First, thank you, Esther, for this opportunity to visit Teaching Authors. I am a regular follower who constantly learns from the TA posts, and I’m honored to be here. To your question: I’m pretty certain I never visualized this moment, or these days leading up to the launch!

What lit my way was the process of discovery of Reeni’s character and of how the story would unfold. For me, that happened through writing, rewriting, revising, and re-visioning, then putting the manuscript away for a while before trying again. I didn’t know whether REENI’S TURN would ever find a publisher, and after a while, didn’t think about it unless it seemed a draft was ready for submission. My passion for this story fueled my work over the years, even when “forward” felt “backward”.

But now, and in the context of all the important issues we face in our current world, it feels like a virtual celebration will be the perfect thing for welcoming REENI’S TURN into the world. My biggest dream was always to have the story enable conversations with children and their adults, and now that’s possible. I feel a huge amount of gratitude to family, friends, and colleagues who cheered me on over the years with kind words, critique, crucial pieces of middle grade information, and above-and-beyond multiple draft readings and feedback. 

REENI’S TURN takes on the issue of body image and the underrepresented frequency in middle grade literature of dieting among young tweens. What are your hopes for this novel in the dialogues it will create – for both the reader and our world?

 Most of us want to live in a world in which we are valued and for our character rather than our shape or size, skin color, religion, ethnicity, and more. I believe size and weight stigma, non-stereotyped chubby and fat characters, and the diet culture’s impact on young children, beg for inclusion in diverse middle grade literature. 

I’d love for REENI’S TURN to open meaningful conversations about the story and the issues it raises—specific to the story as well as unique to each tween’s life. How does the pressure to be “thin” and “trim” cause us to question our value? What about Reeni’s great strength for self-reflection? Is introspection helpful, or harmful? Is an introspective journey just as powerful as an external one when we search for self-acceptance, the ability to speak up, the leaps we take to discover courage? How do we become the person we want to be if that involves facing down fears that have always stopped us in the past? How does it feel to need the safety of your family and other loving adults, and still need to be independent, finding solutions to your own problems even if you make mistakes along the way?

I love that my shy and fearful Reeni, propelled by her own strengths, knowing she has a safety net of support, decides to take a big leap into the unknown and try, at least once, to make a significant change in her life, and maybe in the world as well.

I hope that we see that we all have that capacity.

 I happen to know: (1) you explored both prose and poetry as story-telling choices when writing REENI’S TURN and (2) while growing and crafting REENI’S TURN, you were privy to a whole host of voices, each recommending a different way to go.  How did you come to choose the novel in verse as the best format for Reeni to share her story of self-discovery? How were you able to find your way?

 My first draft was prose, probably because it felt like a natural extension of the seed story, “The Inside Ballerina”, my first children’s story published in Cricket in 2001. But when I began the post-critique revision, rhythms and words danced around in my brain. I wrote them down, and this changed and intensified the voice of the story. I felt the difference, even though the verse and the story itself were nowhere near finished.

After a few drafts, a professional critique with a respected editor guided me in creating a middle grade story and challenged the authenticity of the verse, suggesting I revise in poetic prose. I tried. It was difficult and unpleasant, and felt like it came from a different part of my brain. I didn’t mind difficult, not at all. But the prose seemed to be fighting with the rhythms, the line breaks, the white space in my head. But I also respected that I didn’t quite know what I was doing, and I don’t regret the attempt to return it to prose.

The next summer I attended a workshop with another respected mentor. Before my ten-page critique began, she asked, “Is there some reason you didn’t write this in verse?” That workshop was a turning point in my commitment to verse, and the hard work to make each verse—which are 95% of the book—authentic. I did have a couple of more prose requests from agents who felt that “verse novels are a hard sell”, but prose no longer matched my vision for the book.

As the years and revisions went on, there were many voices, as you put it, wanting not prose instead of verse, but content in and then the same content out. During that time of adding, subtracting, reorganizing, and streamlining, REENI’S TURN won a Finalist placement from the Katherine Paterson Award and Honorable Mention in the Sydney Taylor Manuscript Competition. By early 2019, I had revised the book to where I wanted it to be, and had several full manuscript requests with agents when Publisher Jaynie Royal of Regal House said she loved REENI’S TURN, and offered me a contract with her PAL-listed middle grade imprint, Fitzroy Books. I accepted, revised in a way that felt good to both of us, and found out what life was like without revising REENI’S TURN.

I believe verse works best for Reeni’s story because small doses of big, intense issues in lyrical language create greater accessibility to the story itself and to the specifics of  Reeni’s journey. The rhythms change with dance, her voices, her interactions with friends and family, and more. White space allows breathing and respite time to think, feel, and heal between “scenes”.

But ultimately, I stayed with verse and worked to make it shine because I had come to trust myself as a writer and a woman with a story to tell. I didn’t want to ignore the rhythms and sounds and beats that accompanied the language in my brain.

And just as my character learns to trust and listen to her “still, small voice”, I listened to mine.

Your website showcases your writer’s diversity: you are an Author, a Poet and a Chronicler. How do you balance your writing day/life, and as important, how has each separate focus helped you grow as a writer?

 I do love different formats and genres. REENI’S TURN (MG) is so close to my heart, and was a long-lived passion and mission. My poetry for very young children is a joy-generator—I love their voices! My lyrical picture books, vastly different in their subjects and tone, are now with agent Joyce Sweeney at The Seymour Agency. I’ve written occasional short middle grade fiction—maybe I’ll write more. And as a “chronicler”, I’ve long written regular columns, blog posts, and lots of guest posts and articles exploring the inner, emotional life of the writer (mine, and others’), and I continue to enjoy that.

With all that, I must submerge myself in one writing project at a time. I often write a poem first thing in the morning (especially since COVID), but then I’ll focus on a new work, or a revision, or my column, or it might be a “business” day, especially in these last months spent focusing on the pre-launch, during which I’ll do a lot of emails, send out ARCs, order postcards, business cards, posters. I am best in the mornings, beginning at 5, but I won’t ignore empty paper and pen if something pops into my brain later in the day!

I love variety, and I love delving deeply into one thing at a time.

YAY! and HURRAY! Now it’s Carol Coven Grannick’s turn! What can your readers – of your books, your poetry, your articles and posts, look forward to enjoying down the road?                                                

I wish I knew! In terms of my columns, I’ll continue to detail my journey and the journeys of other writers I interview. I have a lot of guest posts coming out—including one at Sylvia Vardell’s site last Poetry Friday that goes more into depth about why I wrote REENI’S TURN in verse. I believe it’s important for us to share our true journeys. I hear from readers that it helps, and that makes me happy. In terms of fiction and poetry, my agent is subbing a picture book right now, with a number of others ready to go; I’m finishing an adult poetry chapbook; I’m creating a collection of early childhood poetry; and I continue to draft new picture books, the latest based on something I’m watching unfold on my balcony, even as I write this answer. 

But I love surprises, so I’m ready for anything!

……..

WIN AN AUTHOR-AUTOGRAPHED COPY OF REENI’S TURN!

To enter our drawing, use the Rafflecopter widget below.  You may enter via 1, 2, or all 3 options.  (Note: if the widget doesn’t appear, click on the link at the end of this post that says “a Rafflecopter giveaway” to enter.)

If you choose option 2, you MUST leave a comment on TODAY’S blog post or on our TeachingAuthors Facebook page.  If you haven’t already “liked” our Facebook page, please do so today! 

If you prefer, you may submit your comment via email to: teachingauthors [at] gmail [dot] com. 

Note: if you submit your comments via email or Facebook, YOU MUST STILL ENTER THE DRAWING VIA RAFFLECOPTER BELOW.  The giveaway ends September 21, 2020 and is open to U.S. residents only.

 P.S.

If you’ve never entered a Rafflecopter giveaway, here’s info on how to enter a Rafflecopter giveaway and the difference between signing in with Facebook vs. with an email address.

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Be Brave, Be Loud, Be Better

Photo by Cynthia Cotten

It is light, the world is awake
And the great night flees the dawn
That came
Scarlet,
A wild light
Casting a somber radiance on the world.
The red is the anger, blood and shame
In the eyes of awakened nations.

--Sandor Petofi, 1848.


Carmela started our discussion with Two Things I Love About Teaching Writing. Esther continued with the many ways she connects with her students and the resources she connects her students to, and April followed with how she likes to perform for her students. http://www.teachingauthors.com/2018/02/the-1-best-thing-about-teaching.html stating, “And that's what I like about teaching: the intangible, gloriously wonderful, unpredictableness of it all.”

What I like about teaching are the students. Their hope and courage to face the future. Because students change the world. And this week reflects that certainty of that more than ever. Once again, students march to change the world.



Sandor Petofi was a Hungarian poet and student, whose poem “Nemzeti dal (National Song) inspired the Hungarian war for independence from the Hapsburg Empire in 1848. Over a hundred years later, in 1956,  at the height of the Cold War, his poetry inspired the students of Budapest to demonstrate Soviet-led policies. The students led the way to the collapse of the Soviet-indoctrinated Hungarian People’s Republic .





 Set against the backdrop of economic and social changes sweeping post-Mao China, students led a march in 1989 against Chinese political corruption in a fight for democratic reforms, the freedom of the press and freedom of speech. A million people gathered in Tiananmen Square, facing down military tanks. This iconic David and Goliath-esque photograph reflects the pivotal moment as one student's extraordinary courage ultimately stopped the onslought.



In our own history, more than 4000 school children marched in 1963 through Birmingham, Alabama,  known as the most segregated city in America at the time. The Children’s Crusade became a defiant and defining moment in the Civil Rights Movement. Even as soldiers and police pounced upon the students, jailing as many as 1000 the first day, the students still came out in droves, chanting “Freedom.” The world was watching, and judging, as images of young children march up to snarling police dogs, police club women and use high pressure hoses to sweep the children aside. For more information, see Teaching a People’s History/ Zinn Education Project. 





Once again, students are changing the world. Poets and students inspire their teachers. They teach us to be brave, and be loud, and be better than we thought we could be. To be better than what we are.

 

Never Again

(for Emma Gonzalez)


Be brave, be loud,
stand tall, stand proud,
and make your voices heard.
Enough’s enough—
stay strong, stay tough,
and keep on, undeterred.


Ignore those who
discredit you,
who doubt you’ll see success.
To them we say,
“You’ve had your day,
and now we call ‘BS!’”


So, carry on
until you’ve won.
Reform is overdue.
Shrug off those hacks—
we’ve got your backs.

We stand, we march with you.


--©Cynthia Cotten  2018. All rights reserved. 

Bobbi Miller

The #1 Best Thing About Teaching

.
Howdy Campers and Happy Poetry Friday! (links to PF, to my poem, and to my autographed Passover book are below)

Shhh!  Come sneak into the TeachingAuthors' Teacher's Lounge and eavesdrop as we consider what we like most about being teachers.

Carmela started us out with Two Things I Love About Teaching Writing, Esther continues our theme with the many ways she connects with her students and the resources she connects her students to, and today I'm up to bat.
..............................

First, may I say that this is a somber (and an important) time to think about teachers. And students. And about how much we as a people value them. I had originally planned to post a funny poem about revision and how scary it can be, but the images were inappropriate at this time in our country.

..............................
.

Okay. Here's what I like about teaching:.

I like to perform.

But I particularly like when I am most authentic, when I forget myself, when my light reaches theirs.

drawing © 2018 April Halprin Wayland. All rights reserved

JUST FOR ME
by April Halprin Wayland

At the end of class she says,

"Write something you want,

something about yourself you want to change,

or something you worry about."


Heads down, pens flying, we write.

I use my purple ink pen.

Then we all look up at her,

expectantly.


"Now," she says,

standing by the windows in shiny black heels,

"rip it into a thousand pieces and throw it away."

Someone gasps.


"Don't share

what you wrote

with anyone."

Our eyes widen.


"That's right: this idea is yours.

To think about. To live.

Not to post on Facebook, Instagram, Snapchat.

Not to tell a soul."


We ceremonially

rip 

our revelations

to bits.


We file

out of class

in silence;

in shock.


I can't tell you what I wrote. I won't.

But I can say that it's

written in purple ink


inside me.
poem © 2018 April Halprin Wayland. All rights reserved

Here's what I wrote to fellow TeachingAuthor Esther Hershenhorn one night:

Just home from teaching. I was really dreading tonight's class... Revision is a hard topic to get through--how much work it takes to revise and rewrite. But it turned out to be a gloriously wonderful class... So I guess I'm a teacher after all.
.
It may have been the best class I've taught in years.  Funny how that happens.

And that's what I like about teaching: the intangible, gloriously wonderful, unpredictableness of it all.

Thank you for hosting PF today, Liz at http://elizabethsteinglass.com/blog/

And one more thing...Passover is March 30-April 7th this year, so...

...if you're looking for AUTOGRAPHED copies of my picture book, More Than Enough ~ A Passover Story (Reviewed in the New York Times!) call the fabulous folks at my local independent bookstore, {pages} a bookstore, 310-318-0900 to pre-pay (+tax & shipping) and specify who it’s for. Gift wrapping available on request.

Or buy at it your local independent book store!

(If there are no indies near you, that’s another story. Then by all means buy it here.)

posted with hope for teachers and students everywhere by April Halprin Wayland with help from Dropsy, a particularly contemplative goldfish in our pond.

That Thing with Feathers

Carmela started us off with Two Things My Students Have Taught Me; Esther followed with My Storied Treasures Treasured Stories! April discussed 2 Poems, 2 Lessons Learned from Teaching .

What we know is that writing is hard, messy work. The business of writing is even harder, and messier.



We have heard all the clichés: Inspiration comes through perspiration. Quality comes through quantity.

“Authors pretend their stories were always shiny and perfect and just waiting to be written. The truth is, writing is this: hard and boring and occasionally great but usually not. Even I have lied about writing. I have told people that writing this book has been like brushing dirt away from a fossil. What a load of shit. It has been like hacking away at a freezer with a screwdriver.” – Amy Poehler

Rejection is the very nature of the business. Lord of the Flies by William Golding was rejected 20 times. Carrie by Stephen King was rejected 30 times. A Wrinkle in Time by Madeline L’Engle was rejected 26 times. Harry Potter and the Sorcerer’s Stone by JK Rowling was rejected 12 times.

Gertrude Stein submitted poems for 22 years before finally having one published.

And despite all the advice not to take rejection personal, it is personal. According to Rowling, one editor told her to keep her day job. Alice Vincent reports (here) that one of the 15 publishers who didn't think The Diary of Anne Frank was worth reading, offered his wisdom: "The girl doesn't, it seems to me, have a special perception or feeling which would lift that book above the 'curiosity' level."

Herman Melville's novel about the white whale was rejected by editor Peter J Bentley, stating "First, we must ask, does it have to be a whale? ...While this is a rather delightful, if somewhat esoteric, plot device, we recommend an antagonist with a more popular visage among the younger readers. For instance, could not the Captain be struggling with a depravity towards young, perhaps voluptuous, maidens?" 

Ironically, Richard Bentley of the same London publishing house offered him a contract in 1851. Moby Dick was published 18 months later, when Melville arranged at his own expense for the typesetting and plating of his book to speed up the process. Young, voluptuous maidens never made the final edit.

So what do writers who teach writing learn from our students?

Because students have that thing with feathers, eternal hope.

“Hope” is the thing with feathers -

That perches in the soul -

And sings the tune without the words -

And never stops - at all –“ 

-- Emily Dickinson (For the complete poem, see Hope is a thing with feathers)


Students inspire us to keep trying.




Bobbi Miller
P.S. Photo by Pixabay