Showing posts with label teaching. Show all posts
Showing posts with label teaching. Show all posts

Friday, August 7, 2026

Who Writes History?

Who writes history?  Who creates the narrative?  Who and what are valued? How does the story get passed down? Does anyone check for context or accuracy?

When I began teaching, it was many moons ago before we depended on the internet for information…before we carried a tiny computer in our hand…before we had access and an expectation to seek out other points of reference.  It was a time when teachers were the gatekeepers of information.  I am ashamed to admit that history was passed down through me to young minds by rote.  I was young and simply repeated what had been repeated to me by veteran teachers who passed the narrative down.  History they say is written by the victors.  Many moons ago, I participated in this passing of information without context or critical analytical thinking.

As I moved through my adulthood, other influences found their way into my practice.  I began to understand that it is necessary to actively seek out alternative resources outside of the mainstream and expand one’s understanding of the world.  I found a group of educators interested in Critical Pedagogy and discovered resources like Rethinking Schools.

https://rethinkingschools.org/

https://rethinkingschools.org/articles/rethinking-the-american-revolution/

Eventually, I met Bill Bigelow at a Progressive Educators Network conference.  I was honored to find myself running in the same circles. And as circumstance would have it, apparently Bill had been a teacher at my high school in Portland, long after I had graduated.

From the Rethinking Schools website:

"Bill Bigelow

CURRICULUM EDITOR

Bill Bigelow taught high school social studies for many years. He is curriculum editor

of Rethinking Schools magazine and author or co-editor of several Rethinking Schools books: A

People’s History for the Classroom, The Line Between Us: Teaching About the Border and

Mexican Immigration, Rethinking Columbus, Rethinking Globalization: Teaching for Justice in an

Unjust World, Rethinking Our Classrooms – Volumes 1 and 2, and A People’s Curriculum for the

Earth: Teaching Climate Change and the Environmental Crisis. Most recently, he co-edited the

Rethinking Schools book, Teaching Palestine: Lessons, Stories, Voices. He co-directs the Zinn

Education Project on behalf of Rethinking Schools. Bigelow lives in Portland, Oregon, with his

wife, Linda Christensen."



                                                   Photo taken at the Barnes and Noble in Manhattan Beach, CA

Way led on to way, and I found myself introduced to A People's History of the United States by Howard Zinn.  A must read for every teacher and kidlit author, for that matter. As a follow-up to Howard Zinn’s writing, please check out The Zinn Education Project.

https://www.zinnedproject.org/

https://www.zinnedproject.org/why/


Another amazing organization that has been around for decades is Teaching for Change. 

https://www.teachingforchange.org/

https://www.teachingforchange.org/talking-to-young-children-about-america-


From the Teaching For Change website

"Deborah Menkart, Executive Director

Raised in D.C., Deborah’s activism began in junior high school when she protested D.C.’s “taxation without representation” and the “dresses-only” dress code for girls. The dress code changed, but D.C.’s colonial status continues. Her perspective on the world was shaped by being the first born in the U.S. of European immigrants on both sides of her family and being raised by a single mother who worked as a dressmaker. During the 1970s Deborah lived in San Diego, California, where she worked as a shipyard electrician and was active in the antiwar, women’s, international solidarity, and labor movements. Through all of these experiences she decided that for any social justice movement in the U.S. to succeed, a change in pre-K—12 education is essential. Since 1989 she has been pursuing that goal in her work at Teaching for Change."


Once activated, I became aware of this organization in the earlier days of teaching and my practice was forever changed. Years later, found myself sitting next to Deborah Menkart at my table at the CABA book awards when my book, Egyptian Lullaby received the award in 2024 from Howard University.  I was thrilled to meet her in person and couldn’t believe she had chosen to sit at my table.  Make sure you take advantage of their booklist! (where you'll also find my book, Egyptian Lullaby.)

https://www.socialjusticebooks.org/

These people and resources were instrumental in broadening my horizons and expanding my understanding of history and its many points of entry.

In addition to finding resources and developing a much more expansive knowledge base as a teacher (and eventually as a children’s book author), I began to discover the United States history in context with the other countries in our world through traveling. 

One memory that sticks out is of a bookstore owner in Chiapas Mexico.  I believe he was an expat.  For no apparent reason, he randomly gave me the last book, Century of the Wind from the trilogy Memory of Fire by Uruguayan author Eduardo Galeano.  What a treasure. These three books are of course written originally in Spanish.  The English translation is gorgeous so I can only imagine the original text.  Galeano tells the story of the Americas through short lyrical prose.  He creates short vignettes to take the reader through a history that acknowledges the imperialism of the US and the effect it has on the surrounding countries. Galeano provides windows into what was occurring in the different countries simultaneously throughout a timeline.  It is like drinking a fine wine.  The writing is exquisite.  It is an amazing history lesson as well as a beautifully crafted journey.

https://en.wikipedia.org/wiki/Eduardo_Galeano







On a different trip, a young person in Cuba ran up to me and put a miniature book in the palm of my hand.  It was Fidel Castro’s History Will Absolve Me. No matter your politics or beliefs, I believe it is crucial to read to expand your understanding...to extend the possibilities...to see your world with fewer limitations and in a broader context.

It’s never too late.

Just recently, I was traveling in South America.  Someone asked me where I was from.  I know better, but for some reason I said, “America.”  The minute the word came out of my mouth, I knew it felt wrong.  And it was.  The Columbian intellectual in front of me was quick to correct my error.  “You are part of America but you are not America.  We are all American.”  Duly noted.  

It’s never too late to examine the narrative we’ve been handed and adjust it, instead of just passing it to our youth thoughtlessly, both as teachers and authors. History after all, is a living entity, growing, transforming, and everchanging. It belongs to all of us, not just the victors.


By Zeena M. Pliska

Author of 

Hello, Little One: A Monarch Butterfly Story (Page Street Kids)

Egyptian Lullaby (Roaring Brook Press - Macmillan)

Chicken Soup for the Soul for Babies Say Thank You? (But Why?)  (Charlesbridge)

Chicken Soup for the Soul for Babies A Gift For Me? (I Want It!)   (Charlesbridge)

Thursday, June 18, 2026

2 Poems About Rewriting


Hello, Hello, Poetry Peeps!

Thank you, Buffy, for hosting Poetry Frday this week! (The link to Poetry Friday is at the end)

Our topic this time 'round is REWRITING, RECYCLING.

I've been crushed for time these last few weeks, navigating between getting out the vote for the California primary, a trip to see my dearest relative in Northern California (I live in Southern CA) who is going through a very difficult time, a trip to see our wonderful daugher-in-law and son (aka our kiddos) in Albuquerque, and taking off in a few days on another trip with the aforementioned kiddos!  

I'm excited...and, okay, exhausted. (Aren't we all?!?)

So, instead explaining how I rewrite, here are two poem about rewriting:

A WRITER ON HALLOWEEN by April Halprin Wayland

I push open

the heavy door.

I take out the cleaver, the machete,

the switchblade, the scalpel, the penknife,

the X-acto knife.

 

I plunge my arm into the oily black pile of drafts

and haul one out.

And though it screams a thousand deaths,

I stab it over and over and over with the cleaver,

hacking it in two.

 

Then I amputate.

I sever. I cut.

I carve.  I slice.

Finally,

I mince words.

 

I take a breath and step back to admire my bloody work.

Then…I drop it back into the oily depths,

pack away the knives,

wipe the black spots off my desk

and leave.

 

I close the heavy door.

I will come back.

Tomorrow.

To do it all

again.

©2026 April Halprin Wayland all rights reserved

The next poem is based on one session of my 10-week picture book class. That day is all about rewriting. It's my least favorite class to teach, because basically I'm showing my students that it's not always a walk in the park. As most of you know, it can be a long slog to get a book published (New Year at the Pier took nine years from first draft to publication). 

One of my favorite exercises in this class, to lighten things up (after they are stunned by how long it takes, how every detail matters, and how hard it can be), is to hand each student a can of Play Doh and give them seven minutes to make a character—human, animal or something else. 

When time's up, each student shows the class what they made. This part is fun. 

Then, every student moves one chair to the right, sitting in front of someone else's creation. Their assignment is to make one major change to the character.  I give them six minutes to do this. 

When they are back in their seats, I say:"Congratulations--you've just been edited!" 

Then each student shows us what their "editor" did, and shares how they felt when their beloved creation was changed. 

It's a fun way to think about this process.

CHANGE by April Halprin Wayland

I pinch a pink pig,

gash a green grape,

coil a coral curl,

roll a red rope,

bend a blue bow,

swerve a cyan swan,

then share what I make!

 

But...

hey, don't change that!

No pig wears a hat!

No swan puts rouge on!

Oh, wait—that's a squid.

I like

what you did.

©2026 April Halprin Wayland all rights reserved

Here are three questions for you:

>Do you love or hate to rewrite? 

>How does your critique group help you make a manuscript or poem better? 

>How many times did you revise this week's blog post?

I can't wait to read your answers.

Thanks again, Buffy, for hosting!


posted with love and a little help from Sadie, our hilarious pup:

catching some zzzs with her favorite suffies, Peacock and Skull


"C'mon," she says, on our hike

"Stop posting so we can play!"

#toobusy #rewriting #poemaboutrewriting

Friday, February 20, 2026

What's old is new again!

Sharing the New Somethings I've so far planned for this new year 

has me smiling.

Here's why.

I collected so many 5 x 7 Little Ling Calendars since 1996, they 

became re-usable!

My calendar match for 2026?

1998...


...truly a Banner Year for me professionally.

Fingers crossed the New Somethings that follow be the first three 

of many that auger a similar year.

They certainly prove the adage "Everything old is new again."


New Something #1

I've returned to beginning each day writing my stories.

That practice led to 1998's publication of my first children's book, 

There Goes Lowell's Party!, as well as the sale of two picture 

books - Chicken Soup by Heart and Fancy That.

For eight weeks now, I've spent my mornings with a Story Star 

who claimed my heart and refused to let go. 

As luck would have it, her story is set in Philadelphia in the

late 1830's, the very time and setting of Fancy That.

First thing each morning, a fresh cup of coffee beside me, I'm

back in my limner Pippin Biddle's world, re-reading research

notes, paging through familiar reference books, immersing

myself in my character's story to learn who and what claim

her heart.

Fancy that!


New Something #2

I will not only teach one of the Chicago Newberry Library's

many singular workshops - "Oh, the Possibilities: Writing

for Children" on February 28.

For the first time ever, I will be a Newberry Library student,

registered and rarin' to go!

"Exploring Chicago's NorthSide" is an eight-week seminar 

that explores seven of Chicago's neighborhoods on the 

near North side through readings and Walking Tours.

I found my way to the Newberry Library soon after I began

teaching Writing for Children classes at Ragdale in 1998.

This year marks my 25th year of teaching (both in person

and virtually) "a bounty of new berries, each ripe with

story."

How nice to be a "new berry," too.


New Something #3


John F. Kennedy said, "Change is the law of life."

The Manuscript Workshop I've taught for the last ten

summers at the Landgrove Inn in Landgrove, Vermont 

now has:

    new dates - May 31 through June 5;

    new owners - Emily and Bruce Haupt;

    a new name - The Landgrove;

    a new chef - John Gould;

    and at long last, new Internet service!

The stars were aligned at SCBWI's 1998 Summer

Conference because not only was I named SCBWI's

Member of the Year, I met Barbara Seuling!

It was Barbara who mentored me to become a Writing

Coach, and as if that wasn't life-changing enough, 

Barbara gifted me with the opportunity to continue

her long-time Manuscript Workshop.

The Workshop evolved, so that now I both teach and

coach writers to help them tell their stories, in a much

smaller group limited to six.

Barbara's demand for Excellence and love of writing

for children remain ever present.


Here's to your New Somethings for a Banner Year!

Oh, and thanks to Susan at Chicken Spaghetti

for hosting today's Poetry Friday.


Esther Hershenhorn

P.S.

If this now-updated post looks familiar to some, 

it's because I mistakenly uploaded it on

January 23!

P.P. S.

Check out this virtual Newberry Library class:

"Laura Ingalls Wilder and the Little House Books:

'But It Was A Different Time Then."


Friday, June 7, 2024

Congratulations on 15 Years!!! Here's to 15 More!!!

Congratulations to Danielle H.  You are the winner of the blogiversary giveaway!

The best thing about this 15th blogiversary is getting to know my fellow bloggers. I am the new kid on the block, so I actually don’t know everybody’s stories.  Because stories bring us closer together and build relationships, this has been the perfect opportunity to peer into the lives of the 5 other authors/teachers and feel genuinely a little closer to them.  Seems so strange in this digital world in which we live, I have blogged with Carmela, Bobbi, Esther, Mary Ann, and April for over 3 years and barely know them except for April. 

I was invited to temporarily blog as a substitute by April.  I was honored that such a renowned children’s book author would even consider including me.  April has quite an amazing reputation amongst up-and-coming picture book authors who have taken her UCLA extension classes.  She is a legend. I am humbly grateful. 

Carmela, I did not know that you got your MFA in Writing for Children and Young Adults from Vermont College and I didn’t know that your published middle grade novel was your creative thesis.

Esther, I didn’t know that you wrote S is For Story.  So sorry it’s out of print.  It sounds wonderful!

Mary Ann, I didn’t know that you have a 30-year-old daughter who teachers pre-k in a public school.

I am looking forward to the other stories to be revealed through the blog posts that follow mine.

As for me, 15 years ago…

In 2009, I was almost 8 years into my adventure as a single parent by choice.  





Prior to my decision to have a child, I had told stories as a filmmaker (ish), journalist, theater director, visual artist, and photographer.  I was a world traveler and a social justice activist. My story making days were put on pause as I concentrated on making my own life stories with my young daughter. My craft as a teacher got stronger as I found myself interested and immersed as a parent in my own daughter’s education.  I was happy to let go of the other directions that my life had taken, to concentrate on this new phase.  

However, I did hold on to one aspect of my activism, electoral politics. Gone for the moment were the days of making change through direct action, legal observing, and organizing.  My good friend was elected to the school board (of the second largest school district in the nation) and I found myself in a close relationship with the policymaking of my district.  Education justice became my focus.

I am happy that my life veered off in these new directions.  They have added to my understanding of the world and have strengthened the storytelling I would eventually return to as a children’s book author. Although I had dabbled in picture book writing in my early adulthood, I entered the kidlit world with commitment when my daughter became less dependent on me. I began writing when she was 13.  Signed with my agent when she was 17.  Published my first picture book when she was nearly 19.



As for my two loves: Education and Publishing, 15 years ago…

We started to see the negative effects of the policies of No Child Left Behind, enacted 9 years prior.  High stakes testing began to permeate the elementary school experience, shifting the focus of teaching. In 2010 the Common Core Standards were adopted in California. As I wrote about in my last post, the Common Core Standards have moved the expectation of young readers away from fiction and toward non-fiction. Imagination is less valued as a result of these standards. I feel that the shifts in education have moved the publishing industry, as well.  I read far fewer current picture books with fictional stories to my kindergarteners because books without complex, narrative stories seem to be the norm.  I see many Social Emotional Learning themed books that encourage readers to “be themselves,” “be strong,” “be brave.”  There are plenty of non-fiction picture books. I can’t say that I don’t long for the stories of the 90’s. Don’t get me wrong, I love the books that I see my fellow authors write.  I also find myself writing books that fit in this current market. I do hope that the pendulum swings a bit to include strong fictional picture books with narrative stories. 

I also have observed and am reading articles that are noting that children are reading less for enjoyment.  As a teacher, I am noticing this trend as well and believe that there is not one factor but maybe many.  Of course, I believe that social media and electronics in the hands of young children must have some effect.  How can it not?  At the same time, the focus on “the science of reading” has created a culture of reading for utility not joy.  Add to these ingredients, the over-testing of very young children which leads to the false assumptions that 4 and 5-year-olds should be reading or they are failing.  Also add an over scheduled world and we just might have the perfect storm. We’ve created an environment that doesn’t value the joy of reading. We don’t value imagination.

In the last 15 years, the corporate narrative that public schools are failing has become stronger.  Blaming teachers and public education for gaps between the “haves” and the “have nots.” Book banning has proliferated.  And AI is creeping into the education of our very young  (I am currently in development on a short narrative film exploring this topic.)

But all is not lost nor shall it ever be as long as we continue to use our voices and teach others to use theirs as well.  This is why I am a teaching-author.

Finally, the theme of coming full circle came up in the other blog posts.  For me, I also find myself full circle.  Having begun my storytelling journey wanting to tell stories utilizing the medium of film, I have returned to my post-college roots to explore short filmmaking while I continue to write more children’s books and teach more children.

What will the next 15 years bring?

By Zeena M. Pliska

Check out my developing film project

Check out my developing film project


Friday, March 1, 2024

Play, Play, and More Play

My word for the year is PLAY.  The opposite of toil.  And why not? 

17 years ago, at my current school, I wrote my Teaching Philosophy to articulate the direction that I was headed as a kindergarten teacher.







“I believe in the power of play (think of anyone you know who has lost their passion for life and they’ve probably forgotten how to play.)

I believe in learning through wonder, exploration, and discovery (think of anyone you know who is a lifelong learner and they’re probably driven by wonder, exploration, and discovery rather than thinking of learning as a task that must be completed.)”

My commitment to play has become even more entrenched.  I’m not sure what my life would have been like had I not found my way to a career surrounded by 5-year-olds and a life of visual art and writing for children.  Play is powerful. My own daughter went to a school until she was 12 in LA committed to play, Play Mountain Place.  I carry the lessons of our experience there as a parent into my classroom every day.

https://www.playmountain.org/

I design writing, reading, math, science, and social studies invitations to deepen the play and find relationships between scholastic skills.  




Writing is a tool to express oneself.  This is the reason to learn to write.  Our week is designed with many different projects anchored in play, all leading to the goal of writing.  Story crafting in the Wildlands (an acre of outdoor learning on campus), the classroom, or the play yard is designed to end in writing.  Making inventions at the Maker Table is designed to lead to writing about the invention. Consistent writing leads to more writing.  Writing makes stronger readers. All of this steeped in play.





In my own writing, play drives my work.  It is the joyful adventure of following an idea without fully knowing where I’ll land.  It is playfully following the twists and turns. It is the journey of delight that brings me back to the computer (or notebook) again and again.  Creativity anchored in play is like a drug. If it were toil, I doubt I would be compelled to return over and over.  It is play that drives me. Play that beckons me back. Play that keeps it fresh, alive, and youthful. 


Friday, October 16, 2020

Surprise, surprise!

I’ve spent a lifetime creatively visualizing Desired Outcomes.

I’d read early on that doing so not only aided a Positive Mental 

Attitude.  

It led to Success.

Even Oprah highly recommended the practice.


So,

“Just imagine…,” I’d tell my former fifth-grade teacher self, closing my 

eyes…

…authoring children’s books someday,

…receiving starred reviews,

…winning awards,

…and finally, finally, teaching Young Writers as a school’s 

Author-in-Residence!


Well,

I’m happy to report: after years on task, learning my craft whilst 

reading-writing-and-connecting, after keepin’ keepin’ on DESPITE the 

non-stop challenges, the above Desired Outcomes came to be.

I became a TeachingAuthor.

(YAY!)

But…surprise, surprise!

Just like the Heroes and Heroines of the books that fed me, I, too, 

returned home with something even better than what I’d first sought.

I now teach and coach once-young writers how to write for children!

And, oh, how I love doing so.


Alas, and of course, many of my challenges refused to disappear.

Indeed, one in particular grew monster-like before my very eyes: 

Technology!

Yes, I’d learned to co-exist with first the Word Processor, next my 

desk-top computer, 

then finally my laptop.

And to everyone’s amazement, I joined this blog and have posted 

non-stop since the Fall of 2009.

Still, technological advances continued to dog me.

Me, learning disabled. (I’m a multi-sensory learner.)

Me, a true Luddite.

Me, downright fearful of all I didn’t but needed to know in order 

to join the Virtual World, especially and most recently when COVID-19 

reared its virulent spikes.


But, surprise, surprise!

Creative visualization once again proved worthy. 

“Just RE-imagine…” I told my TeachingAuthor self, closing my eyes,

…mastering ZOOM,

…learning new Best Teaching practices,

…refiguring and reshaping my presentations,

…and finally, finally, teaching students in Cyberspace.


And,

I’m happy to report: I am not only teaching remotely; I am LOVING it!

(YAY! Who knew?)


Meet my first online students (minus one) from my Summer Newberry 

Library Advanced Picture Book Workshop.  I dubbed them My 

Newberry Squares. The Thanku I wrote in 2013 still applies.


                              My delicious class -    

                              a bounty of new berries, 

                              each ripe with story.


This Fall I meet weekly on Wednesday evenings with My 

Newberry Squares II, teaching them the Picture Book’s magic.

Last week I introduced the Children’s Book World to 15 eager 

writers during my University of Chicago Graham School Writer’s 

Studio offering.

I’ve used my spiffy-new OBS software to create live faculty 

introductions and course descriptions.

And for the first time ever, I recorded and filmed an 

orientation session for my SCBWI Illinois Chapter’s November 13-15 

interactive 3-day conference Full Zoom Ahead.


It’s a Brave New World, alright.

But with the help of friends, family, colleagues, fellow bloggers, 

supportive teaching communities, ZOOM workshops and both a 

VERY patient blog administrator whose initials are C.M. and a gifted 

technology tutor, Logan Kulinski - extraordinarily sensitive to the fears 

of a once-young writer, like my Heroine William Steig’s Irene I’m 

becoming more brave.


Happy Braving! The surprises are worth it!

Esther Hershenhorn

P.S.

Thanks to Janice Scully for her first-time hosting of Poetry Friday today 

at Salt City Verse.


Wednesday, September 9, 2020

Take My Picture Book Class From Your Front Porch!

Howdy Campers!  

My fabulous 2019 class with some of their favorite picture books
helps me celebrate my 20th year teaching in UCLA Extension Writers' Program

My 10-week Beginning Picture Book class begins Wednesday, 9/30/20 to 12/9/20 from 3-6pm PST. I'd love to see you in one of those friendly squares. If you're interested, sign up SOON, enrollment's limited. More info at the very bottom of this post.

Welcome to another...

I've been feeling breathless about teaching virtually (see Margaret's wonderful One Word poem on this topic) and yesterday my generous UCLA Extension Writers' Program colleague, Adam McOmber, who also teaches in the Vermont College of Fine Arts, administered virtual oxygen to me. As so many of you know, the amount of stuff to learn can be freaking overwhelming. But with Adam's help (and the help of my wonderful Program Rep, Ashley Griggs) I'm finally getting it.

Deep breath.

Today's WWW comes from an exercise Adam uses in his novel writing class, which is also a great prompt for picture writers and for poets, with a little tweaking.
photo of Adam McOmber by Ryan Bakerink

He gives each student one chapter of a book. After they've read it, he asks: what are three inspirations you got from this book?

===================================
For picture writers:

1) Read a picture book.

2) Write down three things in this book that might inspire a new picture book or inspire you to rewrite an existing manuscript in a completely different way.

====================================

For poets:

1) Read a poem.

2) Write down three things the poet does that might inspire a new poem or inspire you to rewrite an existing poem.

Try this!  And please let me know how it goes. I really want to know. 

~ UCLA EXTENSION WRITERS' PROGRAM PRESENTS~
Writing the Children's Picture Book


photo of April Halprin Wayland (and Steve, the guy who took her on her first date) by Sonya Sones

when? 10 Wednesdays, 3pm to 6pm PST, 9/30 to 12/9 (no meeting 11/11)

where? Anywhere!

Designed for beginning picture book writers, this fun, fast-paced course surveys the genre's breathtaking possibilities, exploring its art, craft, and publishing practices (what are editors looking for?). You'll compare a wide variety of picture book structures, characters, and themes, and learn how to use voice, poetic and muscular language, point-of-view, repetition, and more. Through a balance of lecture, writing assignments, feedback, and the 10 books you read each week, you'll gain a clear sense of your own writing strengths, the ability to give and receive valuable critiques, and knowledge of the submission process--all in a nurturing community of writers.
Instructor:
April Halprin Wayland is the author of seven picture books, including More Than Enough: A Passover Story (Dial), It’s Not My Turn to Look for Grandma! (Knopf), and New Year at the Pier: A Rosh Hashanah Story(Dial), named Best Jewish Picture Book and winner of the Sydney Taylor Gold Book Award. Ms. Wayland won the Myra Cohn Livingston Award for Girl Coming In for a Landing: A Novel in Poems and has won seven poetry awards from the SCBWI. She is a recipient of the UCLA Extension Outstanding Instructor Award in Creative Writing.
Our Students Say it Best!
“Not only is April some kind of genius of rhyme and language, but she is a fabulous instructor—clear, endlessly inventive, and no-nonsense. I have learned more than I thought possible and had a great time doing it."

"Every class the three hours flew by.”

"She presented a great combination of whimsy, encouragement and discipline that I thought was the perfect tone for beginners like me."

37609: Picture Book I WRITING-X 441.1; 3 Credits; Writers' Program: (310) 825-941writers@uclaextension.edu
                                           https://tinyurl.com/y5esk2xk  Enrollment limited.

posted by April Halprin Wayland, with the help of Eli and Monkey ~


Friday, April 19, 2019

Letting Go of Fear (in Our 10th Year!)

.
Howdy, Campers! Happy Poetry Friday! (poem and the link to PF is below)

Before we begin, there's good news for those of you who want to win a terrific book: We’ve extended the deadline to enter our latest book giveaway of a signed copy of The Magic Words: Writing Great Books for Children and Young Adults by editor and author Cheryl B. Klein. You’ll find giveaway instructions in Carmela’sMarch 29 post. The new deadline is now Tuesday, May 7, in part to honor the 100th anniversary of Children’s Book Week. Click here to find out how to enter.

And now...happy 10th blogiversary, fellow Teaching Authors! In particular, happy blogiversary to our founder and fearless leader, Carmela Martino, who has steered the TA ship across the years. I cannot begin to thank you for hauling me on deck just before we set sail. My world is so much richer for it!

pretty amazing

In honor of this memorable milestone, all current and several former Teaching Authors are sharing our favorite posts.  I've decided to go all the way back to 2009. Here's my post on our first topic, "How I Became a Teaching Author."  At the end of that post I conclude that teaching is generosity.

I've become more and more comfortable being honest with our readers. Today I know that being honest is a form of generosity.  (And to be honest, I was scared straight out of my jimmy-jammies writing that post.)

In this safe space, we've often shared fears about writing or teaching (find some of those posts here); I felt like an imposter as a writer and as a teacher for so long, fear was a second skin.

But this year something's changed. 

I must be like the Cowardly Lion at the end of the movie, The Wizard of Oz. As he is awarded a medal for courage, he becomes brave. After I was given an outstanding instructor award by the UCLA Extension Writers' Program, I believed that I actually was a good instructor, rather than pretending to be one.

Here is a not-yet-good-enough draft of a poem about how I so often felt:

TEACH
by April Halprin Wayland

I cannot do this today.
I sit on the stool in this empty classroom.


How dare I believe I can teach.
Am I a teacher?

Do other teachers feel this way--
slightly flu-ish, wanting to puke, even?

They should bring in someone else,
someone with a sword, maybe.

I wonder if my second grade teacher felt this way.
I wonder if all my teachers felt this way.

I almost fall off my stool 
imagining that.

But as I began teaching the first quarter of this year, here's what I wrote:
.
AGAIN
by April Halprin Wayland
.

Again she drives in early
unloads books
hooks up her laptop to the screen
puts one sheet of lavender paper
on each desk
puts the perfectly blooming hyacinth
just so on the edge of her desk
tapes her favorite quote on the front door
and two more inside her classroom.
.
Again she takes off running shoes
puts on high heels
brushes her hair
fills her water bottle
settles in.

She breathes for a moment,
closing her eyes.

Then she looks at the clock,
opens the door
and...
begins.

poems (c) 2019 April Halprin Wayland. All rights reserved. (Even on that crummy draft.)

One sign on my classroom door

As we celebrate 10 years of this blog, I celebrated 20 years as an instructor in the UCLA Extension Writers' Program.

I am no longer afraid to walk through that door. (And, though the fear has diminished, I still sweat writing this blog!  Perhaps that fear will disappear by our 20th blogiversary.)


my wonderful first class of 2019 holding some of their favorite picture books
both photos taken by our guest speaker, author Alexis O'Neill

Thank you for teaching me so much, readers. 

Happy Ramadan, Passover and/or Easter to all!

 And thank you, Amy at The Poem Farm for hosting!

Posted by April Halprin Wayland with help from Eli, the licky, lanky dog with the operatic bark.

Eli consulting Bear

Wednesday, November 28, 2018

Picturebook Prompt ~ Dialogue is Sriracha Sauce

.
Howdy, Campers, and welcome to another of our occasional Wednesday Writing Workouts!

 

Next Monday is the last class of this quarter for my Picture Book course...and on Saturday, January 26th, I begin my 20th year of teaching in UCLA Extension's Writers' Program. (HOW CAN THAT BE when I'm only 26 years old?)

We're trying something new next quarter: 10 Saturday classes beginning January 26th from 10am-1pm. (I'm already dreaming of less traffic on Saturdays! Please spread the word to your friends in the LA area: here's the link)

In last Monday's class, we talked about the use of dialogue in picture books and how much fun it is to read these books aloud. I learned early on that including dialogue is like pouring Sriracha sauce on oatmeal. 

image from Pixabay

My first book, To Rabbittown, written in free verse, contains no dialogue. But my second (The Night Horse), third (It's Not My Turn to Look for Grandma!), fourth, (Girl Coming in for a Landing ~ a novel in poems), and fifth books (New Year at the Pier) do.  

I needed a writing exercise to reinforce my lecture. Creating it was like putting together a two-piece puzzle.
image from Pixabay

Here's what inspired this exercise:
1) I heard an excellent presentation at SCBWI's conference in L.A. this August by the always wonderful Candace Fleming about how she wrote the multi-award winning book, The Giant Squid.  One of the things that struck me was that she chooses a word or phrase as her guiding light before she begins researching or writing any book. She calls it the Vital Idea. This isn't a new concept, but the way she presented it helped me understand how crucial this is. The Vital Idea she chose for The Giant Squid was Mystery. Every page, every verb reflects this idea.

2) My friend Ellen recently took an improv class. She reminded me that every idea in improv is answered with "Yes, and..." (For example, if someone is pantomiming and says, "I'm carrying my mother's alligator." the response must be, "Yes, and..."  It's never "No, but...").

So here's my DIALOGUE IS SRIRACHA SAUCE exercise:
1) come up with a Vital Idea (the guiding principle of the story).  
and
2) write a story completely in dialogue. 
A further suggestion, which you can take or leave, is to have one character always start by saying "Yes, and" or "No, but."

As my students settled down to write, I wrote, too. The Vital Idea I chose was: This world is not safe. (That was the first thought that came to my mind...which is just sad). Here's my very raw draft:

NEVER GO TO Z STREET
by April Halprin Wayland
.
A: Never go to Z Street: there are tigers.
B: Yes, there are tigers and lobsters with ginormous claws on Z Street.
A: Lobsters with ginormous claws?
B: Yes and poisonous carrots!
A: Poisonous carrots?
B: Yes and they kill you after six bites!
A: Couldn't you just not eat the poisonous carrots?
B: No—poisonous carrots sing to you and you can't help but sit down and lean against them and then they encircle you and all is lost.
A: All is lost because they make you eat them?
B: Yes.
A: They want you to eat them?
B: Yes.
A: Okay. Never go to Z Street: there are tigers and lobsters and poisonous carrots.
B: Yes and also there is a little kid with dangerous and sticky fingers who takes your hand and is forever glued to you.
A: Forever?
B: Yes, except when you're eating a poisonous carrot.
A: Okay, so: never go to Z Street, for there are
B: tigers
A: and lobsters
B: and poisonous carrots
B and a little kid with sticky fingers
B: like mine
A: forever glued to mine.

poem (or whatever this is) © 2018 April Halprin Wayland. All rights reserved

so...
DIALOGUE IS SRIRACHA SAUCE
.
if you
just use a
teeny bit

or if you use
too much
of it
poem © 2018 April Halprin Wayland. All rights reserved


Try this exercise, and if you have any suggestions on how to make it better, please let me know! 
April Halprin Wayland